Diasporic Fever Dream
The river
splinters
its many
tributaries,
veins feeding
new shores
The cutting stone
juts
in the riverbed :
the crux
of colonialism
is dispersion
torrentialforces
expelling
p a r t i c u l a t e matter
each sphere
is a world
a sphere of identity
aside: how many spheres
do the post-colonized juggle?
in America you are
Black
blickity blickity Black
but home you are Caribbean
not like
those Americans
those vakabon
thugs
scum
because Western racism
sews itself into even
the black psyche (
see Fanon//fruitful discourse)
your tongue
is too heavy
too American
for your own language
but// you are not
the hyphenated-American
America
demands you be
enough hearing
the Artibonite River
thundering in your dreams
hearing in your mouth
Taíno screams
echoing
to s t r i n g yourself
across culture
is to split the flesh,
wound the sacred psyche
on barbed
existential dread
how many spheres
can you occupy(
like they occupied
us?)
let us count
the masks
or else
be all of your faces
not one — and be done
set aside
the analytical frameworks
the race/class theory
the history
of gunpowder, sugar, rain
semiotics
dictates:
symbols have only
the meanings we give them
& History
is a symbol
of power
Let your history
be
what you shape it :
let it be that:let it be
yours
Schneider K. Rancy is a Haitian-American graduate of Columbia University, where he studied English and Comparative Literature and Biology. His poetry has been published in Columbia New Poetry, Intima: A Journal of Narrative Medicine, Ars Medica, and Apogee. His novel Beyond the Baths of Stars was selected as a semi-finalist for Black Lawrence Press’s 2017 The Big Moose Prize and a finalist for the University of New Orleans’ 2017 Publishing Laboratory Contest. He lives in Brooklyn, NY.
Edited by Krista Starrett.
The featured image is "A Haitian woman wades through the waters of the Riviere Grande Anse" by The 621st Contingency Response Wing.