Inventory • Please Give Your Fundraiser a Title—
1. Inventory
He owns seven New Balance shoes, all rights
that have lost in this house their one-time partners.
In other words, he has—we have—lost
all the lefts.
Also in residence: four thousand dollars of pasta
and tampons, power tools and chocolates
for shipment to strangers, he’s vacuuming his roof past
midnight, his neighbor reports, amused.
Requiring immediate action: Your father
has started blowtorching the weeds
in his yard, I’m worried he’s going to
catch his and our house on fire.
Neurologists decipher gray and white blobs,
scanned along what I’m told is my father’s
frontal lobe. Surprising: memory
here is typically relatively
preserved. Instead: progressive
decline in behavior, language,
movement. Not that it started here
—not that I know where it started.
All his friends stopped visiting
probably when he stopped
inviting them, a decade or two ago.
Now we’re all embarrassed.
Did you know rats and roaches
are social creatures? A mischief
of rats, an intrusion of roaches, a
collapse of persons. In this house
I watch a roach mother and her young
dance across the knives, over dinner
platters for parties not hosted, into
mildewed piles they seem to call home.
We live
infiction
made up
and real:
I count
backwards:what
you need
againstwhat
I have.
Medical debt,
researchers find,
is our
leading cause
of bankruptcy.
I count
if we
have enough
, enough
, enough.
Try, pray
not to
become a
public GoFundMe
page;
dignity
is a
green bar
that says
almost there.
Sarah Matsui is the winner of the 2021 Sewanee Review Nonfiction Contest judged by Stephanie Danler, the 2022 Fractured Lit Contest judged by Deesha Philyaw, and the 2023 Bread Loaf Katharine Bakeless Nason Award. Her poetry is featured in the San Francisco Asian Art Museum’s Bernice Bing Contemporary Art exhibit from June through December 2023. Matsui’s work explores the tensions between mine / yours / ours, dominant narratives and counternarratives, language as a site of connection and conflict, agency and powerlessness, immigrantness, and Asian Americanness. She's currently working on her debut essay and poetry collections. Born and raised in Honolulu, she now lives in San Francisco.
Edited by Stuti Pachisia and Maria Picone.
The header image is an excerpt from "Metes and Bounds," created by Ellen Wiener, featured artist for the winter edition of Issue 16: Proximities.