A swirl of trash – / I’m dodging it. / A gust of nasty wind. / Now you’re about to be / even more remote.

The purple haze of Jupiter surrounds us in its cool-toned glow.

From my desk, I watch her turn the pages. She is meticulous, each touch / feather-light and exact in her dissection.

the world ran out of people / but we’re still here / we do normal things / take the subway home to / each other hold hands / when no one’s looking

At age four, I used to secretly squeeze through the cracks in our backyard fence to go and explore the world on the other side.

‘The Human Trap‘ portrays the failure of the world to reconcile the concepts of evolution and globalization.

Who can we trust to convey information to us, and how much are we actually willing to accept truths that counter our own realities?

Tell us where your beliefs take root, what you build your activism upon, and how you form your own narrative in the wilderness of technology, media, politics, and religion.

This series of hybrid gag panels and short prose is modeled after mid-century children’s comics like Casper, Little Dot, Little Eva, and Little Lulu, but stars “Kayla,” a self-portrait character whose blank eyes and somewhat sad, harried expression never changes.

In the fall of 2012, I moved to Kabul, Afghanistan.

Artist, designer, and teacher Katie Reigner tackles our fourth issue with two pieces of musical poetry accompanied by a watercolor illustration.

…there is no literary character more similar to the President-elect than Napoleon Bonaparte as depicted by Tolstoy in War and Peace.

I heard in a Black boy town / there was a pool filled / with red / and the white people

The first time I heard about the recording of President-elect Donald Trump bragging about his demeaning treatment of women like it was a badge of honor, I no longer wanted my boyfriend of five years to touch me.

The morning after the election, I agonized about how to talk with my first-year students about the outcome.