Fear of Long Words
Long after mother had said
“goodbye” to her piano,
Dad — dead drunk,
broke her mandolin.
In tears,
she picked it up
off the kitchen floor,
its neck broken
and held by the strings
like a limp
dinner chicken.
I hated hating him.
When he died
I cried,
relieved.
That monster:
even the whiskey
I guzzled
couldn’t keep him
from trying
to be reborn
inside me.
I’m almost well now.
In the garden
you see me through a window
and wave.
I’m under a big straw hat
and you think I’m digging holes
for tulips.
But, like a gopher,
I’m checking for softness
in the ground,
a final resting place
to bury the memory of
his grinning skull:
the last goodbye I got
when I found him,
staring at
a black and white test pattern
on the Zenith TV.
Last night,
you asked me what I was most
afraid of…
I lied and said it was
a fear of big words.
“Hippopotomonstrosesquipedaliophobia?”
you asked,
sounding out every vowel.
That’s right,
‘only Hemingway for me,’
you fuck-face,
I thought to myself,
smiling like a China doll
and nodding mechanically.
Peter Coe Verbica grew up on a commercial cattle ranch in Northern California. He obtained a BA and JD from Santa Clara University and an MS from the Massachusetts Institute of Technology. He is married and has four daughters.
Edited by Krista Starrett.
The featured image is "the vicious circles" by Evan P. Cordes.