Hallway Song
Summer Camp, Texas, 2009
First I wake the body
to unring a bell—
as the proctor rolls up
I slam down right on the tit
of the sexy mermaid we sculpted
in the sand pit.
Now I wind it
as a cannon.
As a watch.
Feel that cool burn—
the metal door between me
and more
metal. I mean I look down
the hall—a dead
contraband flip phone
smothered in my bunk
bed.The blue glintoff
the handcuffs
that the boy has waiting
for me. I remember
the story—swiped
from his cop dad. I remember
the feverish red marks they left
the first time.
A little fun.
A warning.
When boys become boys
with weapons
there’s little girls that become
more body
than girl.
I told his friend no
(even after that sick-
sweet letter—even after
the other girls said lucky)
so this body is the fine I’ll pay.
But it’s alright. I’ve trained for this.
I know how to anticipate the bite.
How to flip the widow spider
on its back and press—
to kill.
Rather than tell
the all-male camp counselors
I’ll take this screwdriver, this pike,
this ad hoc chainsaw
found under a park bench,
and step into the thunder dome.
Hannah Schoettmer's writing has appeared in The Louisville Review, Glass: A Journal of Poetry, SOFTBLOW, The Shore, and elsewhere. She's received fellowships and support for her writing from Brooklyn Poets and the Seattle Opera, among others. She's the author of "Body Panopticon" (Bottlecap Features). She lives in Los Angeles. .
Edited by Elizabeth Upshur and Jerica Taylor.
The featured image was created for this piece by our Art Director, Meg Sykes.