Resources – Seventh Wave https://www.theseventhwave.org Art in the space of social issues Mon, 21 Oct 2024 18:58:21 +0000 en-US hourly 1 https://www.theseventhwave.org/wp-content/uploads/cropped-favicon-32x32.png Resources – Seventh Wave https://www.theseventhwave.org 32 32 10 TSW writers to read for National Hispanic Heritage Month https://www.theseventhwave.org/bulletin-tsw-writers-national-hispanic-heritage-month/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-tsw-writers-national-hispanic-heritage-month Fri, 18 Oct 2024 16:48:56 +0000 https://www.theseventhwave.org/?p=20427

Get to know these TSW voices.

Today, we’re sharing 9 pieces written by Seventh Wave writers and poets that we published across our past 17 issues. In this powerful roundup, you’ll find essays that illuminate a long lineage of trauma brought about by empire; poems that dig into the history of discrimination; pieces that celebrate the joy of kinship; and short stories that render entire webs of complex relationships visible on the page.

These writers represent a vast array of forms, lived experiences, and identities, and their words paint a stunning collage of perspectives. Our hope in sharing these pieces is that they will act as entry points for you to get to know some incredibly urgent, necessary talents within our TSW community.

Below, you’ll find work by the uber-talented Aline Mello, Jesse Gabriel González, Aling Zulema Dominguez, Maya Garcia, Alysia Gonzales, Rogelio JuárezTeri VelaDayna Cobarrubias, and Michael Sarabia. Read and return to these voices often. 

  • All Posts
  • 1: Perception Gaps
  • 10: Willful Innocence
  • 11: Actionable Storytelling
  • 12: Before After
  • 13: Rebellious Joy
  • 14: Economies of Harm
  • 15: Root Systems
  • 16: Proximities
  • 17: The Cost of Waiting
  • 2: Labels
  • 3: Who Gets to Belong?
  • 4: You Are Politics
  • 5: Artificial Realities
  • 6: Dangerous Bodies
  • 7: In Opposition
  • 8: Power And
  • 9: What We Lose
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  • Prose
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Throughout the year, you’ll continue to find pieces like this that celebrate our community of voices. If you’re looking for more resources or writing from Latinx writers and poets, check out CLMP’s roundup, “A Reading List for National Hispanic Heritage Month 2024.”

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10 books by TSW writers for The Sealey Challenge https://www.theseventhwave.org/bulletin-10-tsw-books-for-thesealeychallenge/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-10-tsw-books-for-thesealeychallenge Mon, 05 Aug 2024 05:12:22 +0000 https://www.theseventhwave.org/?p=18979

If you’re doing The Sealey Challenge this year — reading one book of poetry per day in the month of August — and looking for a few more books to explore this month, we’re here today to suggest these 10 brilliant poetry books by TSW contributors, all released within the last year and sure to be your next favorite read.

Kanta_Ancestral-Wing

Sneha Subramanian Kanta‘s chapbook, Ancestral-Wing (Porkbelly Press, 2024):
Ancestral–Wing juxtaposes ancestral remembrance and gratitude while meditating on place. This collection of poems mingles ecology, tradition, and everyday. In devotion and through inventive syntax, these poems take the reader on a journey of recollecting our ancestors through grace. Language begins to take different shapes in the narrative. The collection of poems is a hymn, a prayer, an ode.

Read Sneha’s poem “Greening” from Issue 15: Root Systems.

Self-Mythology book cover

Saba Keramati‘s debut poetry collection, Self-Mythology (The University of Arkansas Press, 2024):
“So many writers are telling these stories — or making their best attempts to. Keramati avoids the many pitfalls of addressing a complex identity — you won’t find confounding DIY tanglings of language or an unwavering eye fixed on the myriad metaphors of culture clash. Self-Mythology’s poems unreel with revelation, undaunted soul-searching, and crisp, deliberate lyric.” — Patricia Smith

Read Saba’s poem “There Is No Other Way to Say This” from Issue 14: Economies of Harm.

Impact Statement book cover

Jody Chan‘s collection, impact statement (Brick Books, 2024): 
“What a maestrapiece of disabled Mad queer Asian longing and making Jody Chan has written with impact statement. In this time of death and constant attack on our lives and dreams, Chan’s work is the courageous alternative future present we need. The disabled longing for things as vital and ordinary as chosen family driving without ID or arrest, flower markets blooming on the graves of former institutions, our lives. Damn, this book. Wow. Is this part of the next wave of disability justice, Mad writing? Yes. This book breaks code.” — Leah Lakshmi Piepzna-Samarasinha

Read two poems by Jody Chan from Issue 16: Proximities.

Rooted and Reduced to Dust book cover

Ivy Raff‘s debut chapbook, Rooted and Reduced to Dust (Finishing Line Press, 2024):
“Ivy Raff writes a poetry of relentless inquiry into the past. She subjects her ‘generational history of displacement’ to a restorative poetic justice and joy. The investigation scrutinizes. It is lacerating, honest, an inquest, finally, into the strength of love as it is conducted through the body into the poem. I find these poems fearless in tracing the map of the journey from Jerusalem to Far Rockaway to Detroit, establishing a new place full of potential. These poems are alive.” — Bruce Smith

Read Ivy’s poem “No Children” from Issue 16: Proximities.

Song Of My Softening book cover

Omotara James‘s debut collection, Song of My Softening (Alice James Books, 2024):
“Omotara James has used the page, the word and this wonderful book, Song of My Softening, to etch a particular achy wandering silence that is as loud and brilliant as any book I’ve read. One can only argue whether an abundance of skill or will was most necessary to pull off this literary feat. One cannot, and should not, ever argue about the book’s multilayered longing boom.” — Kiese Laymon

Read two poems of Omotara’s that we published in Issue 6: Dangerous Bodies.

Edelman_DearMemphis

Rachel Edelman‘s debut collection, Dear Memphis (River River Books, 2024):
“In Dear Memphis, Rachel Edelman probes the shifting meaning of the intersection of whiteness and Jewishness in the US South. Refusing the romance of suffering, these poems enter the terrain of ongoing struggle that is history and insist that there is nothing inherently liberatory about having been oppressed. Where white Jewish accumulation takes place alongside entrenched anti-Blackness, what might the intergenerational trauma of antisemitism mean for the possibilities of solidarity? Punctuated with epistolary poems, Edelman’s searching text recalls that to address is to traverse a distance and seek a closeness, that reckoning is a profound intimacy, that to leave is also the condition of return. ‘Who did I choose / when I wished myself elsewhere?’ Edelman asks. Holding to the possibility of transformation in encounter, Dear Memphis shimmers with the difficult work of love.” — Claire Schwartz

Read three poems of Rachel’s that we published in Issue 13: Rebellious Joy.

Theophanies book cover

Sarah Ghazal Ali‘s debut collection, Theophanies (Alice James Books, 2024):
“Ali’s is one of the most sure-footed debuts I’ve had the pleasure to encounter in many years. Wrought with precision, control, and an astute humility before the wondrous, the profound and profane, these poems feel crafted from the sum total of history, then realized at the crest of the poet’s matrix of experiences. A truly fearless and tender gem of a collection.” — Ocean Vuong

Read Sarah’s poem “Matrilineage [Recovered]” from Issue 13: Rebellious Joy.

Remembering Your Light book cover

River 瑩瑩 Dandelion’s debut chapbook, remembering (y)our light:
“River 瑩瑩 Dandelion’s remembering (y)our light will awaken you into dreaming. These poems are medicinal and nourishing, full of visceral, herbaceous language: ‘we listened with our mouths / open vermicelli dangling.’ With Toisanese woven throughout with radical reclamation, River’s poems speak to resistance, queer and trans safety, historical reckonings, home and belonging, survival, oral histories, gardens, invocations, and songs for healing. Formally abundant with elegies of ancestral tenderness, generous pantoums, and heart-held recipes, remembering (y)our light was so familiar in my gurgling gut, as a Toisanese American poet myself… These poems will stay with you across lifetimes, in the deepest layers of memory and the flowering folds of the future.” — Jane Wong

Read River’s poem “When I Close My Eyes” from Issue 10: Willful Innocence.

Removal Acts book cover

Erin Marie Lynch‘s debut collection, Removal Acts (Graywolf Press, 2023):
“Critical, capacious, and ingenious turn after turn, Removal Acts honors and embodies fraught complexities while maintaining keen aim and propulsive momentum. . . . Erin Marie Lynch has given us a gift of extraordinary proportions. I look forward to learning from this collection’s rigorous heart and marvels of form for the rest of my life.” — Gabrielle Bates

Erin Marie Lynch was a reader at two of TSW’s events over the years: at our celebration for Issue 9: What We Lose, in 2019, and at Seven by Seven: a poetry reading, at AWP in 2023.

Ariana_BlackPastoral

Ariana Benson‘s debut collection, Black Pastoral (University of Georgia Press, 2023):
Black Pastoral is not playing nice. In this landscape, even sweetness stings. On every page you’ll stumble over an image, a line, a truth, that will take your breath away. These poems refuse to paint ‘nature’ as a beautiful, healing space untouched by human hungers, violences, and losses. Ariana Benson uses all the linguistic wizardry, emotional honesty, and formal dazzle at her disposal to bring us the fields and forests as she finds them: colonized, exploited, but still wild, and filled with what history has made Blackness mean.” — Evie Shockley

Read Ariana’s poem “HTML Color Swatches in Black [Girl]” from Issue 14: Economies of Harm.

We hope your August is full of poetry that will take you places near and far. And if you’re able to purchase these books, we thank you for continuing to support our writers and the arts. Lastly, if you are a past TSW contributor who has published a poetry book or chapbook within the past year that we haven’t listed here — or if you have a collection due out soon — be sure to email us at info@seventhwavemag.com. We’d love to hear from you!

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12 TSW writers to read for Pride Month https://www.theseventhwave.org/bulletin-tsw-writers-pride-month/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-tsw-writers-pride-month Wed, 03 Jul 2024 18:07:57 +0000 https://www.theseventhwave.org/?p=18558

Get to know these TSW voices.

Pride Month may be technically over already, but over here at TSW, we know that the celebration of queer voices and stories is an ongoing one. Today, we’re sharing 12 pieces written by Seventh Wave writers and poets that we published across our past 17 issues. In this powerful roundup, you’ll find poetry that gestures toward the yearning and desire of new romance; short stories that speak to the boundless possibilities of transness; pieces that celebrate the joy of drag; and hybrid works that conjure a chorus of queer ancestry.

These writers represent a vast array of forms, lived experiences, and identities, and their words paint a stunning collage of perspectives. Our hope in sharing these pieces is that they will act as entry points for you to get to know some incredibly urgent, necessary talents within our TSW community.

Below, you’ll find work by the incomparable Kyung, Veronica Wasson, Isaiah Yonah Back-Gaal, beloved, hannah rubin, Sheena D., River 瑩瑩 Dandelion, Callum Angus, D.A. Navoti, Anthony DiPietro, Ruth Elizabeth Morris, and Laura Buccieri. Read and return to these voices often. 

  • All Posts
  • 1: Perception Gaps
  • 10: Willful Innocence
  • 11: Actionable Storytelling
  • 12: Before After
  • 13: Rebellious Joy
  • 14: Economies of Harm
  • 15: Root Systems
  • 16: Proximities
  • 17: The Cost of Waiting
  • 2: Labels
  • 3: Who Gets to Belong?
  • 4: You Are Politics
  • 5: Artificial Realities
  • 6: Dangerous Bodies
  • 7: In Opposition
  • 8: Power And
  • 9: What We Lose
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Body Party City

Isaiah Yonah Back-Gaal|
June 22, 2023

Endings begin with a rumbling: / clap of thunder at the top / of the finale, creak and release / of the bus as it rises from its bow, / first vibrations of the tornado / siren.

Throughout the year, you’ll continue to find pieces like this that celebrate our community of voices. If you’re looking for more resources or writing from queer writers and poets, check out CLMP’s roundup, “A Reading List of Pride Month 2024.”

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13 TSW writers to read for AAPI Heritage Month https://www.theseventhwave.org/bulletin-tsw-writers-aapi-heritage-month/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-tsw-writers-aapi-heritage-month Thu, 30 May 2024 05:05:36 +0000 https://www.theseventhwave.org/?p=17939

Get to know these TSW voices.

As we enter the last few days of AAPI Heritage Month, TSW is sharing 13 pieces written by Seventh Wave writers and poets that we published across our past 16 issues. In this powerful roundup, you’ll find short stories that illuminate class inequities and discrimination; poetry that sheds light on what it means to exist in liminal spaces; and essays that put voice to the simultaneous yearning and devastation inherent to living in diaspora.

These writers represent a vast array of perspectives, lived experiences, and identities, and their art is an important reminder that the AAPI identity is not a monolith. Our hope in sharing these pieces is that they will act as entry points for you to get to know some incredibly urgent, necessary talents within our TSW community.

Below, you’ll find work by the incomparable Grace Talusan, ZY Chua, jonah wu, Rabia Saeed, Grace Hwang Lynch, Dena Igusti, Vanmayi Shetty, Lisa Chen, Rashaan Meneses, Tria Wen, Dujie Tahat, Joan Li, and Jennifer Tan. Read and return to these voices often. 

  • All Posts
  • 1: Perception Gaps
  • 10: Willful Innocence
  • 11: Actionable Storytelling
  • 12: Before After
  • 13: Rebellious Joy
  • 14: Economies of Harm
  • 15: Root Systems
  • 16: Proximities
  • 17: The Cost of Waiting
  • 2: Labels
  • 3: Who Gets to Belong?
  • 4: You Are Politics
  • 5: Artificial Realities
  • 6: Dangerous Bodies
  • 7: In Opposition
  • 8: Power And
  • 9: What We Lose
  • Anthologies
  • Art
  • Audio
  • Bulletin
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  • Film
  • Interview
  • Poetry
  • Prose
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The Haunted

Grace Talusan|
December 4, 2023

The summer before I published my first — and so far, only — book, my husband Alonso and I finally saved enough money and time to spend a week in Paris.

The Invitation

Joan Li|
February 19, 2018

Mr. Dai called to inform his wife that he would be leaving directly from work to pick their daughter up from the airport this evening, so Mrs. Dai would have to buy the fish herself.

In Less Than 365 Days

Jennifer Tan|
May 27, 2016

I knew a lot had changed in my part of town since I left because cafes had cropped up all over the place, like small checker pieces from other boards migrating over to ours.

Throughout the year, you’ll continue to find pieces like this that celebrate our community of voices. If you’re looking for more resources or writing from AAPI writers, check out CLMP’s roundup, “A Reading List for Asian/Pacific American Heritage Month.

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10 TSW poets writing against systems https://www.theseventhwave.org/bulletin-tsw-poets-against-systems/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-tsw-poets-against-systems Wed, 01 May 2024 06:17:13 +0000 https://www.theseventhwave.org/?p=17240

Get to know these TSW voices.

In celebration of National Poetry Month, TSW is sharing 10 poems written by Seventh Wave poets that we published across our past 16 issues. In this supercharged roundup, you’ll encounter poems that challenge the expectations of empire, pieces that reveal the realities of diasporic living, and poems that question various systems of oppression.

In times like these, when it can feel hard to parse truth from sensationalism, poetry can cut to the core of our lived experiences. Our hope in sharing these poems is that they will act as entry points for you to get to know some incredibly urgent, necessary talents within our TSW community.

Below, you’ll find work by the incomparable Monique Ouk, Daad Sharfi, Rebekkah Leigh LaBlue, Brian Dang, Sanam Sheriff,  Nicole Orocho Hernández, Sarah Ghazal Ali, Kaya Arnoux, Ramya Ramana, and Sadia Hassan. Read and return to these voices often. 

  • All Posts
  • 1: Perception Gaps
  • 10: Willful Innocence
  • 11: Actionable Storytelling
  • 12: Before After
  • 13: Rebellious Joy
  • 14: Economies of Harm
  • 15: Root Systems
  • 16: Proximities
  • 17: The Cost of Waiting
  • 2: Labels
  • 3: Who Gets to Belong?
  • 4: You Are Politics
  • 5: Artificial Realities
  • 6: Dangerous Bodies
  • 7: In Opposition
  • 8: Power And
  • 9: What We Lose
  • Anthologies
  • Art
  • Audio
  • Bulletin
  • Drama
  • Film
  • Interview
  • Poetry
  • Prose
  • Uncategorized
    •   Back
    • Fiction
    • Nonfiction

Throughout the year, you’ll continue to find pieces like this that celebrate our community of voices. If you’re looking for more poems that we’ve published over the past nine years, you can search our site via the “poetry” tag here

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10 Black-focused retreats, workshops, & festivals https://www.theseventhwave.org/bulletin-10-black-focused-retreats-workshops-festivals/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-10-black-focused-retreats-workshops-festivals Thu, 29 Feb 2024 22:01:32 +0000 https://www.theseventhwave.org/?p=16823

Check out these incredible opportunities and offerings.

As Black History Month draws to a close, TSW wants to platform several organizations that provide opportunities for Black writers, particularly those created by Black writers. This roundup is by no means exhaustive, but it’s a small sampling of some of the ways that Black artists are championing craft, excellence, and the future of Black writing. 

These workshops, festivals, and conferences are both storied and new: offering portals into Black histories and Black futures; studying Black writing; and elevating craft in spaces that see and cherish Blackness as foundational to the work itself. Support these places monetarily, connect with them on social media, and, most importantly, apply to them. This list is assembled by application date, and includes first-hand testimonials where available:

  • Kimbilio Retreat. An annual July retreat for Black fiction writers hosted by the Southern Methodist University’s Taos campus. From their website, “Kimbilio’s signature program facilitates writers finding their craft through culturally responsive teaching, and through the nurturing support and mentorship of established writers.” One of their testimonials reads, “Kimbilio is a safe place for African American writers to ask hard questions of their art and of the canon itself. It is a safe place to experiment and evolve, engage and argue, explore and discover. Kimbilio is as necessary as fire.” Applications are open from January to March 15th.
  • The Southern Esesu Endeavor Digital Retreat. Created by TSW editor Elizabeth Upshur and fellow classmate Etenia Mullins, this fully digital retreat welcomes 12 poets, fiction, and hybrid writers from the Black Diaspora for Memorial Day weekend (May 24th-May 26th). Participants will enjoy editorial and generative workshops, 1-on-1 mentorship sessions, a publishing panel, craft presentations, and more. One fellow’s testimonial praises, “the On Topics presentations, because of the discoveries and expansions of knowledge, but also because it’s essential to witness ourselves as carriers, generators, and innovators of knowledge; to witness the power nobody can ‘give’ to us, [but that] we give to ourselves aligned in community…[that] tapped right to my heart and inspired me.” ~Jeané D. Ridges. Stay up-to-date with The SEE via Instagram @thesouthernesesuendeavor. Applications are accepted February 15th through March 31st
  • Black Women Writers in Europe. Created by writer, journalist, and host of the Emerging Writers Podcast, Joy Notoma, this European workshop provides a safe haven for Black women to create and commune with one another. Notoma describes it as, “[a] workshop for Black Women writers who live in Europe and the UK that takes place over a long weekend in the south of France. Using a writer-centered workshop model, we create a nurturing experience to help you look at your work with fresh eyes while fostering a community of writers of the African diaspora who live in Europe and the UK.” Applications for the Fall 2024 workshop open in March.
  • Delta Mouth Literary Festival. Held April 5-7th at Louisiana State University, this event invites you to “[j]oin us in the bayou for a spectacular weekend of readings, panels, crawfish, and fun!” In operation since 2009, the Delta Mouth Literary Festival is a fantastic literary arts offering in Baton Rouge. In partnership with the Louisiana State University English department, The Southern Review, New Delta Review, and the English Graduate School Association, this festival celebrates Louisiana’s rich (and delicious) culture while promoting readings, panels, music. Panelists include Carolyn Hembree, Kweku Abimbola, Gina Chung, and others. This event is free and open to the public.
  • The Watering Hole. This South Carolina-based organization “builds Harlem Renaissance spaces in the contemporary South. Our core purpose is to cultivate and inspire kinship between poets of color from all spoken and written traditions, thus creating a tribe with a mutual focus of poetics and craft-building.” Their flagship event draws between 50-60 poets annually for this end of the year retreat. Applications for their winter retreat opened in May in previous years, with the retreat itself being held December 26th-30th each year. 
  • roots.wounds.words Winter Retreat. Created in 2018 by Nicole Shawan Junior, this event is described as a “[s]acred space wherein BIPOC stories are celebrated, and BIOPC storytellers immersed in liberation…Storytellers receive literary arts instruction offered by award-winning BIPOC writers in the fields of fiction, nonfiction, poetry, speculative fiction, writing wellness for Us, and young adult fiction.” Applications are expected to open in August 2024 for the 2025 Retreat. 
  • Cave Canem. The home of Black poetry since 1996. Founded by Toi Derricotte and Cornelius Eady, this organization seeks to platform the work and writing of Black poets. Per their website, “[o]ur Retreat residency offers an unparalleled opportunity to study with a world-class faculty and join a community of peers. Some fellows hail from the spoken word tradition, others focus on the text. Some are formalists, others work at the cutting edge of experimentation. All are united by a common purpose to improve their craft and find productive space.” The 2024 Retreat operates June 9th-16th in Greensburg at the University of Pittsburgh. Applications typically open sometime in October. 
  • Griot & Grey Owl Black Southern Writers Conference. Lauded as “[t]he first and only conference for Black Southern creative writers in Durham, North Carolina,” this inaugural event was created in 2023 by poet and author Khalisa Rae. Last year the conference was held Nov 10th-12th, welcoming 100 writers to Durham to celebrate writing, learn about craft, and to network with one another. The festival was sponsored by Duke University, Nasher Museum, the Durham Arts Council, 21c Durham, Hayti Heritage center, and more. See site for more info about this year’s conference.
  • Phillis Wheatley Poetry Festival. Per their page on the Jackson State University website, the 50th anniversary reconvening of the festival “celebrate[s] the legacy of Phillis Wheatley, Margaret Walker, and Black women writers who have changed the writing landscape as we know it…we lift up this ongoing work of Black excellence through intergenerational conversations, scholarly analysis, and creative writing.” Doctoral candidate Angel recounts her experience as “full to bursting. This Phillis Wheatley Poetry Festival has been other-worldly. Black, beautiful, and brilliant.” The event was held in person Nov 1-4th in 2023, with at least one panel available virtually. Stay tuned for updates about the next iteration of the festival.
  • Writers Rest Retreat. The spring of 2020 brought together a group of Black women, and the Writers Rest Retreat evolved out of that virtual community into an intimate celebration of rest and sisterhood. Cofounded by Ashley Reynolds and Savannah Bowen, Writers Rest offers “an all-inclusive, Black-femme-centered writer’s retreat with a mission to promote rest, creativity, and sisterhood through communal literary experiences.” You can also get updates via their IG page, @thewritersrest.
  • TORCH. We added an 11th to this list, because TORCH should be added to the list. TORCH is a Texas based literary nonprofit founded by Amanda Johnston to platform the writing of Black women. They host the Wildfire Reading Series, workshops, special events, biweekly write ins, and their annual in person retreat. TORCH welcomes applications from Black women writers across poetry, fiction, cnf (personal memoir or lyric essays), and script (plays or screenplays). TORCH typically opens for applications in February and holds their weeklong retreat in July.

We hope you find this roundup helpful for your personal practice and that it yields many success stories for young, emerging, and established writers alike. As always, we wish you well in submitting your work, as we know it takes skill, courage, and vulnerability to put your art out into the world. 

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10 TSW writers to read during Black History Month https://www.theseventhwave.org/bulletin-tsw-writers-black-history-month/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-tsw-writers-black-history-month Mon, 05 Feb 2024 17:56:51 +0000 https://www.theseventhwave.org/?p=16650

Get to know these TSW voices.

In celebration of Black History Month, TSW is sharing 10 pieces written by Black writers that we published across our past 16 issues. In this roundup of stunning work, you’ll encounter poetry that gives new shape to the erased histories of Black Americans; essays that take the reader on literal and figurative journeys through the dense fabric of race and racism in America; and fiction that shows the truth of lived realities for Black folks. 

We hope you are as floored by this work as we were when we first read and published it. We return to these writers and their work often, as they put words, time and again, to that which colonial language wishes to forget. As we know, Black history cannot be contained within a month, because Black history is American history. Our hope in sharing these pieces is that they will act as springboards for you to get to know some incredibly urgent, necessary talents within our TSW community.

Below, you’ll find work by the incomparable Ariana Benson, Elizabeth UpshurMichael Frazier, Kofi Daniel Opam, Naomi Day, Tiffany Marie Tucker, Yasmin Boakye, Sharanna Brown, Avi-Yona Israel, and Matthew Thompson. Read and return to these voices often. 

  • All Posts
  • 1: Perception Gaps
  • 10: Willful Innocence
  • 11: Actionable Storytelling
  • 12: Before After
  • 13: Rebellious Joy
  • 14: Economies of Harm
  • 15: Root Systems
  • 16: Proximities
  • 17: The Cost of Waiting
  • 2: Labels
  • 3: Who Gets to Belong?
  • 4: You Are Politics
  • 5: Artificial Realities
  • 6: Dangerous Bodies
  • 7: In Opposition
  • 8: Power And
  • 9: What We Lose
  • Anthologies
  • Art
  • Audio
  • Bulletin
  • Drama
  • Film
  • Interview
  • Poetry
  • Prose
  • Uncategorized
    •   Back
    • Fiction
    • Nonfiction

Throughout the year, you’ll continue to find pieces like this that celebrate our community of voices. If you’re looking for more resources or writing from Black writers, check out CLMP’s roundup, “A Reading List for Black History Month 2024.” They included a few of our above pieces in their collective list. 

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Actionable resources for unanswerable times https://www.theseventhwave.org/resources-for-unanswerable-times/?utm_source=rss&utm_medium=rss&utm_campaign=resources-for-unanswerable-times Thu, 02 Nov 2023 16:52:09 +0000 https://theseventhwave.org/?p=13310

Collective resources for learning, listening, and leaning in.

The Seventh Wave deepens its commitment to and solidarity with oppressed, occupied, and marginalized people and communities worldwide. We feel, and fear, for our Jewish, Muslim, and Arab contributors as we watch, in real time, the surge in antisemitism and Islamophobia around the world — just as we have feared for our Black, Indigenous, Asian, diasporic, queer, and trans contributors, and contributors of all marginalized identities. We will continue to dedicate resources toward collective healing and solidarity. Below are a few resources, which we will continue to add to:
  • Write. Starting on Sunday, Nov. 12, The Seventh Wave will be holding space for community write-ins for folks who want to create alongside others during this tumultuous time. This will be a largely silent Zoom space for folks to be in community together while they write, with an optional time held at the end for resource sharing, decompression, and witness. Keep an eye out for our link to register to join in the coming days.
  • Create. We have always viewed art — the practice, creation, and community of it — as a form of response. As a way to advocate for and demand change. Our call for submissions for Issue 17: “The Cost of Waiting,” is now open, and as always, our calls speak to the most pressing issues of our times. We have always been dedicated to uplifting marginalized creators, and to championing perspectives and voices that have too often been silenced or sidelined. If something in this call resonates with you, we want to hear from you.

*

As words are what hold us together in space and time, we’ll end with a quote from Palestinian-American writer Hala Alyan, whom we interviewed in 2020 about her book, The Arsonists’ City. Our interviews editor asked Hala what she thought about the phrase “rebellious joy,” which was the topic for our issue at that time, and this is what she said:
I think of curiosity when I think of rebellious joy. I think of people turning towards life even in the most dire and worn down circumstances. When I hear rebellious joy, I think of people insisting on continuing, and continuing, and continuing — continuing because you have the belief somewhere deep down inside, like deeply, deeply felt, that things will shift.
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In Unanswerable Times https://www.theseventhwave.org/bulletin-in-unanswerable-times/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-in-unanswerable-times Wed, 01 Nov 2023 15:43:15 +0000 https://theseventhwave.org/?p=13229

A response to our impossible present.

We are living between the insufficiency and violence of language.

Still, words matter.

Because in a single word is a world: a name, a land, a future, a home. When you string enough words together, you create a narrative. And so we know this intimately, too: narratives matter, especially the ones that are being silenced, oppressed, and erased. As we’ve seen time and again and today, narrative is the foundation — a political prerequisite — for war and genocide. No violence occurs in a vacuum.

Like many others, we are feeling the shared outrage of this moment, and we are at a loss for how to understand the magnitude of death we’re currently witnessing. It should not be a partisan stance to grieve the loss of life: grief has no boundaries. And so we say: Ceasefire now. Stop the genocide of Palestinian people. If this moment doesn’t teach us how interrelated our global suffering is, how intertwined our struggles are and continue to be, then we are not listening, and we will never learn.

We cannot turn away. In unanswerable times like these, we at The Seventh Wave are leaning into our practice of deep questioning to critically reconsider narratives that are being created in real time. As a BIPOC- and queer-led literary arts nonprofit founded on the idea that genuine dialogue has the potential to shift cultural paradigms, we have always traded in question. To us, that means acting from a place of nuance, and in exchange, offering space for mistakes, vulnerability, and growth. We are not naive: nuance will not stop the genocide happening in Gaza. Nor will it ever feel big enough to contain the devastation of the October 7th attack in Israel. But nuance is art, art is political, and politics is where we wake up.

Our work is in continuing to question dominant narratives. To bear witness to what is happening and to create art and story from our disparate perspectives. To hold history accountable.

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The Seventh Wave deepens its commitment to and solidarity with oppressed, occupied, and marginalized people and communities worldwide. We feel, and fear, for our Jewish, Muslim, and Arab contributors as we watch, in real time, the surge in antisemitism and Islamophobia around the world — just as we have feared for our Black, Indigenous, Asian, diasporic, queer, and trans contributors, and contributors of all marginalized identities.

We will continue to dedicate resources toward collective healing and solidarity. Tap here to see our list of actionable resources, which we will continue to add to.

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As words are what hold us together in space and time, we’ll end with a quote from Palestinian-American writer Hala Alyan, whom we interviewed in 2020 about her book, The Arsonists’ City. Our interviews editor asked Hala what she thought about the phrase “rebellious joy,” which was the topic for our issue at that time, and this is what she said:

I think of curiosity when I think of rebellious joy. I think of people turning towards life even in the most dire and worn down circumstances. When I hear rebellious joy, I think of people insisting on continuing, and continuing, and continuing — continuing because you have the belief somewhere deep down inside, like deeply, deeply felt, that things will shift.
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25 questions for unanswerable times https://www.theseventhwave.org/bulletin-questions-for-unanswerable-times/?utm_source=rss&utm_medium=rss&utm_campaign=bulletin-questions-for-unanswerable-times Wed, 01 Nov 2023 14:52:32 +0000 https://theseventhwave.org/?p=13245

A continued response to our impossible present.

In times of speechlessness — when either words don’t feel sufficient, accessible, helpful, or possible — we at The Seventh Wave have always turned to questions. Below are 25 questions that we’ve pulled from our past eight years, spanning calls from 16 issues and inspiring writing and art from hundreds of contributors. We have always endeavored to ask questions that are both timely and timeless, and these 25 in particular feel like they speak to this moment. Consider these questions as prompts for critical thought or even questions to help spark more words and conversations as we continue to navigate these tumultuous times, together.

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  1. How do we do things not in spite of but alongside — in relation to — everything that is happening around us? (Issue 16: Proximities)
  2. How do we determine what is worth giving our attention to; how will this shape our future? (Issue 16: Proximities)
  3. What are we as humans surrounded by — do we choose to surround ourselves with — and how do we situate ourselves within language? What power does this positioning bestow? (Issue 16: Proximities)
  4. What truths have you unearthed beneath the falsitudes, and how is what is real related to what’s possible? (Issue 15: Root Systems)
  5. What are the institutions — family, religion, education, and beyond — that dictate your understanding of the world, and where do you locate the sting of disillusionment? (Issue 15: Root Systems)
  6. As writers and artists, our medium is quite literally the message, so how can we hone a deeper awareness of what that very language has worked to conceal? (Issue 15: Root Systems)
  7. How can we construct a society that implores us to take care of one another above all else? (Issue 14: Economies of Harm)
  8. When we scrape away the excess of our personal and professional relationships, our roles and our obligations, what is at the core of who we are and what we value? (Issue 13: Rebellious Joy)
  9. How we can make room for a wider form of story? (Issue 11: Actionable Storytelling)
  10. How do we encourage critical thought around stories that may have once seemed heroic, but are actually harmful? (Issue 11: Actionable Storytelling)
  11. How can we learn from moments of failing so that our anger, grief, and shame can propel us toward conversations and healing? (Issue 10: Willful Innocence)
  12. What does forgiveness look like from where you hurt? (Issue 10: Willful Innocence)
  13. What role do apologies have in our individual and collective endeavors toward progress, toward both being and doing better? (Issue 10: Willful Innocence)
  14. How has our inaction caused hurt? (Issue 10: Willful Innocence)
  15. What do we value and how do we place value in this country and within each other? (Issue 9: What We Lose)
  16. Is there such a thing as a compromise that is fair to all? (Issue 9: What We Lose)
  17. Is there a power that is ever responsible? (Issue 8: Power And)
  18. How do we tackle conflicts of belief, and make the best use of them as a tool for understanding? (Issue 7: In Opposition)
  19. Why do we reject bodies in danger? (Issue 6: Dangerous Bodies)
  20. Who can we trust to tell us when, where, and how we are safe? (Issue 6: Dangerous Bodies)
  21. What is the role of art, and the responsibility of storytelling? (Issue 5: Artificial Realities)
  22. Can we utilize technology to examine the truth, expose falsehoods, and hold power accountable? (Issue 5: Artificial Realities)
  23. Why belong? What is worth belonging to? (Issue 3: Who Gets to Belong?)
  24. What have you recorded during this time, and what are you trying to forget? (Issue 13: Rebellious Joy)
  25. What do the questions you ask yourself, in turn, demand of those around you? (Issue 13: Rebellious Joy)
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