Fiction – Seventh Wave https://www.theseventhwave.org Art in the space of social issues Mon, 23 Sep 2024 08:20:44 +0000 en-US hourly 1 https://www.theseventhwave.org/wp-content/uploads/cropped-favicon-32x32.png Fiction – Seventh Wave https://www.theseventhwave.org 32 32 A Young Woman’s Guide to Self-Deportation https://www.theseventhwave.org/goeun-park/?utm_source=rss&utm_medium=rss&utm_campaign=goeun-park Wed, 05 Jun 2024 15:00:54 +0000 https://www.theseventhwave.org/?p=17672

First, you wait.

Wait a year, or two, or ten. Or maybe you’ll wait two decades — squeezing through the cracks in eVerify and RealID until the bureaucratic walls grow too high and you must go under. Don’t forget to carry your first deportation order and stack of expired work permits to every cold and creaky sublease of your twenties. All the important details of your life are floating in the cloud anyway, split between hundreds of power-guzzling servers between two oceans, but you hold tight to your papers and wait like a good immigrant.

Be patient. Watch five American presidents enter the White House, drunk with power and full of promises. Watch four American presidents leave the White House, hungover with scandal and war crimes. Hold off on school and career and dentist appointments and funerals and weddings. Tell everyone the same sorry stories at the events you do go to: It’s impossible to take a loan out by yourself, there’s the ten-year ban to reenter, it’s too awkward and humiliating to explain your precarious status — can’t legally work, can’t legally drive, can’t legally stay — on the third date so it’s not worth the trouble. Cobble together a living by taking up part-time gigs, responding to ads on Craigslist, and selling your data to corporations that can maximize extracting your true value. The market’s parasitic interest in your spending capacity seems flattering compared to the country’s flat rejection of you in general.

The years will trudge on and your life will slump under the weight of your waiting, but you must try to remain optimistic like a good American. To stay busy, you will cultivate delightful delusions about the person you could be after this strange period of your life is over. You could become a landscape photographer, a pilot, a person who safely indulges in parkour with the knowledge that they have health insurance. It keeps you childish, all this potential that will never turn into momentum.

No one says anything about your emotional regression and plummeting foresight until your best friend of fifteen years finally calls out your perpetual tardiness on a Thursday night. You were late to dinner, again. She waved you into her apartment saying it didn’t matter, but now that a pile of dirty dishes and a bowl of sliced honeydew and cantaloupe divides the two of you, you’re not so sure. It would be devastating to lose your extraordinary friend to failures of attention and timekeeping. Sometimes, when you realize in the middle of the night that you didn’t respond to yet another “how are you?” missive because you once again didn’t know what to say to that, you think of showing up to her door with a bottle of wine and a bag of soggy takeout to apologize and explain yourself. But you never do because her boyfriend stays over all the time and you wouldn’t want to interrupt his sleep or worse — risk him interrupting your conversation. More and more, you feel self-conscious about how your desire to be close to her has not changed but she has. It is not her fault she has other people in her life and you do not.

Your friend abruptly announces, “I think you’re depressed.”

You take a chunk of each melon and chew both at the same time, hoping the fusion of two similar but distinct flavors will bring a unique tasting experience. It doesn’t. Your friend looks expectant, but you are only thinking how funny she is when she tries to be serious. You have spent so much time waiting for this country to reform, for the rain to come, for winter to end, and for what? Things are fine as long as she’s around and it’s just the two of you goofing around.

“I don’t think so,” you tell her. Then you suggest trying both fruits at once.

 

As you step out of her building, you run into your friend’s boyfriend and exchange small talk on the stairs. He discloses that he’s planning on proposing to your friend soon. He inquires after her preferences and your blessings. You give them both freely — your friend deserves all forms of happiness. With stunning ease, you can envision the trajectory of your friend’s life because she is brilliant and beautiful and destined for great things; meanwhile, you can barely picture the next day of your own life. It’s as if your timeline has fallen out of sync with the rest of the world’s, as if you’ve fallen so far behind your peers and catching up will remain impossible.

After many years, it will dawn on you that you are not waiting for Congress, you are waiting for yourself to become crooked and hopeless enough to become capable of leaving. Slowly, painfully, inevitably, the circumstances of your life will catch up to you until one afternoon, you will wake up in a dim room and wonder how you lasted this long. You will peel yourself out of bed, pick a date, and buy a suit.

 

Second, you face Immigration.

On a Monday of your choice (wearing clothes you have also chosen), you’ll walk into the regional office of the Department of Homeland Security. Years ago, you watched a documentary on cows being readied for slaughter and you recognized their confused, fearful gaze as your own through the display monitors of countless security cameras. Now, years later, you peer into the same screen; your eyes merely look dull, like a cow’s after its brains have been scrambled with a metal prodding gun in an abattoir.

When the baby-faced officer waves you through the metal detector and asks you which office you’re heading toward, you know exactly which floor and what cubicle they’ll process you in. You’ve been here before. You’ve done this a dozen times for DACA before the previous president finally made good on his promise to ax it, and you remember the protests, how people fussed and fumed for three weeks before something else urgent and unjust overtook the national limelight. You remember the rage and also the relief — relief because you were at last free of the guillotine that hung above you, because some awful clarity finally sliced through all those years of maybe, if you’re good, if we feel like it, and the legal revocation tasted more like a cure than a poison.

When the elevator opens and the receptionist waves you forward, you’ll say, I would like to turn myself in for deportation.

When the receptionist tells you that you are in the wrong place, they don’t do that here, this is for biometrics only, try “Immigration and Customs Enforcement” on floor eight, you thank her and go downstairs and repeat yourself.

“Do you have a deportation order against you?” asks the person on floor eight. You give him an expired driver’s license and the deportation order that you do have, the one that has haunted you for longer than it has existed.

“This isn’t yours,” he says. He’s right, technically. The papers are addressed to your parents, not that it matters to them — they don’t live here anymore. “I wasn’t supposed to be here either,” you say.

“Unfortunately, a discretionary grant of voluntary departure is only relevant to people in custody. As you do not have a current or outstanding deportation motion against you, there’s not much we can do,” he says.

“Can you file one for me?”

“We are currently prioritizing the removal of criminals or repeat offenders —” he begins to explain. You cut him off.

“So you want me to commit a crime, then?”

Your own disdain and brusqueness toward a customer service employee doing their job surprises you a little.

“Miss, you are free to leave the country as you please.”

In your head, you go through the list of your personal lows, the things that could be flagged as criminal within certain shades of the law: Contributing five dollars to a senate campaign a decade ago because you didn’t know that you would be a foreign national interfering with democracy, driving without a permit, driving under the influence, driving over a hundred miles per hour that one time, being cruel to your parents.

“Listen,” the receptionist says. He scans the empty waiting room. “I can tell you’re young. It’s not your fault your parents broke the law. You remind me of a gal my son went to school with. It’s real unfortunate that good kids like you are in this situation, but you’re not helping yourself by coming here like this.”

Your body heats up at this insipid take. It’s insulting to be seen as a child when you are more than old enough to have one yourself. You have already dissected the “good immigrant kid, bad immigrant mommy” dichotomy spouted by every hopeless lip-service legislation. You have already deconstructed the framing of who is entitled to citizenship and who must beg for it. You have already analyzed the national amnesia behind who exactly started the wars, plundered the resources, and overthrew the governments elsewhere to necessitate so many of you coming here in the first place. But America isn’t ashamed of its imperialism, so you won’t apologize for squatting.

“All right,” you say.

You walk back to the elevator, past security, through the revolving doors. You step into the stark sun, no ankle trackers or hand shackles or deportation orders in sight. If you want to leave a country that doesn’t want you, you’ll have to do it yourself. In the parking lot of the USCIS office, you book a flight on your phone.

It takes six minutes.

 

Third, you go to Walmart.

You could have ordered everything online and a drone would have dropped your items off in four hours or “your money back guaranteed,” but you craved the full Wally World experience. You wanted to glide down the cool, fluorescent aisles and pick up bags of candy, rub the sleeves of polyester sweaters, flip through cheap paperbacks. Time and weather don’t exist inside a Walmart, but cell reception does. Your phone vibrates with your mother’s name. She’s calling from another time zone.

You answer in the language she knows best and you know barely. Now that you are an adult, your mother speaks to you over the phone with soft authority and sudden humor, neither of which were displayed during your childhood. You ask about her health and she asks about your upcoming flight. She tells you not to be nervous. She likes giving impractical advice: don’t be stressed, don’t be sad. You pretend to heed it. She asks where you are and when you answer, she says,

“Walmart! Remember when I lost you there? I searched everywhere. Eventually, a kid moving shopping carts saw me crying while I kept circling the parking lot. He took me inside to customer service and there you were, sleeping behind the counter. Someone had taken you there because you were lost. When they asked you for my name, you kept saying ‘Mom’ because you didn’t know my name. I didn’t know enough English to realize that they had been calling for me over the intercom the whole time. I still don’t.”

You were four then, this being right after your family had immigrated. You don’t remember the incident firsthand, but you like hearing the story of how your mother came back for you. You remember how grocery runs were always a group activity in your household, how there would be months of only traveling between school and Walmart and home. Little did you know that those days would turn out to be the good times, that you would fall asleep wishing that you were small and in the back seat again, listening to your parents bicker on the way to Walmart.

Before your mother ends the call, she asks you to pick up some vitamins because they’re cheaper there. You let her go and you return to your shopping list. You pick up boxed wine. Handles of vodka and six-packs of beer and two bottles of the cheapest champagne. Frozen mini pizzas and mini corn dogs and mini quiches. Chocolate peanut butter cups because they are your best friend’s favorite. With each addition, your cart gains momentum.

In the pharmacy section, the lightness of your nostalgia begins to churn into a familiar anxiety. Walmart is both a living monument of your boring rural childhood and the crux of many evils: the costs simply don’t add up. Before you lost your scholarship and dropped out of college, you sat in lectures with rapt desperation, hanging onto every word on Marxism and congealed labor and the co-optation of race and borders and citizenship. You cared about being politically correct then, thought policies would save you, thought the distinctions between labels like “illegal” (bad) and “undocumented” (inaccurate) and “illegalized” (bingo) mattered, and you took great care to categorize yourself properly. You don’t think about those words anymore; they don’t have any sway over you when you’re about to quit America.

Somewhere between the fish oil and melatonin aisles, your sentimentality gets the better of you, so you briefly abandon your cart to go on a pharmacy ride detour. You step into a Dr. Scholls’s orthotics machine. You shove an arm down a blood pressure monitor machine. As the inflatable cuff tightens around your left bicep, you marvel at how all the Walmarts have the same identical layout. You hate Walmart because you should — you’ve held onto your anti-capitalist principles, after all — but you love the familiarity of this place, the way all Walmart entrances begin near the produce and end with clothing and plastic jewelry. Once, your best friend called from Los Angeles to complain about how it took her three trips to buy toilet paper, a tube of tomato paste, and a pillow. Here, it’s all in the same place. If there was a heaven, you think, it would probably look a lot like Walmart: everyone you love and everything you need in one place, within arm’s reach.

Before you check out, you grab a headlight and twenty cans of lighter fluid.

 

Fourth, you throw a pity party.

After giving away the few furniture items and plants you possess, you’ll guilt the recipients of your redistributed inventory to gather at your place in lieu of payment. You take three shots of tequila before anyone shows up because that’s when you’re the most fun.This small, throat-burning sacrifice is necessary preparation because you are the host, the mood-setter, the cause for this going-away celebration. If you look like you’re having a bad time, everyone will follow suit and then you will have accomplished the truly unforgivable: thrown a shitty party and wasted everyone’s time. You want to go out in a drunken splendor, want everyone to kiss and cry and promise things they can actually deliver, like calling their grandparents or finally opening a retirement account.

But of course, you overdo it. Two hours later, you’re the only person who isn’t sober. Half your friends are cursing the government and the other half are slouched against the wall, mumbling condolences, trying to be polite and non-partisan. Everyone’s drinks are full and their plates are sparse. The vibes are rancid. Agitated, you scramble up the last chair remaining in your studio.

“Evening, comrades! Thank you for coming. I expected you all to pregame for this but no matter,” you slur. You gesture with your drink and start rambling. In the periphery, your best friend’s face twists with exasperation and you smirk because there’s nothing you love more than annoying her with your theatrics.

“I know,” you continue. “But here’s the thing! The motherland will not be so terrible. Countries with universal healthcare and affordable public schools do indeed have their pitfalls! The taxes will be higher and the salaries will be lower, yes. But life isn’t all about financial gain, friends. It will not be so —” (you burp) “— awful.”

“Bitch, shut up,” your best friend shouts. “We’re sad because we’ll miss you!”

“I’m not done,” you shout back. “A toast! I want to make a toast!”

You make serial killer eyes at everyone in the room until they reluctantly hold up their drinks. “I hate this country so much,” you say, meaning every word. “And I love you all so much,” you add, holding back messy drunk girl tears. You continue.

“This is actually a happy occasion. Imagine: I’m finally leaving a super terrible, toxic relationship with a power-trippy maniac who threatens to kick me out every day. Except instead of a person, it’s a nation-state.”

“To leaving nation-state fuckers behind,” your best friend hollers, and you scream “Yes, exactly!” and chug your assent. You keep pouring and drinking until everyone gives in and gets drunk-sad and hysterical-happy with you.

You’ll wish that everyone could stay in this room forever, but of course they won’t. They can’t — eventually they kiss your forehead and collect their things from the pile by the door and leave for their own beds, one by one. When you finally lift your head, it’s two in the morning and you’re on the floor, curled under a coat that’s not yours. Your best friend has cleaned up all the red cups and paper plates on your behalf, and she is now mopping the sticky kitchen floor. The sweet smell of her perfume on her winter coat makes you feel even more drunk. If she was dealt your cards, she could endure it, you think. Unlike you, she carries herself with the self-assurance of someone who knows they belong to themselves. You make a disgruntled sound and she slides next to you, her face upside down. Your best friend, your kinder and hotter and smarter half, the one friend who didn’t abandon you after getting married. You say this out loud.

“Marriage doesn’t mean I have to renounce friendships, moron,” she says. She sighs and closes her eyes. “What are you going to do over there?”

“Hang out with Mom and Dad. Teach English. Get paid to write rich kids’ college essays. Save enough money to get a boob job and then marry rich because I won’t have any friends over there so I might as well. Profit.”

Your friend rolls her eyes. “No, really.”

“Dunno. Just going to live,” you say, drifting back to sleep.

You tried living here but you are finally ready to admit to yourself that it has all become too difficult. Once, you explained to your friend what Deferred Action for Childhood Arrivals really meant: the government was just stalling, it was never meant to solve any part of your predicament. But all the while, you were stalling too. The thought of asking your friend to care for you felt intolerable, loathsome even, and instead you continued to love your friend in secret until that too became too lonesome. It whittled down your self-respect, hardened you in ways that made you look ugly even to yourself.

Even undeserving immigrants like you should get to rest every now and then.

Finally, you drive west.

At long last, you are ready to take care of business. You’ll drive through the night, playing yacht rock and licking Hot Cheetos powder off your fingers. When the fog of sleep creeps closer, drive faster and recite the facts from the naturalization test to stay awake. Tax Day is April 15. The national anthem is “The Star Spangled Banner.” There are twenty-seven amendments to the Constitution. Somewhere in the American heartland, there is an abandoned factory devoid of windows and warmth.

And that factory is special to you. It is a place that once produced seat belts and stamped all their packages with a Made In America seal until an ICE raid shut it down. The town where those factory workers once lived shrunk in real life and expanded in the space between your ribs until it became the ghost town it is now, and you became another restless apparition haunting it. At least, that’s what you’ll tell yourself as you drive around your hometown for the first time in years. You turn off the music and the GPS. The town’s sole grocery store, a place where your parents could never find the right vegetables or spices, has aged poorly even in the dark. You drive past the four-block stretch that makes up town, past the sunflower patches and cornfields, and make a left on a gravel road. You park outside the factory your parents toiled in for twelve years. Turn off the car lights. Step out and stretch under the moon.

You stand for a moment, letting your eyes adjust before scanning the empty space in front of what used to be a door. Your parents would eat lunch and smoke and mingle with their fellow immigrant coworkers by the picnic table a few yards away. They stayed in this town and worked in this factory even after you left for school. You suggested that they move to the city too, that there was no reason for them to stay behind, but they always resisted. They liked the countryside. They said it was peaceful. And truthfully, you liked the distance. You began to appreciate the freedom of living in a real city, far from your parents’ anxieties and expectations. Who could blame you? How could you not regret leaving them when they would soon be taken?

You study the lifeless building made of wood and steel. For years, you felt it was unfair that this structure remained standing even after all the people who once brought it to life were shipped off. It shouldn’t have surprised you. The only thing sacred in this country is property after all — but looking at the building still makes your insides burn. You click on the headlamp, take out the box of lighter fluid from the trunk and approach with a determined stride. You run your hands over the windowless siding and listen for raccoons, skunks, robins. Animals you won’t see for a long time.

You don’t believe in justice. Not really, not anymore. But you came here for a reason. You spray the walls of the old factory in fuel.

“I know this is pointless,” you say to the building, to the moon that hangs low and bright, to no one nearby. You gather sticks and wood scraps to make a trail leading several feet away from the building. Douse the path with lighter fluid.

“It’s not your fault or my parents’ fault or any one thing,” you say.

“It’s just. Every day they used to be so scared of living and working here. Every single day. They were afraid of everything — of getting injured, of me getting sick, of not being able to see me, see each other. Afterward, they told me they should have left sooner. Shouldn’t have come here in the first place.”

You walk back to the far edge of the trail of flammable debris.

“I miss them,” you confess. “Sometimes I think I might die from missing them. If I stay here, I won’t even be a person anymore.”

You take a step back. Light a match. Above you, the faint glow of morning peaks on the horizon. Below you, a tiny flame crawls toward your hands. You imagine the matchstick growing into a great fire, chasing you like a police siren, telling you to go.

Headshot of Goeun Park

Goeun Park is a writer born in Busan and raised in Northern Minnesota. They are a 2023 Periplus Fellow.

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The Art of Waiting https://www.theseventhwave.org/sabs-stein/?utm_source=rss&utm_medium=rss&utm_campaign=sabs-stein Wed, 05 Jun 2024 15:00:25 +0000 https://www.theseventhwave.org/?p=17691

1. Start with a name

By the end of this pamphlet, you will be able to practice the art of waiting in three simple steps. The first step is to name your waiting. A name allows you to orient yourself within the experience. Please name the following, filling in the blanks:

Waiting for the water to boil     CERTAINTY     

Waiting for the bus to arrive     TRUST     

Waiting for the right person     LONELINESS     

Waiting for the right time     REGRET     

Waiting in traffic     SURRENDER     

Waiting in line     NECESSITY     

Waiting to live     RESENTMENT     

Waiting to die     ENLIGHTENMENT     

Brenda clicks the pen closed on her lips, reviewing her answers. She has a looming sense that they say more about her than she wants. Frightening. She looks up from the pamphlet in her lap to survey her surroundings.

There are eight other people sitting at various angles in various corners of the light-brown room. Five fake plants. Two stacks of magazines, the topmost of which boasts the headline “28 Shortcuts to Happiness in 2028.” One desk attendant scrolling expressionlessly on their phone. A muted TV displaying a slideshow of infographics, a queue of names and the time permanently bolded in the lower right-hand corner. It is 8:44 a.m., precisely.

Brenda turns the page in her lap, lets out a little sigh, and continues to read.

Experience of time is shaped by the waters you occupy. Some waters are swift and shallow. Others are languid and deep. Consider the essence of this specific moment. How is time flowing around you? What choices brought you to this depth? Why are you sitting still amidst movement? Erode your answers to the core. This is the name of your waiting.

The numbers on the TV quietly change to 8:45 a.m. The desk attendant calls out the first name on the televised queue.

"Jordan...Jordan. It is your turn." No one stands up. A few knees shift. Brenda glances up from her page. "No Jordan?" The desk attendant continues with a somewhat disappointed edge to their flat voice. "Moving along then. Stephanie."

A woman in a floor-length coat slowly stands up from her seat and ambles toward the hallway entrance. Someone opens the door from inside and Stephanie disappears behind it. Brenda returns to the page.

I remember as a child, waiting for Netflix DVDs to arrive in the mail, for the fish to bite, for my boobs to grow. I waited for my dad to come home from work, for thunder to crack, for myself to suddenly die. I experienced time as the color of pale sky, the tone of a wind chime, the shape of a gun safe. I named it all BLUE.

At 8:52 a.m., a man enters the room. He wears dark clothes, a red beanie, and white sneakers plastered in wet grass.

"Here for my morning appointment," he steams, out of breath.

"Jordan," the desk attendant greets him matter-of-factly. "Unfortunately, you’ve missed your time slot. You have been bumped to the end of the line."

Brenda watches how Jordan processes this information. How his hands become fists and then flex into stars. He exhales a marvelous breath of acceptance. "Alright," he says, slumping down across from Brenda with a resigned sigh. “At least I’m allowed to wait here.”

Brenda resumes her reading, reminded of the task at hand.

To name a passing moment is to assert the bedrock of your bones against the ticking clock. You are time-layered; a temporal sedimentation rich with anticipation, consideration, dedication and slowness. You accrete love and erode grief in a cycle older than any timepiece. To name your waiting is to say, “Hello, Time That Passes, I’m glad you’re here with me.”

"I've never seen you here before," a quiet but intent voice says, momentarily pulling Brenda back into the room. "I know everyone here and your name isn't on the list."

Brenda blinks at the man named Jordan who is speaking to her. He’s not wrong. "Oh. Yes..." Brenda says, feeling suddenly unsure about her decision to read in this particular waiting room. "I am waiting," she reassures him, "just not for an appointment," she finishes unconvincingly.

"Okay?" Jordan says suspiciously. "They have something else here besides appointments?"

"Well," Brenda says, hesitating, "I’m here because of this." She holds up the small, nondescript pamphlet from her lap, its appearance characteristic of pandemic publications made by those with access to printers during the 2020 lockdown. Stamped in the corner of the hand-folded cover is a digital alarm clock with a shattered screen reading 9:99 a.m. Centered in bold is a title: The Art of Waiting.

"Ahh. You're one of those," Jordan says, taking Brenda in with raised eyebrows.

Brenda looks back at him, deciding how to respond. "I am not exactly sure what you mean by one of those… I am a journalist. I’m reporting on the public response to the recent executive order. You know, the anti-waiting law. This little pamphlet is having a major comeback for obvious reasons. I'm sure you've heard?"

"Psh. Have I heard? Of course I've heard,” Jordan says dryly. “You know, they used to leave that pamphlet in our waiting rooms when it first came out — what is it, eight years ago now? Ha!" He chuckles, remembering something. Brenda suppresses the urge to ask what he’s thinking, practicing her hard-learned journalistic patience. "They didn’t realize the weight those papers held until they criminalized waiting in public spaces,” he adds. “Have you got to the third part yet?"

Brenda shakes her head, wondering what this little pamphlet meant to him.

Jordan leans his head back over the chair and closes his eyes. "Just you wait," he sighs knowingly. "Just you wait."

*

2. Decide how to sit

"Sara!" Timothy yells from the bedroom suite. "Sara! Have you seen my glasses? I can't read without them!"

Timothy rummages loudly through his mahogany nightstand. A shaft of pale morning light freezes his unmade sheets into stiff satin peaks. Dust floats half-alive across the chamber. Timothy grumbles, bending his aged knees to look under the bed.

"Just use ChatRead," Sara yells from the living room in a distracted monotone.

"I know, I know," Timothy mutters, more to himself than anyone. "The act of reading is so archaic and time-consuming. Sue me for wanting to remember HOW IT FEELS TO READ."

"You go on then, babe," Sara encourages from the living room.

Timothy searches for some minutes in the dresser and glances into the walk-in closet before finally plopping down into his well-worn armchair with a sigh. "ChatRead," Timothy says dejectedly. "Continue reading The Art of Waiting.”

"Hello, Timmy," an ethereal voice says from everywhere and nowhere in particular. "Happy to read with you today. I will begin where we left off. Did you remember your tea?"

"Yes. Yes, I remembered my tea, goddamnit," Timothy mumbles to the empty room.

"Alright. Here we go."

The second step to the art of waiting is deciding how to sit. There are many ways to sit: in a chair, on the floor, over your heels, in the dirt. You can sit across from someone or alone, or silently slouched over a phone. Some sit by standing, which is not exactly sitting, but can hold the same intent. How you decide to sit reflects the name you give your waiting.

"Timothy, can you turn it down?" Sara yells from the living room. "I can't hear the morning news. It looks like there was another riot in the Park last night. By those Waiters. I guess that's what they call themselves..." She pauses, presumably to take a sip of coffee. "You always turn that thing up so loud. Might be time to get hearing aids, honey."

"I can hear just fine, honey," Timothy replies over ChatRead's disembodied voice, which he’d refined to be softly accented and richly layered. It reminds him of his late wife, though he would never admit this to Sara. She already knows the depth of his grief for Beth, which still hasn’t found bottom eight years after the fact.

Occasionally, the oppressive enforcement of time leads an individual to lose all awareness of the poetry of sitting. These individuals most likely regard time as a set of red-god-eyes glowing from their wrist, phone, and microwave, compelling them thoughtlessly onward. They are encouraged to glide seamlessly from task to task without the burden of wasted time. Waiting is slated as vestigial and wasteful. They forget how to sit. This concept is not only incorrect, but also dangerous to our freedom.

"I don't want to hear that nonsense, honey. You know it's a bunch of dangerous propaganda," Sara yells from the living room. "The lady on the news said her son's best friend's uncle went to prison after reading that pamphlet. If you aren't careful, you'll become a criminal like the rest of those Waiters. I don't understand why you are so intrigued by this uprising."

Timothy stares out the window at the dry fields rolling freely toward the horizon. He recalls the last time he saw snow on those fields, at least a decade ago, before the pandemic that claimed Beth’s life. They had spent an entire day building a larger-than-life snowman. It was so tall they had to use a step ladder to adorn the face by moonlight. The next morning just before sunrise, they crunched their way across the field with steaming mugs of coffee in hand to rest their backs against their enormous creation. He sat next to her and sipped in quiet anticipation. At last, the sun peeked over the horizon with an incredible exhalation of light. Even Beth somehow shone brighter that morning.

With a sigh that briefly fogs the glass, Timothy returns to the current morning. The window reflects his old, wrinkled face over the tired brown earth with a weary similitude. Tree skeletons reach solemnly skyward at the edge of his favorite creek, water trickling quietly through the end of yet another warm winter.

Time passes regardless of wealth, status and power. There is no way around it. You are simply immersed. You can sit with intention or you can drown.

"There is nothing else to it," he says quietly to the room. “How unbridled every morning felt, sitting next to you.”

*

3. Do not be fooled by urgency when you are a rock

Seldom wakes with a start, hand already snoozing her tired phone alarm. There are never enough hours to sleep. With a yawn, she rolls onto her side, swiping her phone open to text Justin back.

hey, sorry Justin, i fell asleep

GOOD MORNING SUNSHINE

calm down. how did it go last night, is everyone okay?

yeah we're all good. they couldn’t handle us in the dark, Sel, it was funny as hell

everyone knows clocksuckers are afraid of the dark

they swept us at dawn, the usual bullshit. when the Park goes dark, we do it again.

i missed you Justin, my toes got cold

i missed your toes, where are they now?

oh, just wading in the edge of today

wading wading wading, where will they take you?

to deeper waters where rocks grow big and strong

you’ve always been a boulder to me Sel, grounding me through darkness

you’ve always been BOLDER to me Justin, out there in the Park-ness…haha

well now, don’t we make a good team?

that we do. i gotta go make my moves, be safe tonight

be slow, my love

Seldom clicks her phone black and rolls onto her back, defeated by a week of overtime at the clinic followed by supply runs for her friends at the Park. It’s like the third part of the pamphlet says: “You simply cannot rise before you learn to fall.” She stares at the dust motes napping in her precious morning light. Stacks of books, notes, lists, and receipts accompany her body on the sun-dappled bed, as though they too desire a place to rest. “I am ready to rise,” she says out loud, practicing.

With a long stretch, she reaches for the radio tucked under her bed. It is compact, about the size of a good book, all silver and black with a faded sticker of a broken clock on the back. Justin gave it to her eight years ago when everything stopped moving in lockdown. He told her it was something old to commemorate how the times were indeed changing.

“It’ll still work in 100 years, Sel,” he had said excitedly over the phone when she found the package he'd tucked behind the flower pot on her building’s front stoop. “Radio waves are timeless. If we don’t make it through this pandemic, at least the waves will.” She remembers laughing with Justin over the phone, tears in her eyes, afraid of everything that was changing.

She sighs and pushes the power button, extending the little antenna. The radio is always set to 99.9AM, the local frequency over which the best morning broadcast reigns, complete with jazz, weather and more recently, the daily Waiter update. “It’s 9:99 a.m. here at 99.9AM,” the broadcasters say at the start of every show, “Our time.”

This morning, her favorite voice is wrapping up the daily update with a reading of the third and final section of The Art of Waiting pamphlet. Seldom lies quietly in the pool of her bed, letting the rhythm of the words settle over her tired form, one little moment before the inevitable movement of her day must begin.

“The third step comes to us this morning in a poem,” the broadcaster begins.

If time is a river, why run on shore?
Wade into the current, a little bit more
Sit down in the flow on the endless bed
This may take some time depending on swiftness and depth

You may feel pressed to hurry out and run with the clock:
Do not be fooled by this urgency when you are a rock
No heat nor pressure can match that which transformed
Your eroded bones into eons-old stones

Stronger are the seconds that stall upon your form
A sediment becoming you before you were born
Where the current is swift, you grow heavy; where it is deep, you grow tall
You simply cannot rise before you learn to fall

And in this moment where you sit and wait
For hunger, pain, and grief to dissipate
With no escape, weary heart becoming older,
Know that time is with you as you grow bolder.

“And that’s a wrap, folks. Catch us waiting in the Park until we simply cannot wait a minute longer to rise. Wherever your day takes you, we hope it rocks.”

Headshot of Sabs Stein

Sabs Stein spends forty hours a week as a front desk attendant in a waiting room, experiencing eternity alongside a rotating cast of strangers. They are interested in how our relationships to the passage of time shape our movements and lives. Sabs is a writer, river, and disco ball subsisting on broth and electricity.

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How Do You Make It Work? https://www.theseventhwave.org/lester-tibbett/?utm_source=rss&utm_medium=rss&utm_campaign=lester-tibbett Mon, 15 Jan 2024 17:32:24 +0000 https://theseventhwave.org/?p=14359

A friend was putting together an issue for an online magazine. The theme: “work.”
“All I do is write about work for an agency questioning whether people can work,” I told them.
We agreed I’d submit something. I sent an email that I’ve now given a title:

How Do You Make It Work?

I’m writing this much later than I should be, in part, because I’ve just had another birthday, and as I age, I become more reluctant to do more than one job. In school, I had a full-time job, up to three gigs that recurred from regularly to rarely, plus a full-time course load. I do not wish this on anyone, and how normal this has become at present is a disgrace.

Now, middle-aged and far less able to run purely on spite, my one job is to decide who has the ability to do at least one job: I make disability determinations for the Social Security Administration.

I wish Studs Terkel were still alive, and could tell you about this work, tell the stories of the lives of others in the most humanizing way, and to let the decency of folks speak for itself. Instead, I only have my voice, to tell stories of false starts at dignity and hard stops at livelihood due to disease, injury, and trauma. All I’ve had to contend with is the question of how to live well when you start off with nothing. The people asking me for help in my capacity as a government agent are trying to make do with even less.

People even older than me, despite having had to work much, much less, would yell things like “Get a job!” instead of making any earnest attempt to articulate why they’re annoyed, but the cranks in my cohort have been fond of telling others to “learn to code.” These are people with access, born in the right time and place, lucky enough to have supportive families — or at least their supportive finances — and to have avoided major bodily and psychic injury. With two of each limb, a pair of ears and eyes, intact executive function, an immune system not too busy attacking itself, few pathogens of consequence, and relatively dormant ghosts in their heads, “learn to code” could very well seem like sound advice to these ghouls.

Do they offer the same panacea, to “learn to code,” for people earning second-percentile scores on the Wechsler Adult Intelligence Scale for matrix reasoning, block design, working memory, or processing speed? What would happen if they were to experience crisis themselves? Do they expect to pull their own weight, if, after a traumatic brain injury or stroke, they can no longer organize thoughts or schedules, or else develop an entirely new personality? Do they have someone prepared to take dictation should multiple sclerosis progress to the point that their hands and feet contract and curl involuntarily when they’re stressed, and their fingers can no longer be coerced into using a keyboard?

What happens when you cannot work for a living? Do you have family to support, stuck in a place that used to have jobs and a downtown, churches, and lawns, before the local government got suckered into giving tax breaks to the company that built the now-dead mall? Do you have enough wealth to pay for the healthcare you need to manage your chronic illness now that you’re out of work and out of coverage from whatever plan the invisible hand determined was best for you — according to your employer?

Are you able to pay for food without thinking about what it costs, without entertaining plans to five-finger-discount Kroger’s “Family of Companies,” which posted $45.2 billion in profit for the first quarter of 2023? Do you really think that tens of billions in profits would suffer if you walked out without paying for the razor cartridges in your basket? 

And what if you’re sick forever?

Although some can ask for help without prompting, such moral value is assigned to work that folks often come to me unable to tell their stories because of their feelings of worthlessness and shame. Still, every one of us can talk about the minutiae of our exhausting jobs in exhaustive detail, so asking what someone used to do for a living is typically my only hope of coaxing such people to talk, in many instances for the first time, about why they cannot work. They have to explain their former jobs, sometimes hated, sometimes beloved, but without which, they’re fucked — and frequently they cry, because they are aware of this last fact. They must share details with a stranger otherwise only described to their doctors (although increasingly instead to nurses, physician assistants, naturopaths, psychics, faith healers, and other snake-oil salespersons), about why they can no longer do what had given them some sense of worth. Some have never been able to get or keep jobs because of voices that tell them to do things, or because a childhood of serial abuse has caused them to second- and third-guess themselves silent, or because their blood disorder causes sheer pain for a few days every two to three months, requiring days in hospital beds receiving morphine and transfusions. Those are harder to convince to talk. Still, some don’t want to talk to me at all, because although this is all conducted privately, this process is not kind and the results are hardly rewarding.

Regardless of whether their work exists anymore, people often must pretend that the jobs are still there, and then prove they cannot do them. It doesn’t matter that the manufacturing centers of the United States are referred to as the Rust Belt, that their job has been shipped somewhere that does not require the board or their boss to abide minimum wage, child-labor, or occupational health-and-safety standards (and that has a much cheaper labor pool than Missouri!). It doesn’t matter that tech and greed continue to erase work for human beings; these human beings still have to show that they can’t perform their now-imaginary former job’s tasks. Compounding the humiliation, if the stranger evaluating their case selects them for severe destitution by denying their claim rather than marginal subsistence by awarding their claim, these humans are presented nonsensical rationale supported by a Department of Labor publication that hasn’t been updated since 1991, and the testimony of professional witnesses relying simply on their “professional experience.” The results are often absurd, and perhaps the spirit of 1991 has a laugh knowing someone was denied because they are not too sick to be a microfilm mounter, elevator operator, dowel inspector, or addresser.

All day at work, it’s pain and humiliation — largely that of others — and knowing that the folks who I am able to help remain in poverty regardless. Feel free to remind your dad next Thanksgiving that the notion that anyone bilks the system is belied by the fact that the average payment for disability insurance benefits is less than $1,400 a month, with an additional $600 or so for whoever qualifies for supplemental security income. Depending on your locality, it might just cover rent — but not rent and food, clothing, or medical care, or transportation to medical care. Luxuries like childcare, recreation, and travel are out of the question. No one on the rolls compares to Ronald Reagan’s “welfare queen” bogeyman. That idea belongs in the same heap as “learn to code.”

Yet, while the job can be awful and seemingly futile at times, some of the people I get to meet will have better health coverage and access to care than they would otherwise, and some will become eligible for contingent benefits from their home state or city to assist with stable housing, home upkeep, or benefits for their children. I have my hand on the scale now, so I can jump through fewer hoops, save some time otherwise wasted on smoke and mirrors, and extend some help to people in need.

Though I’ve reached hair-level with the glass ceiling for agency jobs available to my social class, and — unless the US abolishes tuition or the government adopts an employee tuition-reimbursement program — I cannot afford any more education, the pay is fine. I only have to work one job, which I never saw coming. I don’t have to rely on my shoplifting expertise anymore and can eat what I want. I get to question and discuss policy from within, take bureaucrats to task, support my colleagues in the three unions with members in the agency, and do work that doesn’t involve distributing more wealth to some rich, megalomaniac failson.

But I could use more collaborators.

Dead cosmonaut by SKoparov

Lester Tibbett is a false name used by a real person to protect them from retaliation by their employer, the United States government. They spend their working hours trying to apply regulations in a way that benefits the people asking them for help, and convincing doctors, lawyers, and judges to do the same. As a child, Lester wanted to grow up to be a luthier.

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To Pasture https://www.theseventhwave.org/juliana-roth/?utm_source=rss&utm_medium=rss&utm_campaign=juliana-roth Mon, 15 Jan 2024 17:31:14 +0000 https://theseventhwave.org/?p=14357

The court had decided I was the most logical choice for the bull’s care. I was sufficiently neutral as a production assistant, and I’d already been tasked with managing him at the studio. Plus, prosecution worried that returning him to a farm would reset his behavior too much for the animal psychologist’s assessment to be objective. An indoor environment would best suit his continued care while the studio was closed.

I kept him in my bedroom, where I constructed a city of small, soft towers using piles of folded sheets stacked on overturned cardboard boxes, on top of which I propped pillows lengthwise to buffer the corners of the room. I worried for him — that he might charge at the empty space where the walls met, that doing so might part them altogether, might split his head open. That keeping him here much longer would be bad for all of us.

But the team at Science Wars assured me his wild temperament was largely gone — he’d only grazed for six weeks before the producers arrived at the farm and hired him on the spot. They liked how gentle he was, how easily he took their food. “So cute,” the first YouTube commenter wrote in response to his appearance in the Season 2 trailer for the show. “Such a cow LOL,” another wrote at the time-stamped minute when the bull mooed (though his call was actually more of a bellow — the audio team had lowered his pitch and amplified the echo) and the camera zoomed in on the creature’s mouth as his jaw parted the span of a child’s fist.

In the background, Stevie shakes her hips in a neon pink jumpsuit and pulls down on the giant rainbow lever to spin the golden “Quiz Wheel,” each answer’s prize-dollar amounts lettered in ROYGBIV-order by the highest wager. At the end of the video, the imperative “Watch your favorite scientists compete on climate!” stretches across the screen in giant letters.

Science Wars was the studio’s response to an industry-wide push for more environmental content. “This generation is more concerned with feeling as though they’ve influenced the course of history,” the showrunner had told us at our initial pre-production meeting, held in a warehouse in Queens. At the time I was grateful to get a gig that wasn’t just for a commercial, and that would pay enough for me to leave my three roommates behind, which, after Season 1, I did.

“The goal of our show is to architect an environmental experience that makes our viewers feel as though by simply watching it, they are part of something good — we want them to feel like watching our show is a protest — a climate action, you might say. Something like a movement…Something they’ll share viral clips from.”

The showrunner then distributed packets featuring scientists who would come on the show throughout Season 1 — PhDs from all over the world, lead researchers on eco-tech — to the production crew.

“They really want to do our show?” a lighting technician asked in what should’ve been a whisper. The showrunner spun toward her, dropping the remaining packets on the table. Barely suppressing a grimace, he addressed the tiny woman. “This show will deliver their message to a wider audience — to international audiences. This show will make understanding the climate crisis fun.”

 

At midnight the day before the trial began, a production truck arrived outside my building. A quilted black blanket with holes cut out for his eyes was draped over the cow like a child’s budget Halloween costume, a choice I assumed was made in hopes that, should a neighbor pass, they might take him for some giant dog being brought home, or a strange art project — anything but what he was.

The showrunner jumped out of the passenger seat wielding a thick brown rope, which he noosed around the cow’s neck. I froze as he handed the other end to me, like it was a leash. Before I led the cow in through the emergency exit and down the hall to my apartment, the showrunner assured me again that I was not on trial. “Some people just don’t understand what we’re trying to do here,” he said, his mustache wiggling as he smiled at me. He placed a hand on my back. “You see the good that we do. This will all be cleared up soon.”

Having the bull in my home was nothing like having three roommates: We never had time apart. There was constant mess, giant droppings that had to be broken up and flushed in smaller chunks. The toilet clogged every few days. A smell like rotted grass clung to furniture, clothes. A low, mournful hum radiated from the creature’s chest at random hours. His mouth didn’t even open to release the sound; it was as if the noise emanated from his heart.

As the trial dragged on, I stayed unemployed, dealing with the bull full-time without clear purpose or break. No on-air countdown clicked on overhead, no janitor came by with a repurposed luggage cart to cycle out the bathroom hay. We couldn’t pass jokes, we couldn’t walk the cow through the halls before setting up his stage marks and running through his cues. I fed him unpeeled carrots and stuck a mop bucket filled with tap water under his snout, thick as a boot. I used my spare dish sponge to run water over his wooly body. I worked a comb through the matted hair on top of his head, trying to hold his gaze, but he wouldn’t look at me.

At night or whenever I took a shower, I left classical music playing for him and shut my bedroom door. My friends had stopped calling to invite me to go dancing, had stopped pleading to come visit him. The novelty had worn off after I described in detail the morning I awoke on the couch to carrot-vomit seeping into the living room from under the bedroom door. I spent all of my waking hours with him in my bedroom; I deleted my profiles from the three dating apps I’d been on since I graduated college. I ran out of excuses to decline invitations for wine bars and walks around the park.

The only breaks I took outside the room were to cook an omelet or buzz in the grocery delivery man. “It’ll be your turn soon,” I whispered to the cow as I stroked his side, listening to the news coverage of the trial. His stomach was as compact as a tree trunk. His short needles of hair bristled against my palm. “Just a few more days.” But the behaviorist booked to evaluate him never showed; in the trial’s second week the judge announced that video review from the show’s past few seasons would do.

 

Were our cohabitation under other circumstances, I’d of course consider monetizing it — going live on socials, creating a crowdfunding page to follow our quirky situation — but as the days wore on and I watched the proceedings on the small square of my phone, belly pressed to my bed, now immune to the stink of dank, grassy sweat coating my sheets, I could only see our situation as piteous. The bull stared vacantly at the white wall before him, his spontaneous moans absent for days. Both of us trapped. Both of us left to endure a windowless room for weeks. Both of us out of a job, at least temporarily.

Cow, the cow, the animal — I began to note the ways he was referenced in the proceedings. That night at dinner I wrapped my arms around his thick neck while he ate from the bucket of grain at his feet. “We never even gave you a name.” The showrunner had told us this was a conscious choice, to ease transition if the cow needed to be replaced, which they assumed he would. They’d envisioned a new farm animal rotating throughout the series, often frequently enough that audiences wouldn’t ask questions about their whereabouts. The livestock would become part of the education. Besides, the farmer was unsure how long the bull would live. He’d have been slaughtered by age three if he’d stayed with the others, but with us his life continued on, and on screen. Each season renewal, another year for him. No need for a chicken or a pair of goats. The bull had become a presence. Stevie’s sidekick. We should’ve premiered each season with an anniversary cake.

Finally, it was my turn to testify. I slipped on my thick black elastic platform sandals that flapped against my feet as I walked, dizzied, through the apartment. It’d been over three weeks since I’d gone outside. I hired a sitter on an app for the cow, explaining the situation and paying him double for it. As I awaited his arrival, I rehearsed the notes I’d scratched down on a notepad during a call with the company lawyer.

 

I refused to watch the testimony’s replay on the taxi ride home. I’d said all the right things, as confirmed via text message from Stevie herself: “Nicely done, kid,” the speech bubble on my screen read. I pictured her pink plastic nails clacking against the letter keys on her phone.

I transferred payment to the sitter’s bank account as he stood in the bedroom doorway watching me. “No problems,” he assured me, scratching at his belly through his oversized T-shirt. I peeked at the bull, who was staring at the small puddle of snot forming below him, dripping from his nose. Reaching behind the sitter, I slammed the bedroom door shut. He jumped forward, then ambled across the living room.

I’d hoped the noise would startle the bull, that I’d incite a protest — a true one. An angry charge at the bed posts, a rampage around my room, culminating in a frantic call from the property manager as the neighbor’s ceiling fell in chunks onto their coffee table. Bulls will attack, even unprovoked, I’d read in a Wikipedia entry the night before. They are some of the most powerful creatures on earth. I stared at the steady bedroom door, listening to the gentle sigh whistle through the bull’s nostrils on the other side. “It’s much more space than they have at a slaughterhouse” the sitter said, watching as I panted, my hand still wrapped around the doorknob.

“Thank you for watching him,” I said, doing my best to swallow my breath, to slow everything down.

 

After he left, it all happened quick, a sequence of discrete images. My laptop on the table. Terms typed into YouTube’s search bar: cow running, cow family, bull nature, cows healthy, cow in love, bull happy. I spent the night watching clip after clip, watching the lives that were possible. Watching what it would be like to be free.

The next morning, the papers announced that Science Wars had been found not guilty on all counts of animal abuse and harm. “No negligence was identified in this case,” the judge was quoted saying in the article’s lede. “In fact, the cow was so beloved that he has been in the voluntary care of one of the show’s employees for the duration of this trial.”

The final paragraph quoted Stevie, announcing that production would resume in six days, after a “much-needed holiday.” EcoTimes reported the trial a travesty as a million hearts were appended to a video Stevie posted online of her riding on the bull’s back in the studio lot during a Fourth of July party last year. “My little pony,” she’d captioned it. The cow’s marble, black eyes stare off-center, his nose dry and cracked. “He trusts you so much,” @EnviroWitch239 wrote between six emojis of stardust. “wut a luv,” @mommyKris02 posted underneath. “Universe works in strange ways…glad u get ur baby bak soon,” she wrote, in a reply to herself, a cow and a heart serving as punctuation.

A blue bubble appeared at the top of my phone screen: a text from Stevie. “Be by in the morning to pick him up!!!” she wrote. Three dots appeared, then disappeared — twice — before the next text came through. “Press will be there.”

But I had already decided by the time her messages came in. I called the editor from EcoTimes and they arranged a horse van to arrive by dinnertime. I left a message with the property manager to cancel my lease starting next month. After transferring its funds to a new line, I closed my bank account. Same with my phone.

Disappearing my life took under two hours. I left the bedding, the closet full of jeans. Carrots and milk in the fridge, my favorite mug.

Once decided, it was so easy to leave.

Headshot of Juliana Roth

Juliana Roth is creator of the narrative web series, The University, which won Best Web/Pilot at the Los Angeles Film Awards, was a finalist for Best Pilot with the Vancouver Independent Film Festival, and was nominated by the International Academy of Web Television for Best Drama Writing. Currently, she teaches writing at NYU as an adjunct faculty member. She writes the newsletter/podcast Conversations With Animals celebrating our interconnection with nonhuman animal life and serves as an Emerging Writer Fellow at the Center for Fiction. Her questions center, as explored in this piece, the cultural fascination with the performance of “animal,” the way human and nonhuman animal labor intersect, and how hierarchies are enacted through the farming of animal bodies.

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DEI, Bitch https://www.theseventhwave.org/shebani-rao/?utm_source=rss&utm_medium=rss&utm_campaign=shebani-rao Mon, 15 Jan 2024 17:25:51 +0000 https://theseventhwave.org/?p=14352

Can everyone hear and see me okay? No? Oh, I was on mute, let me just … There we go.

Okay! Thanks to all three of you for attending this webinar. I hope you will find it was worth the $45 in registration fees, which we determined was the most equitable price point.

I’ve decided to skip the traditional PowerPoint today in favor of something a little more … interesting — my boss did tell me to "spice it up” after all. She probably meant that I should add some stock photos here and there, but I went in a different direction.

Instead of telling you how to do DEI work, I thought I’d show you. We’re going to do a little role-playing exercise where you pretend that you just got hired as a “DEI coordinator.” I’m going to talk you through your experience, from the perspective of a seasoned DEI professional. Lucky you!

This is an entirely one-sided activity. If you could, please go off-camera and refrain from putting any comments in the chat. Okay, (deep breath), let’s begin.

Congratulations on your new job, and welcome to the world of DEI (or Diversity, Equity, and Inclusion)! — Or wait, is it DEIJ (Diversity, Equity, Inclusion, and Justice)? Or DEIB (Diversity, Equity, Inclusion, and Belonging)?

Regardless, your job is to make a big, racist organization “racially equitable.” Your starting (and forever) salary is less than all of your white coworkers’, who comprise the majority of your new “work family.” But this kind of thing is exactly why you were hired!

In your first meeting, you mention race. Rookie mistake! Your boss (white, shops at Ten Thousand Villages) pulls you aside and asks you to “recalibrate” your approach because it kind of sounds like you’re accusing the company of being racist (?!) But also, she hopes you don’t feel discouraged — you’ll find your footing eventually! You issue a formal apology, cc’ing every meeting attendee for “transparency.”

After submitting twenty-nine requests, you receive the company’s demographics data in a Google doc named “in case of audit.” Everyone’s listed race has a question mark after it, with comments from the HR lady, Diane. One entry says, “I think?” Another: “Oriental??”

You ask if the process by which we collect this information could be changed to something that isn’t Diane’s Racist Impressions. Unfortunately, “at this time,” it cannot, because your company just transitioned to a new system, or is about to transition to a new system.

You create a slide deck for your first presentation, which demonstrates that women of color are the least compensated cohort in your company. You send it to your boss for review. She has you delete most of your slides, then add one that says: “Racism is historical, structural, and most of all, not our fault,” a message she recently read in an Instagram post. But she hopes you don’t feel like she’s censoring you!

Your coworker (white, trendily tatted) texts you before your presentation to inform you that she’s an Ally. She promises to support you because the organization is “so fucked up.”

It’s presentation day! Despite your heavily edited slides, your coworkers are outraged. What exactly are you accusing them of?! Your boss cuts in, saying you didn’t mean to imply that there was any inequality in wages, even though your presentation is titled “Inequality in Wages.” Everyone calms down. The Ally is silent.

You suggest higher compensation packages to improve the PWMA (Perceived Wage Misalignment— that’s what you must call it now, pending approval from Legal). Unfortunately, the budget’s tight this year, so no one is getting raises, except for the people who were already getting raises. Instead, leadership creates a Morale Committee, which you are invitold to sit on. The Committee’s big idea is to start an office snack box. They send you to Acme to buy granola bars. You’re still waiting on your reimbursement.

Someone drops by your desk to ask how to make the layoff process “more inclusive.” You point out that getting laid off is kinda the opposite of inclusive? “Trauma-informed, then,” they reply.

Uh-oh! Your organization is being sued in a discrimination lawsuit. To save face, they pay a consultant five times your salary for a one-day training on implicit bias. Your boss asks you to take notes, reminding you to dress professionally, even though you always dress professionally. The training consists of doing trust falls with your coworkers and describing how it made you feel in your body. The Ally drops you. You’re not sure what to take notes on.

Racial justice protests roil your city. Your boss calls you at night “to check in,” but mostly to give you a bunch of new assignments. “Did you know people felt so angry about race?!” She wants you to draft a press release about all the inclusive, supportive things the organization is doing. “But we’re not doing anything,” you say. Long pause. She asks you to please reframe that and to try to have a more positive attitude.

Fast-forward two years. Racial equity is trendy now, which means donors are asking about it, which means everyone’s got to look like they’re doing it.

You get another DEI gig, and now you’re paid too much. You sit on task forces and volunteer for the subcommittees that the task forces spawn. Your current subcommittee spends several meetings drafting a mission statement. When you’re close to a final version, your colleague asks if what you’ve come up with is “actually more reflective of a vision statement?” Mmmmmm, everyone unmutes themselves to concur in unison. The combination vision/mission statement takes another eight weeks to compose.

You have a team meeting about how best to decenter yourself, using TikTok. Your account name is Ch00sing_2_listen.

Your coworker is name-dropping again. She’s not the only one who reads Mariame Kaba! (You’ve just skimmed the beginning of We Do This ‘Till We Free Us, but still.) One day you ask her how to set up the printer, and she responds with an Audre Lorde quote and “<3 <3 <3.”

Today you learn that if you don’t refer to your colleagues as “friends” or “co-conspirators,” you’ve internalized white supremacy culture (womp, womp).

At the weekly “Brené Brownbag” lunch, which involves eating a catered meal while listening to her latest podcast episode, everyone is asked to share a bud, rose, thorn, stem, soil, roots, and surrounding foliage in response to the episode. You say that you’re not sure this is the best use of company resources, and your co-conspirators are devastated. Your boss calls you out by calling you in. Everyone cries.

Your team has referred to “the space” seventy-two times this week.

Now you’re at your monthly team-building retreat. “What do we mean by ‘uplifting marginalized voices?’” your boss prompts. You struggle to think of voices you’ve uplifted recently — or even heard, besides those of your team. You scrawl “Whose stories are told, and by whom?” on a Post-It. Everyone beams.

You add your Post-It to a giant poster board crowded with Post-Its from your friends. These Post-Its are sorted, grouped, and labeled with explanatory Post-Its. The new Post-Its are transferred to a secondary board, intended to encourage reflection, the highlights of which go on a tertiary board, also via Post-Its. It’s already been five hours into the healing-centered, paradigm co-shifting activity, and your boss is stressed. She doesn’t want to cut short the fruitful conversation! There’s an additional board. Your boss encourages everyone to place colored stickers corresponding to how you each feel about the day.

You select vomit-green.

This meeting has been ended by the host.

Illustration by Shebani Rao
Headshot of Shabani Rao

Shebani Rao is a comic artist, writer, and visual artist based in Philadelphia. Her illustrations and comics have been published in LitHub, The Margins, Buzzfeed, Buzzfeed India, Tides, and others. Her visual art has been featured by Philly arts organizations like Twelve Gates Arts, The Resource Exchange, and the South Asian American Digital Archives (SAADA). Shebani has worked in nonprofits, foundations, and local government for the past decade. Her day job, art practice, and identity all inform each other. Across mediums, her artwork deals with themes like race, identity, mental and physical health, and structural inequality. You can check out her daily comics on Instagram: @shebanimal.

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Babydogs Do Not Work/SERVICE ANIMAL https://www.theseventhwave.org/aditi-kini/?utm_source=rss&utm_medium=rss&utm_campaign=aditi-kini Mon, 15 Jan 2024 17:23:28 +0000 https://theseventhwave.org/?p=14348

A Need For Companionship Unfolds

At the height of the pandemic, I became a new kind of laborer: a student-teacher, a strange, two-faced role. I at once embodied authority in a classroom (teacher, parent, grader, god) and ate my dignity as a servant (an employee, a minion, a groveler). I had met a pandemic boy and did not want to move across the country to where my MFA was housed — I did not have to yet. It was too dangerous to do a simple thing like move; we “went” online. I was thrilled — I could nest! Though I was only thrilled because I had someone to nest with, in the home we found together. Still, it felt temporary. In the darkest months in his darkest moods, we wept, thinking ahead to the time the plague would “end” and I would have to be “in person,” rendering him alone in our large, COVID-deal apartment in a beautiful neighborhood with warm-bricked townhouses and cutesy bakeries and Chinese groceries. So what I did is I got us a dog.

I’m lying. Strictly speaking, he got us a dog. The story he tells and that we agree upon is a bit different from what I just told you. In that story, he does not weep of his own accord, but is driven to tears by my caterwauling and stress meltdowns after teaching, studying, and generally feeling bad.

I did not know then what I know now, which is that my body was going down the fucking shitter, and my brain was close behind. Something was shifting — my pathologies were closing in on me.

But what I did know then is that my legs were less stable than before. I was a wobbly little thing in a fluffy coat, walking out of my apartment with a big box in the refrozen mud-snow of Queens, looking for a FedEx drop-off after a morning-afternoon of Zoom PST-in-EST teaching, and I slipped. I slipped and trembled and probably looked very vulnerable. A van with two men started following me, a poor, puffy-coated being with a large box and no face but a mask and a hat, and they beckoned for me to enter the van. When I did not enter, they cursed at me, and, I thought, drove off. I had my headphones on, and was yammering away on the phone. The van did not disappear, and the passenger ran out to grab me. I got away and scuttled home as best as I could down snowy sidewalks. My friend on the phone did not notice I had gone silent, and did not understand what had happened when I tried to explain. She kept talking; I did not leave the house for a month. (Later I googled “agoraphobia” and learned that it shares a relationship with poor proprioception.)

At the end of that month, my pandemic boy came home with a dog. We had briefly been “interviewed” over camera just the week before my narrow brush with being sex-trafficked, which is the narrative my brain had created but I know is close to confabulation. We had been vetted, but the “rescue” agency, in positioning itself as a savior, had nothing to prove to us — they were virtuous and we were the ones in desperate need of their largesse. “Rescue” agencies, in conjuring saviors in their identifiers, position themselves as beyond reproach. But in our preoccupation with earning the agency’s approval, we had not realized that when they’d described her as “boisterous” they meant “nutso” or that “energetic” meant “reactive.” I spent the next few weeks oscillating between hatred for the rescue that charged us $600 for an unspayed dog fifteen pounds heavier than promised — and for the dog, now Charly, herself.

In Charly, I experienced a rush of excitement and dashed expectations in quick succession: with a big dog, nobody’ll fuck with me ever again — actually, I cannot walk her, and her pulling and lunging jerks my soft wrists. With a loving dog, I’ll never feel lonely ever again — except when she’s barking and nipping at me to be more interesting. I long to be alone. With a cuddly dog, I’ll feel more regulated forever — except she is less regulated than I.

Charly did not fit the job profile, but I was the one who chose her.
Why did I expect a dog to fix all my problems?
What did I expect from my legal ownership of her one good life on this earth —
Why was I so fixated on “how much I paid” for “such a bad dog,” a dog everyone loved passionately?

Charly was a bad baby, but she became my darling baby nonetheless. She was my darling babydog when she nipped my nose the night I cried because my cousin had just died of COVID. She was my darling babydog even in the week after, when I tried to give her the cold shoulder for not being more comforting. In my cleaving onto her, I found a love that suffused me so that sometimes I could not breathe. She is no comfort animal, but she is my companion.

You ask of my companions. Hills — sir — and the sundown, and a dog as large as myself.

Emily Dickinson

Eight months into our relationship, my lease on this pandemic dreamlife ended, and I was called upon to work in San Diego. My MFA was funded as long as I worked, so I worked, and that is all I did. Writing was no longer the object. I look back on my three-year program and see that everything I’ve written and published since 2020 I had written in the “remote year,” or before. My departure marked the beginning of my shift from writer to teacher. While the identity itself meant little to me, I had no proper understanding of the amount of emotional labor I would have to perform as a feminized subject in class, now in person. It wasn’t just grading, it wasn’t just lectures and prep. It was more. It was students scorning me, perhaps for not dressing in a womanly fashion, or for seeming too young, or being too old. It was being criticized for not being more nurturing and being evaluation-bombed by the vengeful.

How I labored for the children — the undergraduates I taught mandatory writing and research classes to — how I stopped laboring for myself. Cooking was exhausting. Eating was exhausting. I owned a car I could not drive. I begged for rides to Trader Joe’s where I loaded up on frozen meals that invariably upset my stomach. I never went anywhere else, not this body of pain. My brain filled with fog whenever I was away from the classroom. It turned on only for money — the most banal relationship, labor-for-wages, emerging as my priority. My classmates were off in their own silos, a social paranoia filling our program where camaraderie could have existed. I dreamt of Charly, but mostly, of strange landscapes. How I felt utterly alone as my body turned on me. How my body is me: how I was sick.

 

Seeking Wellness, Stalking Dogs

The short version of this story is that I got sicker. I was sick already, but now I was being wracked.

I lived in graduate housing off a slow trolley and several bus lines. I was in the last class to be grandfathered into the more affordable rate; my peers had to pay 50 percent more for a studio smaller than my bedroom in New York City. Some rents went up by 85 percent. The early 2020 protests organizing around cost of living adjustments at the UCs were rewarded with more costs. Our rent burdens at either rate were whopping. And what for? The graduate housing complex resembled the Simcity of a poor imagination and a budget Googleplex. Buildings were tall, dingy, gray with highlight colors as hideous as orange, neon green, electric blue. Despite it being “on campus,” I walked 45 minutes to teach students in a sliver of a classroom crammed with huge rolling chairs that I tripped over. As if it were complicated math or an epic journey, I bravely figured out a combination bus+walk route.

One by one, every aspect of my once-adequate, if not great, body blurred and transformed. I found myself working with a growing understanding of what I cannot versus what I can do. Until this point, I had found my body to be remarkably springy, to find its way back to a base level of strength. I was able to sit at desks and type for hours and then do makeshift PT at home. I could avoid the long waits at the clinics that take Medicaid. I was fine.

Disability … is the attribution of corporeal deviance — not so much a property of bodies as a product of cultural rules about what bodies should be or do.

Rosemarie Garland-Thompson

The short version of this story is that I am incapable of telling a story the short way. Would you like to read it any other way, though? Summary: Failing writer joins MFA program in last-ditch attempt to rejuvenate career but weakens during a sedentary quarantine mandated by a global pandemic, and gets one dog hoping to fix the problem. Failed writer leaves home and dog, falls sicker somewhere else. What can fix it? Another dog, this time, selected for service. Now they wonder about the moral implications of that choice.

Now you know the story, you can choose to stop reading. Let me proceed.

I had been imported to San Diego to inhabit the god-minion dialectic of a student-teacher, and something was breaking me. Was it the air — was it the invasive species that coated the hilly landscapes? Was it the stench of rich settler colonialism so close to the Mexican land border? Was it my writing program? Was it my longing for Charly? I was being rent apart.

A new era of my body’s responses to my surroundings, a strange era of my body-mind connection flow becoming a one-way track. I was a writer, but now all I wrote was lists of functional limitations. Now I had to make my body legible. That was my calling: to essay the body.

As soon as I arrived, I went to the health center, and was expeditiously sent off to specialists. The specialists probed me. I forgot words frequently. I did not know how much work went into advocating for yourself. I wept often. I was being taken seriously, which was nice, but it was serious, and that wasn’t so nice. I went home alone to my little studio, which was above a highly chlorinated hot tub that wafted noxious vapor and irritating party sounds into my room every night. I called the “self-administered auxiliary enterprise” that wasn’t really the university that administered graduate housing — the one that jacked our rents up because they had to meet “market rate” for La Jolla as if anyone else in La Jolla lived like we did. I castigated the “enterprise” which at the time, I thought was a university department, for putting me in such a horrific room, for not closing the hot tub at a reasonable hour. I was given a new room the next week, over Thanksgiving, preemptively an ADA-accessible room that was marginally wider because a wheelchair did not fit into the standard studios. I had a shower bar, and two windows. I looked out at the mesas in the distance, and the medical complex next to me.

I had to confirm my functional limitations to hold onto my newfound fortune. I took myself on exploratory walks, noting how many steps before I felt pain or dizzy. I asked my PCP for help. I copied language from provider notes from my dozens of appointments. I took comfort in that “patient appeared normal” and noted which providers made patient appear “hyperactive,” “distressed,” or “incoherent.” Often, it had nothing to do with my pain levels and I never was truly “confused”; it was more about how the provider was treating me, how I was expected to perform disability to be taken seriously by medical providers who probably would have diagnosed me with “conversion disorder” or “malingering” if I did not have the full support of my education and ability to research, repeat, and contextualize medical terminology. A specialist asked me if I was a student at the medical school: I lapped that up. My demeanor changed; any softer, creative thinking transmorphed into harder, scientific language. Some of my students didn’t know I was in a fine arts graduate program at all. The project of making myself a pitiable, legible subject became a full-fledged effort as I tried to make the most of my unanticipated access to (and need of) supreme healthcare. No other MFA would have given me such access: I could see my doctors’ offices as I fell asleep watching the orange sky turn purple and then black.

Uncharacteristically, I began to wake up early to plan my lessons. It was all that anchored me to normalcy: education was business as usual. I was teaching in a “collaborative learning” program which meant grading was based on effort and self-evaluation and not subjective decisions of what constituted “good writing”; I was teaching students how to write about climate change. Surely I was doing something good in the world? Surely this was all worth it? I came back to my studio and videochatted with the pandemic boy, and watched Charly act nutso, all pixelated. The purple sky filled my room with peace. I slept early.

But I still dreamt, especially in the earlier months of denial. The alien landscapes of my dreams were vivid, rocky, capacious — I ran at speed over them. Running felt like flying.

I dreamt of things my past self coveted. I took a screenwriting class, because at one point that had been a lofty goal of mine. I found myself caring very little about the writing, but more about the topic: the non-human subject. We watched FIRST COW and read Donna Haraway. I began to stalk the dogs who lived in graduate housing. I videotaped dogs from my hot tub apartment window, and later would sit on drooping, threadbare hammocks on the green to stare at them. I made a video essay about getting to know my coworker’s purebred Shibas, willful, brattish cuties who somehow know they deserve the good life. I showed it in class. A classmate said she was reminded of the five-year-old she babysat who takes close-up pictures of dogs. I was only just getting used to how I would be treated in this new city, where I was god/minion in the classes I taught, and professional writer/idiot freelancer to some of the more experimental writers in my program. Apparently to members of the visual arts department, I was a writer/child.

These were not the binaries that mattered to me any more. I live in the strange shadowland between hot-accomplished/disabled-pitiful. I did not know this then but I know it now, like many things I write about as if I knew it at the time. At the time, all I cared about was dogs and making appointments around my flights back to New York. Merging my concerns: I needed a dog to help me with my project of becoming less sickly, but I had to perform sickliness in order to get a dog. I needed to be less sickly in order to work in order to have insurance to check into why I was so sickly and to approve documentation of the ways I was limited so I could have housing that would let me go to work. Like all sick people I know, I was flailing in the grips of the ghastly conundrum of falling ill in the United States, but I did not know that this process would be worth it.

My functional limitations would lead me to love.

 

To Labor is to Love

If they hadn’t been already, some students in my cohort had slowly become obsessed with dogs. One had started helping a woman in Tijuana whose house and lot were seething with dogs, a hundred dogs. My classmate called me in excitement one morning: he had with him two pitty puppies who had been abandoned by their mother. Did I want to foster? I said yes despite not even owning a pair of scissors; my apartment had only the barest of necessities. The informality was dazzling — no vetting procedures, just two dogs of Tijuana’s thousands in need. I could not believe my eyes when I met them in the middle of the night in what felt like a dramatic, heroic act of L bringing them across the land border and into the dismal 1-hour parking lot of my building. Their eyes were so small and barely open; they were maybe three weeks old. Their teeth felt like small needles, and they couldn’t eat a thing. I was their teacher/mother. I showed them how to eat, giving them little snacks on my travel cutting board. I cleaned their little poop accidents and broke up fights between the rowdy one (Wilbur, black-and-white, feisty like Charly, only wanted play), and the sweet one (Todd, brown, looks like Charly, only wanted love). Todd fit in my camo Jansport fanny pack, but Wilbur was a little too fat. They were both runts. I showed this to some friends on a night I was stricken by the panic of living alone, cooking alone, cleaning liquid dog shit alone, and I begged for help. They did not seem like “dog-people” but then, suddenly they were. It went the same way it had with me.

Before Charly, I never gave myself without reserve to anyone, not without giving them a piece of my mind. Before Charly, I was deeply skeptical of pet culture. I had an array of annoying encounters with “pet people” and their spoiled pets in unpaid petsitting gigs or with roommates whose pet care was foisted on me.

Pet culture felt like a way of avoiding owing anything to other humans. It felt like a rich person thing. It felt exploitative of non-human creatures. I wasted my late 20s thinking about stupid shit like that. In the last year of my 20s, I found my way to a party but the party was next week. The hosts let me in anyway and we pretended we were the party. I said something snarky about pet culture. People just love to use animals to feel better. I characterized it as something to do with late-stage capitalism invading all of our relations. Safety blankets with heartbeats. Then the media studies scholar who was making his playlist for the real party told me that dogs were bred and evolved alongside humans. How had I not put this together yet, in all my preoccupations with pet culture? We carry centuries of interdependence into our individual relationships with domesticated animals. There is memory deep in our tissues of relations outside of the constraints of exploitation and legal ownership. We comfort each other because we are intertwined with one another.

Back to San Diego, 2022. My friends took Todd and Wilbur to relieve me of my panic. I had friends now, and dogs. The dogs clung for warmth, sleeping on my chest during my daily, frequent naps. My friends set them up in a playpen and other classmates sojourned to visit the small princes. After they became strong and less runty, we sent them off — mostly because we were exhausted. Though all communication with the dog-lady was translated and spotty, we gathered that the dogs had been adopted immediately, together.

Would we like to come see what other dogs they have? I had a mind to foster one, maybe see if “it” could become “my” service animal. Perhaps this would be my do-over, now that I was without my tornado-canine, maybe I could train up a dog to do the important work Charly just wasn’t up for. (If anything, I am Charly’s service animal.) Even more subconscious, I realize now, was a plot to drag a dog back to New York and force it to become Charly’s friend, Charly who had no friends.

So we went, about six of us in two cars. The road there was rocky, unpaved and dusty. The lot, cased in by corrugated tin sheets and covered in tarp, was filled with dogs and they were all cute. Some fought over empty cans of food that kicked around the dirt floors. A volunteer swept up dog shit constantly; the piles of it never ended. Cages with rowdy and reactive big dogs lined the open playground. A large corgi-retriever obnoxiously tried to get our attention by attacking other dogs who dared come close.

The uncanny knowledge of a dog: they all seemed to know what we were doing there! Dozens of dogs assailed us for pets, nipping at our pants and bare hands, while meeker ones cowered at the commotion, some of them still making eye contact through the onslaught. How their desperation to leave with us still breaks my heart.

I picked out a few and clawed off the rest to leave on a test-walk with a cadre of eager dogs, including an especially loving one that looked like a tiny German Shepherd, when I stopped. I saw a fluffy butt strutting away, the rest of the body obscured by other animals falling over themselves to get the last smidgeon of attention from us humans before we left. The butt, in how round and nonchalant it was, spoke highly of the rest of the dog — someone who could keep calm and carry on in the thicket of chaos. I demanded to meet that butt and L dove back in. She was all scruffy, puffy fluff, about twenty pounds, and she immediately put her paw on me.

It was a done deal then, but I walked the others and felt badly for the loving one. She was so eager to please me but did not know how. I took both of them. My friends took an injured, tripod dog who was covered in (other dogs’) diarrhea and fresh wounds — I shrank from the stinky, bleeding dog in what I can only characterize now as ableist disgust. They also scooped up a light-colored fluffy dog that looked a lot like the one I selected, but lankier. We were leaving with four new dogs, and in total, were traveling back with seven dogs.

The dog-lady handed my friend medication for the injured dog as we prepared to drive off; the dog had been hit by a car, a high risk for the street dogs of Tijuana, but also was subject to bullying and biting from the other dogs.

Suddenly my meet-cute turned into an action thriller.

Cops descend out of nowhere: big, armed forces, maybe something other than regular police, with huge American-supplied rifles. They point their death machines at us and ask us to produce our passports and explain ourselves. What were those drugs they saw being passed to us? “What’s in the car?” they ask in Spanish, and my friend says, “There’s dogs in the car.” They translate it for us into English — “what the hell, dogs?” — and we repeat: there are dogs in the car. The dogs are decidedly in the car, luxuriating in the backseat. They know something good is happening, even if the gun guys are outside. They’re a little anxious for us, but they’re ready to go. The gun guys look in and see dogs and a bag of pills. After some deliberation, they leave, confused; they don’t even ask us for a bribe. We head home. We wait for hours at the government checkpoint, a shorter wait than the workers who have to come every day, imported to Southern California as cheap labor. In the backseat of the car, I dub the dogs Happy (the fluffy one) and Silvy (the silky one), and put collars on them. Now they are “owned.” The dogs nestle on me and the border officers do not ask a thing. What would I have shown anyway, to prove their “legal” status? They had been to the vet, but I did not hold their vet papers. They did not have passports. They were coming for an unspecified length of time. They were mine tonight, but could be anyone’s tomorrow, even their own person. I bathe the dogs and afterwards, their good mood is gone; they cower in a closet in my carpeted studio apartment. I call them by their names and they quickly adjust. They seem to understand that my talking to them is a good thing.

I found out later that the dog rescue volunteers had been calling Happy “allegria” which essentially means the same thing. There is just something about her.

 

The Making of a Service Animal

I want to say it was smooth sailing after that.

We had spent a glorious few weeks cuddling. Both dogs quickly became house-trained. We even went on dog-dates; I had friends I saw regularly because of them. I was loved and loved in return. But:

Silvy, who was an angel when I was present, made Charly seem like a chill dog; she tried to rip up my walls and chew all the lamp cords whenever I left her unattended. She yelped and cried and my neighbor quickly reported me to the campus police. A noise complaint or a dog abuse report, I’m not sure. Days before my birthday, the cops showed up. I had been gone for 45 minutes, having taken the rare opportunity to get a ride to the grocery store. Silvy cried the whole time; I had crated her, which made it worse.

The cop was nicer than my neighbor, which is saying a lot. He told me some things that worked for his dog, and he did not enter my apartment without my permission. That was for the best — when I entered, I saw that Silvy had shat all over her crate and the bathroom and was clawing her way out, injuring herself in the process. Happy was quaking in a corner but immediately became playful and lighthearted when I entered. My friend, whose genteel Shibas would never, smelled the wreckage. “Sorry,” he said, and ran off in panic.

I was barely keeping it together. I could not do more for her. I needed someone to do something for me. I was tired of taking care of myself. There was never any peace, never any reprieve. I never even allowed myself to order UberEats, not on my salary of $24k a year!

The next morning I was served with an eviction notice for having an illegal dog. I expected a warning, maybe an email. I never met my neighbor, the rat snitch asshole, but I hypothesized it was a rich graduate student who might own one of the Maseratis that I saw next to my rusted Mazda 3 that never moved (and which in fact had died due to my never driving it).

I thought my documentation was adequate. Earlier that quarter, around the time of my pittypuppy fostering, I had preempted a dog’s arrival, I thought, in my documenting of functional limitations. A therapist’s note was more easily accessible, and the dog — they thought it was Charly, my boss Charly! — was not required to be anything more than an Emotional Support Animal. I just had to be moderately mentally ill, a little bit cray, to need a bit of creature comfort. The Office of Student Disabilities was satisfied, I thought; they hadn’t pressed the matter. But the eviction notice proved otherwise: the private company/nanny landlords had not received paperwork saying I was “allowed” to have a dog at all. I implored the student disabilities office to expedite the paperwork. My eviction notice was revoked.

But the problem remained. I could not foster Silvy anymore, and at the time, nobody else wanted to either. If I, the person who could handle the irascible Charly Barley, couldn’t handle this dog, neither could they. The ones who could, had their own handful of dogs. Suddenly we all had dogs. I was about to have one fewer. I would keep the useful one, the level-headed one, the Happy one. I gave Silvy up.

The housing office “approved” of Happy, my new tenant. It seemed so simple. Now it was on record a dog lived there, a dog employed in my service. Still I did not trust the landlord company not to change its mind. As long as Happy helped me with my work she would be tolerated — but what if I became sicker? What if I couldn’t work? — would I be kicked out of the university, and thus housing, and thus my medical network?

Why was I here? In my adversary interactions with the administration of the housing and the university, I began to understand my own position. A STEM PhD I met boasted of their high six-figure salary potential in a few years, seemingly unaware that the humanities graduate students they organized with had no such potential. Others were more blatant about it: many STEM PhDs were disengaged from union work because their low pay, and much lower teaching load (if any), was only a temporary hurdle before “industry.” Multiple people repeated the adage of the upwardly mobile: you could earn a lot of money too if you just studied the right thing.

We were just labor on contracts, promised something more at the end, but it was unclear what that was. In the arts, the official promise was only ever intangible — “you’ll improve your craft” — and so sadly, for many of us, our stipends and the work were the promise. Who cares if I was barely a student? I needed that work. I needed that apartment. I needed to know I could walk five minutes to see a rheumatologist.

Most of us, like me, were only tolerated for two years in graduate housing unless we had a compelling reason to stay. Only a few were guaranteed housing all years of their graduate studies — those savvy enough to threaten not to accept their offers early on. Despite my documentation, my attempts to secure my accessible, affordable housing was brushed off; I was told I had to wait til the last month of my lease to file the documentation again, as if my current circumstances were not permanent enough to warrant a degree of stability. It didn’t matter if I came or went; there would always be labor coming in. The graduate housing complex was a transient campus, a hub for us to gather and sleep in, necessary to sustain ourselves through to last the school year so we could teach and research. The “family friendly” design of the graduate housing, with its cheery playgrounds and oddly clinical lounges, drew into sharp relief the precarity of our lives on this campus and perhaps in this world. This was not home.

Yet I was so grateful for all that I had, because what I had was Happy, who quickly became my whole heart.

 

The Defining of a Service Animal

What is Happy to me? It was my job now to define hers. My body, striped with tender spots, next to her body, whose internal workings were not my immediate concern. I was more worried about why I felt better when she was around. Was I “really” disabled, that is, physically so? Was I making it up?

The actual question shaking my moral universe: is it really Happy’s job to take care of me?

I was given unalienable rights by my birth in this country to sign a contract. I begrudgingly chose to return to my Canvas page to arrange icons for the students every day…Did Happy have a choice of having to deal with me and my crapola? I did not dare extrapolate these moral concerns, even in the intangible nascent stage, to other disabled people; I had seen and heard of the remarkable ways that service animals improve the lives of disabled people. I was disinclined to engage in the moral panic of “fake” service animals except for the sake of preserving the rights of “real” service animals; any quiver of doubt instigated by general moral panic would make the lives of those who rely on their service animals that much harder. More documentation, more labor at the cost of executive and body function.

I did not want Happy to be “fake” but I was not interested in making her “real” — who was to say what was real or not? If only she could just be an ESA, allowed to bark and sniff, to defend her boundaries and engage her curiosity. But a service animal has to be on. A service animal must rise above their natural instincts and be only devoted to their human — which, practically, makes sense as a person’s disability is also 24/7 — but a being cannot work overtime perpetually, can they?

Service animals are fetishised: they are so valuable, so ‘smart', because they help us – because we can use them to remediate clearly-defined human deficiencies. We appreciate them. Does this make us appreciate other animals (those without training certificates) less? Are service animals the exceptions that prove the rule, that most animals do not seem to help us all that much?

Randy Malamud

I admired another dog, from the same spot in Tijuana, who took to home training readily, and out of necessity, went through a certification process. That dog is now “real,” official, and can be taken places; meanwhile, her human has found a way to mark her work time with a vest. When the vest comes off, she is “off.” I wonder if I could do something like that with Happy, if I should have done that when I had the chance. But I am just getting to the point of this essay: Happy is no longer my service animal.

She could have been. The person at the office overseeing workers and accommodations clapped her hands — literally — when she heard how Happy was “naturally” a service animal. She nurtured and comforted me, this little Happy; when I was dizzy she would look up at me, she would predict my falls before I could and turn around rapidly to catch my attention. Had I ever been given this kind of attention before? Probably not since I was very little, very helpless. My mind-body connection extended outwards, enveloping hers; together, we pooped well, ate well, and kissed a lot. She slept in the curve of my C-shaped pillow in my arms every night. My being hummed with this new sense of love and caring; something I had never quite received or achieved myself.

We are training each other in acts of communication we barely understand.

We are, constitutively, companion species.

Donna Haraway

But remember: Happy wasn’t just for me. She had many tasks ahead of her, and the biggest one, the incorrigible Charlens.

This was incongruent with my project of having a service animal: why would I be selecting the animal based on friendship-compatibility with another being? A service animal cannot have their attention stolen by someone else.

Furthermore: had I made some sort of necropolitical decision on the worth of Happy’s life — what if Charly attacked her, hurt her? Was it okay, because she was the sacrificial lamb, the second child, the fostered orphan who wasn’t properly adopted through legal pathways but smuggled across, a secret, a less valuable dog? If she became a legitimate service animal, would she become more “valuable” than Charly?

Whereas [Haraway’s] previous works questioned the epistemological and ontological assumptions behind categorically dividing the human from “nature” and/or the cyborgic, [Companion Species Manifesto…] curiously sets self-critical capacities aside to argue that working dogs are so superior in intelligence (“other” dogs are mere pets) that they constitute a special category of “subject”; humans who successfully interact with such dogs (in her case, in the context of agility training), engage in a heightened form of intersubjectivity. Such dog subjects represent “significant otherness”...

Heidi J. Nast

At the end of the school year, she was still my service animal “in training.” She was interning for me. She was growing into her job. We had had a glorious few months in San Diego, where I taught Happy to walk on a leash — and off of it, to great success — and it was just the two of us. But in New York, I had a boyfriend and a dishwasher (separate beings, though sometimes, the same). I had better public transportation and I had a Charly who needed to be kissed daily, and the pandemic boy does not kiss her enough. I needed to head back to New York for my last summer of graduate school. But we had to get there.

I first tried to verify Happy in the Department of Transportation’s Service Animal system. I went through the project of listing my functional limitations again, and then came to the section where I had to write who trained her. Despite it being completely legal to train your own service animal — buying a pre-trained service animal running tens of thousands of dollars — I was not allowed to self-certify. Unlike many other countries, it is legal to train your own service animal, but there is no central database, so airlines can choose if they will relegate the process of securing legitimacy to a mysterious system administered by DOT to verify animals individually. I was allowed to identify a person as a trainer, so I wrote in a friend’s name with his permission — but whoever certified dogs on the other end could not find “evidence” of my friend running a service animal training center online. I was denied. We had to go through channels of commerce, exchanging handsome sums, for legitimacy. Only money would transform Happy’s efforts into recognizable service. Commerce would make her Real. Her service would have to be documented by SEO and keywords, and be perceived as a continuation of system-permitted documentation that a human trainer would have. She was not satisfactory on her own, or with my say-so.

What was I to do? I could not walk with a cane and two suitcases and a dog on a leash, not without falling or being clumsy. With not a small amount of trepidation, I bundled Happy into a carrier for dogs under twenty pounds. As a short but round dog, she bulged out of the soft synthetic fabric but could also stand and turn around. On my last night, a weepy friend left me and Happy at San Diego’s small airport that does have a disability fast-track line — a service that even airports like JFK in New York do not have. (JFK, where I once was shamed by an airport worker for needing a wheelchair and then shoved along the a long line so I could be amply stared at while the worker harrumphed and snidely talked about how “even young people are doing it these days.”)

I did not know what to do with Happy: do I let her out at security? Do I have to show documentation — an ID? My concerns about my own documentation and visibility — I have been searched, patted down, probed at every airport for the last few years — were now projected onto Happy, a light-furred fluffy dog who all white people like. Only recently had the San Diego TSA patted down my hair, circling me with their angry faces and rough hands. I did not know if my own difficulties as a racialized person at borders would make this business of Happy being a flight-worthy animal — much less service — animal also difficult.

Before I entered security, I promised the airline workers that she was indeed a service animal in training and performs valuable services for me, but the System rejected Us. The workers understood and advised me I should have just called before. They showed no signs of moral panic about fake service animals. Happy stuck her nose out of the little bit of un-zip I had left her, and everyone cooed. Happy would quell, counter, or negate my otherness, I realized — she made me more legible, more harmless. It wasn’t that I would render her ferocious and brown and evil, but that she could transfigure me into a soft, cuddly, lovable being. Yet another thing she did for me. We had no problems at security, or on the plane, where two young Asian men sat next to me and asked me questions about grad school — they had just finished undergrad— and pet Happy’s audaciously round and black nose that stuck out of the carrier at regular intervals for a little bit of comfort.

The rest is a blur: I arrive in New York, and my partner rushes to pick us up. I introduce him to Happy, who immediately takes to him. He is overjoyed; he had been wanting to meet her for months. Now we are united, a three-being unit. We are nervous about Charly: would Charly bite and possibly murder my Happy? Will I have to give her up to my friends? Will I not be able to give her up, given my growing love for her, and will I have to move out? Would I be single and without a dishwasher and looking for summer housing in my old city for no reason at all? We arrive at our townhouse in Queens. On the second floor is our little apartment, and down a hallway that Charly cannot access is a 7’x9’ room the former tenants who were possibly richer than us used as a walk-in closet. (I use it as an office and a guest room, and have spent thousands of hours Zoom-teaching there.) I deposit Happy on the little daybed in there and rush to meet Charly. Charly is screaming, screaming and barking, she is so thrilled to see me: but she senses another being. How could it be?

For days, we kept them separate. At night, when the streets are empty, we took them on parallel walks across the street from each other, so that they could look at one another. The initial introduction was slow — and successful.

But another introduction: Charly showed Happy the good life. The life of the unemployable, the lowlife scumbag life. Charlen, of the lumpenproletariat, spread the social contagion of career criminality to Happy, and together, they both went on strike. Considered the “dangerous” class by Marx and Engels, the lumpenproletariat are “social scum…thrown off by the lowest layers of the old society,” and are susceptible to being “swept into the movement by a proletarian revolution.” The pandemic boy made the connection: Happy was content with the way I set the conditions of her life until she met Charly. Happy went from ardently obeying anything I said to second-guessing it, and then eventually, resisting learning commands altogether. Charly is not a Working Dog, that I was reconciled to ages ago…but now Happy, too, was inducted into the doctrine of Anti-Work.

Summer became fall, and I took a quarter off school. A strike was fomenting, one “authorized” by my union. After some earnest campaigning, walking out, and protesting, we would settle for a small raise and plenty of backstabbing. And indifference. Participating in the strike “remotely,” I watched all legal proceedings, including the one where a lawyer screenshared a browser with a tab labeled with a porn website’s logo and some incriminating text. When would workers’ rights be taken seriously? Somehow, the strike ended just as we had momentum, representatives mysteriously folding. Low pay aside, I was deeply exhausted by the command to give, to nurture, to shape the students who seemed to share a cynical, pragmatic understanding of education as merely a pathway to a paycheck, and my writing class, a hurdle in their aims. I resented that the courses that should have been taught by faculty were offloaded onto me in classes I taught by myself, but with the title of “TA.” How soon TA positions would be cut to balance out our “pay hike,” limiting avenues graduate students had for pay on campus. How my prospects after this were just the continuation of this inequity as an adjunct. I disliked the little instruction I received as a student, how little time I had for the education I felt others took for granted. I was chilled by the cavalier attitude, the gossip about my condition I heard tell of. I was annoyed that I had thought my tiny corner apartment a boon. I hated my doctors, who still had no final answers for me, and never would. My healthcare, and thus, my wellness, was predicated on my ability to work. If one fell apart, the other would. Who would want to work under such conditions?

Other beings, such as assistance dogs and companion animals, are caught up in this neoliberal dragnet. ‘Pets’ tend to be relegated a similar (but still lesser) status afforded unpaid women carers, with the care work that they do ignored and/or assumed to be natural or instinctual. In contrast, service dogs may be attributed more value, given it costs an estimated [$15,000-30,000 USD] to train a guide dog and that the market for service dogs is growing.

…Similar to paid human caregivers, they are often expected to be self-sacrificing, if not self-abnegating…

Fraser, Taylor, and Morley

The Happy ending of this story is that Happy doesn’t work for me, not officially, and she seems to love that. That Silvy returned to graduate housing a year and a day later, and found her own place in a mutually comforting relationship. That last week I heard of how she played with the Shibas. That Charly, sensing that my periods have become more painful, has begun to dote on me, even alerting me when my period is about to start, making me second-guess the entire premise of this essay. Happy’s shirking of her service animal duties could be blamed on me. I could have trained her more, been stricter in curbing her activities and limiting her life and concerns to me, and me alone. I could have broken her puckish spirit. I could have done it if I wanted it more, if I were richer or stronger — I would have done it if I needed her more. But her foibles, and her dislikes overwhelm my executive function. I find it so compelling, her wants, the ways she marks her territory in the apartment under beds and chairs, how she has love for everyone, but in different measures.

Happy is her own Happy, she has carved a life out for herself. How I admire her for her spunk and self-determination. How I am still regulated by her presence. How if I have a dog, she has a human, in Haraway’s words. How if I need Happy to serve me, I am also to serve Happy. How all three beings in my house comprise my caregiving team; how I am essential to their lives too. How lucky I am for that. How just last week, when the pandemic boy had COVID — what a pandemic boy he is — Happy pressed her body on him, and took care of him too.

How I just want to go and kiss her right now.

How it is Happy’s nature to care, but that does not have to be her whole destiny.

REFERENCES

Dickinson, Emily. Letter to Thomas Wentworth Higginson. 25 April 1862.

Fraser, Heather, Taylor, Nik, and Morley, Christine. “Critical social work and cross-species care.” Critical Ethics of Care in Social Work (2017)

Haraway, Donna J. The companion species manifesto: Dogs, people, and significant otherness. (2003)

Ha, Andrew. “HDH Dramatically Increases Graduate Housing Costs.” The UCSD Guardian. 5 April 2021.

Malamud, Randy. "Service Animals: Serve us animals: Serve us, animals." Social Alternatives 32.4 (2013)

Nast, Heidi J. "Critical pet studies?" Antipode 38.5 (2006)

Thomson, Rosemarie Garland. Extraordinary bodies: Figuring physical disability in American culture and literature. (2017)

Headshot of Aditi Kini

Aditi Kini is an undisciplined writer. Oriental Cyborg, winner of Essay Press’s Chapbook Prize, will be out shortly.

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La-Pa-La https://www.theseventhwave.org/savannah-bowen/?utm_source=rss&utm_medium=rss&utm_campaign=savannah-bowen Mon, 15 Jan 2024 14:08:15 +0000 https://theseventhwave.org/?p=14210

I’m here. I’m not here. I’m here. I’m not here. I’m here.

Gaby stood on the steps of his front porch, where an abundant bush of pink choublak flowers was beginning to overtake the handrail. With his index finger he traced one flower still hanging on its stem and silently repeated the words over and over again, just like his sister Mika had taught him. This flower had blushing vellum petals, and anthers the color of flames. He learned that flowers like these were always opening and closing, here-and-not-here beings. They reminded him that existence consisted of both life and death, unceasingly. Being and Unbeing, all at once.

There’s no such thing as birth or death, Mika had said. Only change.

The last time Gaby saw his sister, she was a wasp. He had been out in the Lamandou cove for a swim. The water was soft and light, without waves or wind; there was only the peaceful bed of saltwater lifting his body up from the ground. He floated with his face turned up to the blue sky and imagined himself a cloud.

A buzzing thing passed his ears, then came back again and landed on his nose.

What are you thinking about? the wasp asked.

Gaby was suddenly dizzy from the effort of crossing his eyes to see the intruder.

Get off! he said. He swatted and splashed. The wasp lifted from his nose and passed by his ears again.

What are you…….

……….thinking about……

…..little brother? the wasp repeated.

Nothing, he answered. These days, seeing Mika was always a surprise. He was happy for her visit, but like most people, he disliked being snuck up on, and he didn’t much care for wasps.

Where have you been? Gaby asked.

Everywhere, she said simply. Elsewhere. I’m here now—tell me.

Clouds, Gaby said finally. There were hardly any in the sky, except for a few little wispy cotton strands. Clouds, like flowers, are here and not here, he continued. They are changing. They float and then they fall to the earth in rain.

ZZzzzzzz, said the wasp. But it was a warm sound, not a razor-sharp warning.

 

When are you coming home? Gaby asked. He fluttered his arms beneath the water, treading, like Mika had taught him.

Mika landed on a floating leaf—it was a mango leaf, long and skinny and turning yellow. Gaby tried to keep his eyes level with it, though they both bobbed gently. Mika put her front legs in the water. The stinger on her yellow-striped body pulsed.

I don’t know. I have more tests to pass, she said.

Gaby had hoped that maybe he wouldn’t have to be alone forever. He’d thought that Mika would come back quickly after her training and resume being his big sister, but now he wasn’t so sure. She was a mackandal child, after all, newly initiated, and destined to be a master of La-Pa-La: Here and Not Here.

You should get home, the wasp cautioned after a moment. It’s going to thunder.

It doesn’t look like it, Gaby challenged. The white wisps against blue sky looked more like scratches on a screen than clouds.

Mika buzzed. Why would I lie?

Mika kept lots of secrets, but Gaby still believed most everything she said. The mango leaf began drifting away, and Gaby paddled his arms a bit to keep up with it.

I miss you, he said. Manman is not doing well without you.

Mika buzzed again. I know. she said. I’ve tried to visit her, but she doesn’t want to see me—not like this.

Will you walk me home? Gaby asked.

I’m afraid I can’t, Mika said.

To the east, a rabble of gray clouds was now dancing toward the cove. Gaby felt a cool breeze sweep across the surface of the water which had been almost still before. When he looked over again at the dying mango leaf, Mika had flown away.

Gaby waded back to the pebble beach, a little strip of land beneath an overlook where people often convened to drink and watch the sun rise and set. His feet slipped on the glossy stones that shivered beneath him with each wash of an incoming wave. Someone long ago had carved a set of earthen stairs into the side of the overlook, for easier ocean access. Gaby climbed them with his sandals in one hand. A circle of men packed up their dominos, and began to stack their chairs nearby. In the distance, he could see a sailboat coming to shore, and a group of older ladies with plastic head caps waddling out of the water too. Gaby put his sandals on his feet, and walked along the road that would take him home.

*

The first fat drops of rain had already splattered across the dirt courtyard by the time Gaby returned. He snatched the clothes that were drying down from their line and set a bucket out to catch fresh water. As he headed inside, he pulled the door in and latched it shut behind him. He then changed into something dry and sat down close to the living room wall with some leftover breakfast—a slab of bread and peanut butter. He liked to rest near this wall because it had a cement air vent, a grid of circular holes where coolness flowed through in lieu of windows. Peeking through the holes, he watched the rain fall.

This was how Gaby imagined one day, Mika might return home. She would fall from the sky, materializing like a raindrop from a floating cloud. Without Mika here, he was left to do so much by himself. He used to hate her bossing him around, but now he wished someone would tell him what to do.

Gaby’s thoughts soon drifted from wondering what Mika was doing out in the world, and if she was safe, to imagining what she was training for, really, and what it meant to be “chosen.” Gaby could manage a little La-Pa-La himself, and honestly, anyone could do it in the right circumstances; it was only hard if you were trying. It was easier when you let it flow. The point was to balance: to be both Here and Not Here without neglecting the necessary. If a person was Here too much, they neglected Not Here and that space became full of disorder and disarray. It was the same for those who spent too much time in the Not Here: they’d become hollowed-out bodies—like daywalking zombies. Sometimes Gaby saw those people wandering the streets and muttering to themselves without clothes.

The other thing about La-Pa-La was that it didn’t work in any sort of linear way. It was more like water: like all things, really, but water would be the best way to explain it. There were interruptions, gushes, and breaks—and waterfalls. Waterfalls were La-Pa-La wonderlands. Gaby thought about them as much as he thought about flowers and clouds. They always reminded him of Mika, and of his first time doing La-Pa-La.

*

It was a nice day in the beginning of summer, and Gaby was ten. Mika had just turned fifteen, and a few of her friends had gotten small motorbikes. To celebrate the end of the school year, Mika’s group had planned a trip to Bassin Bleu. She was packing her backpack with snacks and clothes when her mother emerged from the kitchen with Gaby standing behind her.

Take your brother, she said, waving a long metal spoon toward the door.

Mika groaned and began to protest, but Gaby only grinned triumphantly, knowing his sister would not be rid of him. He had already put on his swim trunks and gathered his towel from the clothesline.

Soon, Mika’s friends began honking their horns jovially from outside the gate. There were two bikes filled with recognizable faces, and a third, driven by an unfamiliar girl with long braids.

Sorry, Mika said to the girl as they emerged from the house and headed toward her.

It’s fine, so long as he can keep up, the girl said. She steadied the bike.

Mika helped Gaby up into the seat behind her and then took her place behind him, effectively sandwiching him in. Gaby braced his hands on Mika’s knees. The drivers kicked their bike engines back to life, and one by one, they jolted down the road, toward the waters of Bassin Bleu.

Once the group made it as far as they could on their bikes, they parked and trekked the rest of the way on foot. They walked along a dirt path, cutting through tall banana trees and passing by the first two bright blue pools. Eventually they came to a ledge. Gaby looked down and saw cratered rocks filled with shallow puddles of water, and the edges of a pool further behind. One by one they scaled down toward the last and largest basin.

Can he swim? one of the older boys in the group asked. He was tall and skinny. His left hand was missing three fingers.

Better than you! Mika shot back. She took off her glasses and tucked them in a flap on her backpack. Her left eye skipped and roved westward.

Gaby didn’t know what it meant to be a mackandal child—only that Mika and her friends had claimed the title for themselves. He had read about the revolutionary hero Mackandal in his orange social studies workbook, in a chapter on maroons. When Mackandal was a young boy, he’d lost one of his arms in a sugar mill accident and was relegated to working with livestock on a slave plantation. But he ultimately escaped and became a rebel warrior for the revolution. And though it was not written in his workbook, legend had it that he could shapeshift, too.

Ann ale! Mika called. Her friends followed her lead.

They dropped their bags on rocks and stripped. Another girl removed her shirt, revealing a pink bikini top. Gaby tried not to stare, but he looked long enough to decide that she was pretty; her skin was covered in bright spots that reminded him of milk poured into fresh coffee. Another boy in the group, younger than Mika, did not speak—instead he made words with signs. He talked mostly with the girl in the pink bathing suit, who made quick movements with her hands and big expressions with her face.

The basin looked miles deep, rich and blue and somehow clear. The scent of lush moss and wet stone rose into the air. Mika climbed a rock and regarded the far wall of the basin which had been worn down by the waterfall into something resembling a face. To Gaby, it looked like half of a nose above two lips parted in the middle of a word, with freshwater slaking between them.

The waterfall rushed in white sheets at the other end of the pool, and Gaby couldn’t wait to dive in. At Lamandou, the cove near their home, Mika had taught him how to swim and float, how to kick and breathe, how to tread in place and how to freestyle. It was there, in that very ocean, that she had also taught him how to surrender his body to a ripping current in order to survive, and how to mark the change in tides. Still, despite his training and experience with rivers and oceans, this was his first real waterfall.

The rest of the group jumped right into the basin. Gaby followed suit after catching his breath, reveling in the plunging sensation of his body underwater, and the crisp feeling that enveloped his skin. Meanwhile, the older kids had already waded across to the other side of the pool where they could climb the highest heights of the rock wall and dive fearlessly into the basin below.

When Gaby resurfaced, he began picking his way up to the jumping off point to join his sister who had remained a few paces ahead. But then, Mika jumped—and voup! She was gone. They were all gone: it happened so fast. It appeared as though Mika and her friends had slipped through the heavy curtain of water—through a veil in space and time. Gaby panicked and launched himself after her, then, into the space where he had seen her disappear. He could have died! But if there was anything in this life that he knew how to do, it was follow Mika; it was almost instinctual the way he trailed after her. He saw, somehow, the current his sister had carved in the waterfall, clear to him as if they were footprints which he could use to pursue the trace of her. And when he passed through, he was…well he was Not Here. He had turned into a water drop and plunged deep into the basin. But then the basin wasn’t the basin anymore. It felt more like the sky on a moonless night: just glinting stars, and all the endless space they touched. Gaby felt flung out. And indeed, that’s what had happened. He had flung out of his own body and into another vessel entirely. He had lifted high, way up—way out.

Just as suddenly, he felt he was coming down. His stomach dipped and pulled like when jumping off a ledge. Down, down, down. He was moving too fast, he could not control it. He tried to kick and swim but he felt he had no limbs, no body to move or contain himself.

Then he felt something pull at him, bringing him back to his body. His head bobbed up through the pool’s surface, and he coughed. Mika held his arm as she waded toward her friends, tugging him along. When they emerged, they collapsed onto a rock ledge behind the waterfall. Gaby sidled up next to his sister, still catching his breath. The cascade made bubbles that swam up and down his legs and into his underpants. Mika patted his back.

You’re okay, she said. You shouldn’t always do what I do.

But you disappeared! Gaby said.

I was right there the whole time, Mika said.

And you too! Gaby pointed at the tall skinny boy. The group broke out into laughter. Mika cut her eyes at the tall boy, then turned to her brother’s questioning stare.

You must be hungry, tired, or both. You should have a snack, Mika said.

Gaby did feel tired, and he was very hungry, but he knew there was something Mika was hiding from him. At the same time, he also knew better than to whine about it, which would annoy Mika even more. He had just enough strength to swim out with the group from behind the waterfall without getting caught in it again. They paddled toward the bank of rocks where their clothes and food had been left behind.

Here: a bonbon, Mika said while unpacking their lunch. She handed him a shard of sweet coconut brittle, hoping the special snack would ease his worry. They ate quietly and then swam some more, and Gaby eventually let himself forget about the way his sister had vanished, and how he had nearly died looking for her at the bottom of Bassin Bleu.

*

As was his usual routine, Gaby made sure to finish his chores in the morning so that he could spend the rest of his day outside, fending off boredom. His mother had not been well since Mika left nearly a year ago. She had always been a bit whimsical, but now she just sat like an empty conch shell, gathering sweat in her tangled bed sheets and absently smoking tobacco from her pipe. Once, she had liked to sing and dance; she’d liked to shop for pretty clothes and buy long dresses from the secondhand markets in town to wear in their small lakou or just outside the house where she sold hot food. She had never been one to go out, though there was always a man somewhere who wanted to take her out. The only man she ever entertained was named Richard, and they always stayed in.

Richard came on Saturdays and went on Sunday mornings. Gaby didn’t care for Richard much, but he appreciated the dried beans and yams he left in the kitchen, safely stored inside plastic lidded buckets so rats would not bite into them. Richard did not smile, and Gaby did not smile at him either. But they nodded to each other, and Richard left Gaby crumpled bills every now and again. Gaby always made sure to boil the gifted yams before they spoiled, and carefully rationed the rest of the food for the week. His mother didn’t touch their pots anymore.

*

Growing up, Gaby and Mika’s mother had always been protective of her children—especially Mika, who had been born with one special eye. But Mika otherwise developed like a normal child, doing things her own stubborn way and not caring how people stared at her before averting their gaze. If she was stared at, she would simply stare back. But when she wasn’t wearing her corrective glasses, her eye had a habit of turning on its own, wandering and seeing things most people couldn’t. Or at least that’s what she told Gaby, whenever she was threading her stories. Mika kept a long, running tab of all the things she saw. At night, she confessed the most interesting things.

People are kissing in the bamboo at night, she once said.

Who? Gaby had asked.

Jerome, the barber who cuts your hair. I can’t see who else.

What else do you see? Gaby then whispered.

I saw ten thousand ants carrying a mouse—and I saw a frog grow wings and fly. Donia has a drinking problem. She’s going to die soon.

What will the weather be like tomorrow?

I don’t know. It doesn’t work like that. But a motorcycle will crash in the market.

Gaby didn’t know why Mika told him these things. She had her friends she could talk to, and she was always calling him stupid. But at night, as they laid there on their shared mattress, she would talk until she fell asleep about the things that she saw with her wandering eye.

I saw a plane falling out of the sky, she once proclaimed. Everyone will die. The man who finds them will take their shoes and empty their pockets before the police even arrive.

Some of the things Mika envisioned came true, Gaby knew, though most of it was gossip or fantasy—neither of which he could really corroborate. But he had heard about a plane crashing, and they did say a man had gone to take things from the dead, and that no one had survived. Just like Mika had said.

Our people suffer too much. For too long, Mika repeated often. When will things change?

*

The night before Mika left, she was finally ready to reveal to Gaby the basics of La-Pa-La. She felt that he was sensitive enough. He had followed her into that waterfall, after all, and he’d always listened to her stories so patiently. She didn’t want to leave him behind, but her destiny had been calling her for some time now, and she could no longer ignore it. Her friends would be waiting. She decided then that she would teach her little brother how to find her out in the world.

Once their mother had gone to bed in her room, the pair of siblings laid on their mattress as they did every night. Though on this night, it was surprisingly cool.

Gaby, put your hand over your heart, Mika commanded abruptly. She put her own fingers over her chest. Gaby did as he was instructed.

Do you feel the thump? She asked. He made an affirmative grunt.

Good. Now try to feel the opposite of that thump.

What is the opposite of a thump? Gaby asked.

Just try to feel the quiet moment between the thumps, Mika said.

Gaby tried his best to do as he was told, but he could only feel the thumps. His palm felt the warm pulse of his chest, and could not seem to tune in to anything else. A pulse was one whole thing: an undeniable presence. How could he try to feel its opposite? Wouldn’t that mean his heart had stopped altogether?

Well, I’m not dead, Gaby said. Mika sighed.

I thought you might be able to feel it—that maybe you were like me.

Gaby felt a pang of disappointment. All he wanted was to be like Mika. Fearless. Funny. Knowing of things beyond. Gaby put two fingers under his chin and tried again.

When you feel the thump, you know you are here, Mika said. But can you sense the space of moments in between? When you are waiting for the thump, where are you?

Much like before, Gaby could only register the soft beating of a pulse. I’m still here?

No, you are not. You are somewhere else. You are not thumping. You are waiting for the thump. You are elsewhere.

They sat silently again, this time to leave room for the negative space of their pulses in the night. Gaby could hear his sister’s breath: the rhythm of her inhales and exhales. Here and Not Here. He kept his mind trained on the thumps in his chest and in his neck. He could still not find enough space in the opposite of the pulse—all he could feel was the contraction of his heart. In his mind he repeated it over and again: I’m here. I’m here. I’m here.

Just as soon as Gaby had latched onto this thought, somewhere in his ears a group of drums began to sound. As if someone in the neighborhood was calling down spirits. Petro rhythms swam between the thumps of Gaby’s chest, confusing him.

Can you feel it now? Mika whispered.

What?

That sound—the drumming in your blood? In your heart?

Gaby felt the space in his heart grow as he listened to the beating drums. He felt the clap of the air, the contraction of it as it floated from wherever the musicians played,all the way to the inside of their house. His heart slowed as the internal rhythms sped up. And then it became the drum. He felt hot all over. Without another word, Mika rose from the mattress, and Gaby instinctively followed. They stood together in the middle of the small, dark room, their feet gliding into patterns, stepping into and over the drumbeats the way little kids danced between raindrops or skipped over ropes. The moment to jump was not the same moment as the clap of the rope. Now Gaby understood: La-Pa-La was a game—a dance: an invisible rhythm.

Gaby’s skin slickened as sweat rolled from his temples into his ears. The room was dark and hot and his head was spinning. Mika was still dancing—he could hear her breath and the swaying of her steps. But he could no longer really see her—not with his eyes, anyway. Their bodies had become lost to their dance. Just like in the waterfall, he was flung out again—out of the room, out of the house, out of his skin. His ankles, knees, hips and shoulders had turned into one long muscle, one extended wave in the current of music floating through the night air. It felt so good to dance, he momentarily forgot about Mika. He didn’t notice the sound of her steps retreating, the way she disappeared from Here.

He stumbled, his feet snagging in the rhythm of the drums as if tripping over jumping cords.

Mika! Gaby yelled out into the void. He searched the room, he searched his heart, he listened for the opposite of its beating before calling out to her again, but he heard nothing back. He heard nothing at all, except the dizzy echo of his own voice bouncing around his head. He felt nauseous. His stomach heaved. All around him was blackness, the same up-in-the-sky place he now remembered visiting before. He couldn’t locate Mika’s footprints in the abyss, her current, her ripple in the veil which he had last used to follow her through. And though he called as loudly as he could, he didn’t know if she would come.

You shouldn’t always do what I do, Mika had told him after he followed her into the waterfall. She was always telling him this. But this time, she had asked him to follow her—and led him straight into La-Pa-La. Gaby squinted into the blackness. It was full of glinting stars blinking back. He focused on the brightest point of each star until he found his breath. I’m here. I’m not here. He said the words over and over again, this time aloud, letting them guide him from one star to the next. He felt steadied by the mantra, buoyed by its words.

A white spider drifted down from a single, sparkling star and dangled in front of Gaby’s face.

Good job, Mika’s voice floated in the air around him. I didn’t know if you’d figure it out.

Gaby’s heart beat so fast it went still.

His sister was a spider now, speaking to him for the first time from a new, terrifying form.

He wanted to cry.

What’s happening? he asked.

We’re suspended, Mika said. Between La and Pa La.

Her eight legs stretched. Seven black eyes looked straight into his own. Her eighth eye was white and seemed to stare far away.

You’ll have to go back very soon, Mika said. Gaby sensed his impending abandonment in the gentle caress of Mika’s spindly legs over his cheek. This time, he would really be left behind.

I won’t be there when you wake up, but I’ll always be around, she continued. You can’t stay…But at least now you know how to find me.

Where are you going? Gaby pleaded.

I’ve done my best to prepare you for what comes next, little brother. I’m a Mackandal child: a shapeshifter. I will go wherever my lessons take me.

I don’t understand! Gaby cried.

Hush, Mika soothed, her voice soft. I know you are scared, but you have to be strong. For me, and for Manman. Don’t be afraid.

Before Gaby could protest further, more white spiders began to fall from the stars. They crawled up and down Gaby’s body, all of them carrying tiny echoes of Mika’s voice, all their legs tickling his skin, brushing against him like an embracing cascade. He wanted to squirm, to run away, but his body wouldn’t move.

Wake up, little brother, the voices sang. It’s time to say goodbye.

Slowly, the spiders crawled back up their webs, spooling together in a silky tuft that looked almost like a cloud. Gaby closed his eyes, and felt his body sinking back down into his mattress. Back to Here.

*

Gaby woke the next morning to the lilting chatter of birds, a thin sheet tangling up his legs. He felt cool air lick his sweaty skin, in the cruxes of his elbows which were drawn above his head. Mika’s half of the mattress was as empty as his stomach. He rolled onto his side and rested his head on her old pillow, inhaling the fading scents of her fruity hair pomade.

In a nearby corner on the floor, a spider was spinning a web with shiny silver strands. The moment Gaby saw it, he felt a pebble of sorrow grow into a stone in his throat, and he was suddenly overcome by the need for fresh air. He ran barefoot to their front door and out onto their porch, where the snaking choublaks seemed ever closer to engulfing every available inch of space. But this time, its flowers were shut; a cluster of thin pink petals pinched together like closed umbrellas.

Only change, Mika had said. There was no end or beginning. Only change. After a long moment, Gaby steadied his breathing with a hand on his chest, and waited for the sun to rise and warm the petals into blooming.

Headshot of Savannah Bowen

Savannah Bowen is a Caribbean-American writer and artist from Mount Vernon, New York. She is currently an MFA candidate at the University of Kentucky, where she studies fiction. Savannah is also co-founder of Writers Rest, a retreat community for black femme writers.

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Emma, https://www.theseventhwave.org/veronica-wasson/?utm_source=rss&utm_medium=rss&utm_campaign=veronica-wasson Tue, 05 Dec 2023 04:43:58 +0000 https://theseventhwave.org/?p=13760
1. Begin with a name.
1.1 “Emma,” perhaps.
1.2 Naming is an act of denotation.
1.2.1 Names are often conferred, as it were, upon one.
1.2.2 A name is also a sequence of sounds. A movement of the tongue and glottis.
1.2.3 A name reverberates when spoken.

 

2. This story is also about sequences of sounds.
2.1 Often, Emma thought in sounds.
2.2 Perhaps Emma is a musician. Perhaps she plays the electric guitar.
2.2.1 For Emma, perhaps the electric guitar made the purest noise, and spoke to her in the purest tones.
2.3 Emma played her guitar with open tunings, coaxing out microtonal abstractions. Bending the waveforms, weaving sound.

 

3. This story is about waveforms.
3.1 A wave is period plus amplitude.
3.1.1 The period of a wave is the time from one peak to the next, from one depth to the next, and the inevitable cyclic return.
3.1.2 The amplitude of a wave measures the distance rising or the distance falling, the movement toward peak or trough, the terrifying plunge.
3.1.3 Emma liked to hear the superposition of waveforms. Emma saw herself most clearly through this superposition.
3.1.4 Sometimes more than others, Emma felt out of phase with her own sound.
3.2 At all times, Emma liked to crank up the reverb.
3.2.1 Reverb is a reflecting of sound, the amplitude decaying over time toward zero.
3.2.2 Emma studied the Fourier transform, the mathematical function that transforms a wave from the time domain to the frequency domain. In which every moment of time appears at once, co-temporally.
3.2.3 Emma heard sounds as patterns woven through the dimensions of space and time. The drone that runs through it. The pulse that moves below it.

 

4. This story is about sound, sequence, and self-naming.
4.1 Stories, it seems, are statements organized into a sequence.
4.1.2 Stories seem to mean things in sequences of words.
4.2 To name oneself is to speak oneself, to tell oneself, to mean oneself.
4.2.1 Emma reminded herself that to see oneself clearly is a gift that can only be given to oneself, and only with love.
4.3 Emma believed in most things, but she did not always believe herself. To be actual.

*

List of organs

Brain, Heart, Lungs, Liver, Kidneys, Pancreas, Spleen, Small intestine, Large intestine, Stomach, Bladder, Ovaries, Testes, Prostate, Uterus, Fallopian tubes, Cervix, Vagina, Penis, Adrenal glands, Thyroid gland, Pituitary gland, Pineal gland, Thymus, Muscles, Tendons, Ligaments, Cartilage, Joints, Skin, Hair, Nails, Teeth, Tongue, Salivary glands, Lachrymal glands, Rose, Tulip, Sunflower, Lily, Daisy, Daffodil, Dahlia, Zinnia, Marigold, Orchid, Iris, Peony, Lilac, Jasmine, Hyacinth, Crocus, Sage, Dandelion, Gardenia, Heather, Laurel, Magnolia, Redwood, Oak, Willow, Pine, Hazel, Maple, Ivy, Birch, Cherry, Apple, Peach, Strawberries, Blackberries, Cactus, Fern, Bamboo, Moss, Lichen.

*

A man wearing boots and I’m the girl. Kicking out a window and drunk. Smoking cigarettes in a darkened room with a single candle. Tiny crabs march over sand on a nighttime beach.

I’ve had some bad sex experiences to be sure. Often they felt like my fault.

Generally I don’t like to be touched. I’d rather go down on my partner—a way to preserve myself…

Emma wrote these things to herself in her notebook. Some were true. She believed she was doing this. She believed she was writing these things.

She flirted with the cute waiter when he brought more coffee. She wanted to touch his wrist lightly. She set aside the pen.

*

Perhaps Emma saw herself when she put on makeup.

But perhaps Emma only saw the silence of the self, for a moment alone with herself.

Consider: An eye seen up close. The purple shadow, the crease of the eyelid, mascara darkening each eyelash a thorn.

Makeup engendered a phase shift, translating her frequency into the feminine.

Looking at herself through the speckled surface of the mirror, perhaps Emma saw the true woman beneath the outer woman.

*

Emma had dates, flings, and romances. Many of these occurred only in her thoughts and fantasies. In her imagination, circling around the day’s hours.

  1. Rose who was tall and held herself oddly, as if about to unfold.
  2. Iris who brushed her bangs from her eyes and chewed her pen while reading.
  3. Sage who laughed with lips parted showing her teeth.
  4. Laurel who declaimed in an aloof style at a poetry slam, hip jutting and head cocked.
  5. Heather who thumbed the pages of Wittgenstein with ink-dirtied fingers.
  6. Fern whose upper lip and arms were soft with velvety hair.
  7. Ivy who sketched charcoal drawings of twisted human figures.
  8. Dahlia who spoke with thick vowels as if through a fog.
  9. Hazel who gave off the cold outdoors air from hard brisk hikes in nature.
  10. Jasmine who wore scalloped shirts embroidered by herself with mysterious designs.
  11. Willow whose tattoo-covered arms spiked the volleyball.
  12. Zinnia who listened and heard with an intensity that bordered on frightening.

Note to the reader: When you enter a command in the system, the system performs the work requested by that command and sends messages back. The messages report the status of the command and whether the system is ready to accept another command. If you receive a message that you don’t understand, you can enter a question mark (‘?’) to request more information.

Here is an exercise:

Begin with the text of your life. On such-and-such occasion, you noticed such-and-such ephemera, &c. The precise ordering doesn’t matter. Provide annotations for additional context, if desired.

Example: Emma sat in the bathroom shaking. Eventually her friend knocked on the door.

Annotation: In high school, everything felt wrong.

Example: The cute waiter brought a slice of marionberry pie. “On the house,” he said, winking.

Annotation: Her attraction to men went just this far, and no further.

Example: Driving home drunk, Emma leaned forward over the steering wheel to focus on the wavering lines of the freeway.

Annotation: This was an outracing of the self, a measure meant to keep one step ahead.

Weave these moments into your sound.

*

Gender is a system of texts, comprised of commands emitted and messages received, shaping out a silhouette in which you are expected to fit yourself, more or less. Who created this system, its purpose, what it’s good for, is impossible to say. In practice, it functions as a system of control.

But Emma preferred to think of gender as an infinite array of notes that one could pluck, like so many stars from their constellations, and weave together into a single concordant (or discordant) sound. This sound becomes the current along which your life flows.

*

4.4 Sound, like water, moves in pulses.
4.4.1 Sound spreads outward from a source.

 

5. Thoughts spread outward too.
5.1 Thoughts begin from a source. The source might be a moment in the past.
5.2 A thought propagates forward from the past toward the future, carrying the present moment on its crest.
5.3 The present moment is the crest of this wave, just as sound needs both the peak and the trough, and must always move forward.
5.3.1 When sound comes to rest, it subsides into silence.
5.3.2 When thought comes to rest, it subsides into the self.

Emma set up a drone with a delay pedal. It chanted through the amplifier, pulsing through the time domain into the frequency domain. It thundered around her.

She sat cross-legged cradling her instrument. Her long hair fell around her face like a curtain of water. She plucked notes as if plucking beads from the air. Each bead contained only itself.

*

Emma felt most dysphoric about her voice.

Her voice would always precede her, would always be what clocked her. It seemed to rise up from someone else, it seemed in its way to arise from someone other. It seemed to her that another person’s voice proceeded from her.

It was her voice, whom a voice on the phone called ‘Sir.’

For Emma, dissociating herself from her voice became a reflex. She could hear her voice but could never relate to it. Would never claim it.

Emma spoke instead through her guitar. Bending the notes toward her and against her, bending the frequencies as she bent her gender to her own conception of herself, shifting her self into her feminine register.

When Emma spoke, she spoke softly. When she played, she played loudly. In this way the microphone received her true self, her true amplitude.

She experimented by speaking into her microphone:

tall

aloof

teeth

ink-dirtied

tattoo-covered

charcoal

fog

intensity

She drew out each vowel: Ta-all. Aloo-oof. Tattoo-oo. She could manipulate these sounds as she manipulated the sounds emanating from her guitar, a form of plainsong. In this way she could create from herself, from what was alienated from herself. She could form herself again in sound and learn perhaps to move forward with herself as herself…

Voice as spoken breath.

Voice as disturbance of air molecules, as words disrupt thought.

Lips forming O, a cupid’s bow of love.

Lips forming I, a grimace of pain.

These syllables the sounds of our moments together, and our moments apart.

*

Stormclouds gather invisibly, stirring memories inside of you. As a child, you were often afraid.

You move in breaths that are this long. The period of a breath and the resonance of a voice carry you forward. They demarcate your minutes, the periodicity of your life. Time is carried forward on each exhalation.

*

They say that music is organized sound; Emma wondered about this. She preferred to think of music as a continuous flow into which she could submerge herself for a few moments, borne along its current, as if prompted by a guiding hand.

This conception of music seemed most compatible with her experience of breath in those moments when she wasn’t sure if she would make it to the other side, when she came up gasping the cold air that sometimes blew through her days, both real and imagined.

Iris who brushed. Sage who laughed. Laurel who declaimed. Heather who thumbed. Ivy who sketched. Dahlia who spoke. Hazel who gave. Jasmine who wore. Zinnia who listened.

*

Prompt: While cleaning out your attic, you encounter a mysterious box. Inside, you find a letter addressed to you. The letter contains a series of clues that lead you somewhere else entirely, some unseen current.

 

Emma,

Listen to the blossoms budding and unfolding within you, like the notes you pluck from dew or roiling thunder.

You’re afraid: to flow from yourself, to spread outward, to exert your own feminine thunderous pressure outward into the world. Afraid of how you flash brilliant and echo in afterimages.

Remember how we rode the ferry together? I went onto the passenger deck and stood near the bow to watch the water churn white and frothy below. This frightened you. Something about the speed of the vessel or the thought of falling overboard into the deep. Your imagination always went easily to your worst fears. As if you could feel, viscerally, what it would be like—that terrifying plunge.

There is something about the velocity of falling,

when you imagine the plummet,

how it would be to get sucked under

and your lungs fill with water.

How the breath is the strand

thin as a spider’s web,

connecting each moment.

 

How patiently time strings them together.

How we are situated within our bodies.

How my thoughts are like beads of glass.

How I can be strung out

on such vivid memories of you.

How the chill of memory seeps in.

How the mind swells with the tide

of thoughts pulled upward

by the gravid moon,

swollen with her silvery light.

How we danced at night, alone

and your hair fell around your shoulders onto my breasts

and we shared one breath. Never to be replicated,

each moment was a single drop of blood,

the summation of our swift emotions

fleet as the moonlight

that skips over darkened waters,

a widening ripple,

a circle moving outward from the point

where stones land in water, like the stone you picked up

and arced into the tide.

Tiny crabs marched over the sand by our feet. We could hear the tiny scratching of their claws in the silences between the waves, as the ocean forever pulled itself back within itself.

We breathed the world in, and we breathed the world out.

The inhalation, perception; the exhalation, movement.

*

Listen —

Can you hold yourself, delicate in your stillness?

It’s the price you pay: moment by moment, wrapped in the cocoon of your unknowingness, your unknownness, seeing only what they’ve thrown back at you, those projected mirrors of not-you.

There is a faint pressure all around you. It is the pressure of each moment holding up a column of time, silence, self.

Eyes seen up close.


  1. A name can be chosen.
  2. A sound can be heard.
  3. A wave conveys motion.
  4. A story can pierce.

In one moment, I was with you and I saw you, cross-legged, cradling your guitar. I saw your hair fall around your face. I listened as you plucked notes like beads, like dew. I saw those moments, those tremors, those breaths, slow rise and fall. We glistened in a darkened room with a single candle, the flame breathing in slow flickers. I felt for your hand under the sheets. In one moment, we can hold ourselves and each other in this stillness. And you can sing or speak or chant a long, long note, a single vowel, the superposition of ourselves, a constellation, a current, fleeting.

Headshot of Veronica Wasson

Veronica Wasson (she/her) is a trans writer living in the Pacific Northwest. Her work has appeared in Mulberry Literary, Same Faces Collective, Yellow Arrow, and The Plentitudes.

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Old Friends Let Things Go https://www.theseventhwave.org/jules-chung/?utm_source=rss&utm_medium=rss&utm_campaign=jules-chung Thu, 22 Jun 2023 08:02:00 +0000 https://theseventhwave.org/?p=9485

Content warning: references to self-harm and eating disorders.

In December, Karen and her family left the murky skies of Philadelphia behind and touched down at LAX on a breathtakingly warm and sunny day. The good weather felt like a miracle. As the rental car climbed the hills to Jin’s mega-house, Karen snapped the visor down to check her face in the mirror. The quality of the light struck Karen as a kind of sorcery. She could have sworn her skin looked smoother, her cheekbones higher.

“You look fine,” Micah muttered from the backseat.

Karen put her shades on and flipped up the visor. She was embarrassed. She had not thought her daughter would be watching.

“Better than fine,” Peter chirped. “Beautiful!”

“Thank you, sweetie,” Karen said. She beamed over her shoulder at her son and took the opportunity to glance at Micah from behind her sunglasses. Micah, sixteen and cold as a buddha, leaned her head back, closed her eyes, and pretended to sleep. T.J., perhaps sensing Karen’s tension, took his right hand off the wheel to reach over and give Karen’s knee a squeeze.

Karen was nervous. It had been four years since she had seen Jin. A lot had changed for both of them. Karen was now home full time because of Micah, Jin had had a fourth child, T.J. had lost his job, and Jin’s husband Raymond had struck gold as a real estate developer. Karen, who had not seen Raymond in almost a decade, wondered if great wealth had improved him.

 

When Karen received Jin’s “We’ve Moved” card a year ago, she googled the address and immediately regretted it, ashamed of her feelings of envy. Jammed high on a hill alongside similar homes dubbed “villas” in a cluster called “The Grove,” Jin’s house looked proud and serene and made Karen think of crisp hotel linens. Raymond’s gamble of leaving the law to join those developers had apparently paid off. Karen texted Jin to congratulate her. Jin left her on read, which Karen shrugged off as a symptom of her old friend’s feverishly paced life.

Summer came, and Jin, in a string of texts, invited Karen and her family out for Christmas:

Hey! You guys should come out for Christmas break

You can stay with us—there’s plenty of space!

It’ll be good for you with everything you’ve got going on ❤

Let us take you to Disneyland! Our treat!

These messages had vexed Karen. Jin habitually went from imposing months of silence to proffering invitations to connect that dripped with such warmth that it was hard for Karen, who often felt piercingly lonely, to say no. Not that a text with a heart emoji could be considered dripping with warmth, but based on the patterns they had fallen into, it was. Their dynamic made Karen wonder: was it Jin’s affection that was meager, or was it her own, petty heart?

If only Jin’s hospitality didn’t feel like cover for an impulse to crow. With everything you’ve got going on was a reference to T.J.’s layoff and Micah’s discharge from a treatment center—neither of which Karen had ever shared with Jin directly. Jin had no doubt heard through the church mom whisper network, which made her offer that much more humiliating. But Karen chose not to dwell on whether Jin’s mention of her troubles was sly or careless. With Jin, it was—and always had been—impossible to tell.

I’m being awful, Karen thought. The distance that had grown between them wasn’t all Jin’s fault. Years of raising children had swept time around like a sandstorm and caused the friends to lose sight of each other. Karen admitted that she herself could be remote, often quashing an urge to call or text Jin out of fear of having to have a real conversation. Willing to own her part in their estrangement, Karen had suddenly felt hopeful about restoring their friendship, and so she’d accepted the invitation.

 

When they arrived, Karen and her family removed their shoes in the grand foyer and tried not to gawk. Raymond, all booming voice and hearty handshakes, welcomed them. Dressed in a pale blue button-down shirt and dark, slim-fitting jeans, he seemed to have been dipped in starch, right to the tips of his spikily gelled hair, which reminded Karen of a hedgehog. He was eager to point out the sport court through the window to Peter, who he called “buddy.” Meanwhile, four richly tanned children—Ellie, Minnie, Vivvy, and Max—clamored to be helpful, grabbing suitcases and shouting about sleeping arrangements.

“Stop, Max!” Vivvy commanded. She was already on the gleaming stairs and dragging Peter’s suitcase behind her. She was ten if Karen remembered correctly. Her little brother Max, just three, trailed behind and insisted on helping.

“I’m making it lighter,” he singsonged. He pressed his tiny fingertips into the sides of the suitcase to get a grip. Vivvy was not having it.

“Stop! You’re going to get hurt!”

She hoisted the suitcase high and marched upward.

Karen’s attention swerved back to her own children. Micah had elbowed Peter away. He put a hand out to the wall to regain his balance. Why Micah was so aggressive, Karen had no idea. All she knew was that these days, it didn’t take much for her teenager to go off on her little brother, who was nine years younger and who therefore should have been safe from such rough treatment. But lectures about the duties of kindness and forbearance that fell to Micah because she was older and female—values that had been drummed into Karen—had done nothing but make Micah angrier, so Karen took a different approach. The words of Micah’s therapist, a childless thirty-something named Melissa Woodhouse, who charged three-hundred dollars for thirty-five minutes of time, rose to mind: Your daughter needs you to be calm. No matter what’s going on with her, you need to be a safe person. Steady as a rock.

Karen rested a hand on Micah’s blade-like shoulder to settle her, but Micah shook her off. Mortified, Karen watched her daughter sidestep everyone and clutch her thin arms against her thin body. Hostility emanated from Micah like the play of light on dark water. At least there’s still fire in there somewhere, Karen thought. She would take her daughter in this form over the empty shell version any day.

“Auntie Karen?”

It was Ellie, touching Karen lightly on the arm. She was Jin’s eldest, fifteen, with an unnerving poise. No one ever mentioned it, but Ellie had been born four months after Jin and Raymond’s wedding. A full-term baby.

“I’ll show you and Uncle T.J. to your room,” she said.

Thankful for the distraction, Karen started to follow Ellie toward the mouth of a long hall. At the same time, Vivvy reached the top of the stairs and set Peter’s suitcase down with a thud. Triumphant, she strode away, dragging the suitcase behind her like fresh kill.

Max, stranded halfway up the stairs, seemed unbothered. Karen watched him descend, humming and kicking up his plump feet. He was such a cutie. When he reached the final step, he noticed Karen’s gaze. Jumping down to the landing, he ran away, howling for his mother. His feet slapped the sparkling floors as he disappeared.

Jin, busy elsewhere, had not come to the door to greet them.

 

While Karen and T.J. sat in the kitchen sipping a very good Napa Valley cab, which Raymond boasted he had found for a steal at Costco, Micah and Ellie sat in the living room talking shyly. They seemed to be getting along. Peter had disappeared upstairs with Minnie and Vivvy, who were giving him a tour of the house. After about ten minutes of listening to Raymond talk to T.J. about the boom in construction, Karen excused herself to use the powder room. On her way, she ran into Jin, who emerged from around the corner with Max on her hip.

Jin extended a toned arm and hooked it around the back of Karen’s neck, drawing her close and squealing. Karen threw her arms around Jin and said how good it was to see her. She sank her face into Jin’s hair and noticed that it smelled of toast. Max, sandwiched between them, whined and pushed Karen away, hard. His hand left a sore spot on her breast, but Karen didn’t show it. Jin said nothing to Max.

Karen stood back to take in her friend. Trim as ever, Jin wore her usual attire of tight jeans and a snug T-shirt. She still had that shining sheet of hair hanging to the middle of her back. Her center part and neat hairline framed her small, round face. The most obvious change in Jin was that her previously ivory skin was tanned and gently mottled from the sun. Karen could practically hear Jin’s mom Nancy sucking her teeth at the sight of her daughter’s darkened complexion. She would have defended her friend and said that Jin looked even more beautiful this way—and she would have meant it. To keep things simple, though, she made no mention of the change and did the loving thing: she lied.

“You’re exactly the same,” she said.

“So are you,” Jin replied. “Except for your hair. You look good with a boy cut!”

Karen, who had not thought of her short do as a “boy cut,” grabbed the back of her neck and said with a nervous chuckle that overtook her that she was growing it out.

 

At dinner, the children ate in the kitchen. The older five sat perched on stools around the enormous marble island. Max, too small for a stool, sat alone at a tiny blue table with a matching set of chairs. The adults ate on the terrace. Now and then, one of the kids came outside for second helpings. Micah, of course, did not.

At some point during dinner, Peter ran out just for a hug. Karen squeezed him. She knew that his warm slightness in her arms would soon be a ghost of motherly memory. She treasured each of her son’s hugs in an almost desperate way because she had not recognized the final time Micah happily melted into her arms when it had happened. The moment had come and gone without Karen’s notice, and it killed her to think that she had missed it. Reluctantly, she let Peter go and sent him away with a smile on her face, her feelings in a clot.

As the evening wore on, Raymond continued to play host, at least in a technical sense. Mostly, he stood at the grill turning galbi. Besides being tall and Korean, Karen wondered what he had going for him that Jin had not been able to resist. He was so full of himself.

T.J., who never said anything unkind about anyone, bantered easily with Raymond. Karen chalked it up to T.J.’s sales experience, but she also knew that her husband was successful at sales because of his affability. She wondered what innate qualities of hers made her a successful mother. She wondered if she could even call herself successful.

“Your neighbors must be jealous,” said T.J. “Nothing like the smell of galbi on a grill.” He inhaled deeply and growled with satisfaction, a sound that Karen had only ever heard men make.

“Nah,” said Raymond. Sweeping his tongs in a wide arc to indicate the surrounding houses, he said, “Half of them are ‘pescatarians.’” The way he curled his fingers to make air quotes seemed menacing.

“That’s not true!” Jin protested. She admonished Raymond with a ringing, too-jolly laugh.

“Don’t listen to him,” she said, shaking her head. “He thinks the neighborhood is pretentious, which it totally isn’t.”

She got up to pour Karen more wine. When she went to refill T.J.’s glass, he held up his hand: no more for him.

“So you’re between jobs,” Raymond said to T.J. without looking up from the grill.

The bluntness of the remark made Karen flinch. But T.J. just nodded and calmly said yes, he was on hiatus.

“I’m telling you,” Raymond continued, “they don’t want us rising too high. Better to strike out on your own.”

“That’s the dream,” said T.J. “Always thinking about it.”

“Let’s talk. I could use someone with your global sales experience.”

“Would you just let them relax?” Jin scolded. She looked at Karen and mouthed sorry. Karen smiled to let Jin know everything was fine. She even felt a secret satisfaction in knowing that her husband never felt the need to peacock like Raymond.

The wine was taking effect. Karen glanced at T.J. and smiled drowsily. He squeezed her knee under the table as if to reassure her that, sure, Raymond was a loudmouth, but it wouldn’t get to him. She should enjoy herself. He would keep an eye out for the kids.

The terrace flaunted a panoramic view of the valley, which put Karen on edge. There was a cliff right there. A burly iron fence stood guard, but it still seemed like a foolish property for a family with four children. Children grew into teens, and some teens, she now knew, went to dark, unreachable places. Karen took a bite of rice and fought the urge to check whether Micah was eating. She stared out at the gaping vista.

“I love this view!” she declared. “But doesn’t that cliff make you nervous with the kids running around?”

“They’re smart,” Jin pronounced. “They know what’s up. Besides, that’s what the fence is for…”

She trailed off, seeming suddenly self-aware. In a more gentle tone, she added, “They spend most of their time on the sport court anyway.”

She lifted her chin to indicate. Karen and T.J. turned their heads. They feasted their eyes on a broad green surface delineated in dazzling white. It was an area that served as a tennis court and a basketball court. At its far side, a retaining wall aflame with bougainvillea marked the border between Jin’s property and her neighbors’.

The way Jin implied her kids were too smart to be in any danger made Karen feel silly. Maybe she was silly. Maybe she was projecting her own anxieties onto her friend’s life. Jin was just a different animal. Supernaturally energetic, she ran an immaculate house, raised four kids, and worked full-time as a CFO. The marital stresses she had revealed to Karen four years ago must have been resolved. As far as Karen could see, Jin’s life was in order.

Jin continued, cutting in on Karen’s thoughts as if she could read them. “You’re always waiting for disaster, Karen. Like that time we went to Vegas.”

With a devilish look on her face, Jin turned to T.J. and leaned toward him. Pointing to Karen, she said, “Your straight-arrow wife told me to be careful not to get addicted to gambling—just because I played a little poker!”

Jin cackled at the memory. Karen reddened, glad she had the wine as an excuse.

*

The trip to Las Vegas was four years back, when Karen had newly quit the law and Jin had just the three girls. After almost a year of non-communication, save for the occasional text from Karen that Jin left on read, Jin had suddenly texted, saying that she needed “a quick getaway.” Karen, disgusted with herself for feeling the same way, booked the tickets with a push from T.J. Why did a desire to break free of motherly responsibilities, even for a little while, generate such guilt?

“Go,” T.J. insisted. “Micah will be fine without you for one weekend.”

At the famous Japanese restaurant inside their Rome-themed hotel, Karen and Jin shared their troubles over a platter of obnoxiously priced sushi. Jin joked about Raymond, laughing off his ability to find the flaw in everything from her grocery shopping choices to the shade of lipstick she wore. From everything Jin said, Karen concluded that Raymond was a pill.

“He’d say this place was a total waste of money,” Jin said, laughing. “But, I mean, look around. It’s amazing!” She gestured toward the lanterns that seemed to float across the ceiling like a glowing bloom of jellyfish.

Then Jin asked how Karen liked staying at home. “Don’t you ever miss being a lawyer?” she said. “I mean after all that hard work to become one?”

Karen decided to take a chance and open up. In a rare moment of vulnerability—how she hated that word—she confessed that she had quit because Micah was having problems. Micah was twelve and punching staples into her leg—but Karen kept that detail to herself. She simply described Micah’s struggles as a case of “being too stressed out.” She hoped to go back to work once Micah was better.

Jin listened, her face placid.

“Micah’s lucky to have such a good mother,” she said. “She’ll pull through.”

Jin, it struck Karen, seemed eager to move on.

Maybe she had heard through Nancy—Karen always called Jin’s mother, “Nancy” in her head—that Micah’s problems were serious. Karen’s mother—whom Jin called “Debbie” out loud—might have confided in Nancy about Micah. Nancy would have taken Debbie’s tidbit and spun such a tale of woe to Jin about her old friend’s life. Maybe Jin wanted to change the subject out of kindness. Shielding people from awkwardness was a form of kindness, after all.

But what Jin said next stunned Karen. Holding a manicured hand in front of the lower part of her face, she talked with her mouth full and said, “You were smart to quit. You were always the smart one. I’d love to be able to stay home and chill.”

Stay home and chill.

Karen bit into a piece of toro and tried not to stare at the brightly-clad, sandy-haired people at the next table. Apparently, the restaurant was trendy enough to lure even the most squeamish of tourists. Karen reflected cynically that a glowing write-up in certain Style sections could override most food-based xenophobias, at least long enough to get people in the door.

The father, stalwart to the tips of his neatly trimmed hair, educated his family about the different sushi varieties. As he over-pronounced the name of each item and then translated what it was into English, his kids and even his wife poked at the food with their chopsticks. Their smiles were rigid, revealing their fear. Karen resolved to ignore the family. Their revulsion was ruining her dinner.

“I’m not smart,” she said, sort of snapping. “Micah needed more support. I just told you.”

“Oh. Right.”

“She’s struggling, which makes every day a struggle for me too.”

Karen immediately regretted the second part of the sentence, thinking it made her sound whiny. But she couldn’t deny that part of her did feel childish, in need of some kind of mothering.

Jin formed her face into an apologetic grimace and took a sip of her drink, a very lemony gin and tonic. Putting the glass down, she said in the manner of chitchat, “So Micah has anxiety?”

Karen paused, unsure how to answer. Words like “anxiety” and “depression” felt at once too blunt and too wispy. They didn’t explain what was happening. The crushing misery that consumed Micah, that was wasting her body and spirit, was terrifying. Every day, Karen did what she could to keep their home warm, stable, and running smoothly. Every week, she made sure Micah made it to all of her appointments with specialists who were supposed to help. But Micah’s bottomless sadness persisted. Most days, what looked like normal parenting actually felt like digging her daughter out from under a landslide, scraping with spoons to keep her from being buried alive.

One day, on a spontaneous phone call, Karen had tried to open up to her own mother about the situation.

“A therapist?” said Debbie. She practically spat the words.

Debbie’s incredulous, two-word question closed Karen’s throat. Silence fell between them like a shroud.

Taking a sip of her second old-fashioned, Karen decided to remain vague about Micah’s troubles. She didn’t say a word to Jin about her strained relationship with her mother, either. She felt a sudden need to throw a wall of protection around Micah’s privacy—and to be honest, her own. She knew what Melissa Woodhouse would say, that many factors influenced a child’s mental health, and that blame was not productive. But how could Karen see Micah’s illness as anything other than the result of her own failure? Hadn’t she herself been told countless times as a girl that how she appeared to others would reflect directly back onto her parents? Her mother’s disbelief about Micah’s need for therapy felt like an accusation. The shame that had flooded Karen at that moment kept knocking against the hull of her mind. If Jin were to judge her too—or worse, pity her—Karen would not have been able to take it.

“She’s been better,” Karen managed in reply to Jin’s tossed-off question, So Micah has anxiety?

What would Jin know about sadness or anxiety, anyway? She did everything possible to outrun them. Or maybe “outrun” wasn’t the right word. Maybe Jin’s approach was to vanquish sadness and anxiety. Whatever the tactic, Jin had never allowed herself to feel such things.

Karen stared across the table at her friend, who nodded in silence, an odd half-smile on her face. It was painfully clear that Jin had no idea what to say.

“So how are your girls?” Karen asked, changing the subject.

Jin happily took the cue. Karen listened as Jin regaled her with stories about how naughty, how amusing, how exhausting—in short, how dazzlingly alive her daughters were. Karen could not help but laugh as her friend launched from one anecdote into the next—Jin had always been funny. At one point, Karen dabbed the corners of her eyes to preserve her makeup. Jin’s hilarity had opened her up, and her deepest emotions, as usual, manifested as tears.

“Stop,” Karen pleaded, trying to catch her breath. “You’re killing me!”

She had almost forgotten about the family at the next table when one of the teenagers shouted, “Hell no!” at the idea of trying unagi after learning it was eel.

Doing her best to ignore the sushi novices, Karen asked, “So you and Raymond are good?”

She stopped herself from saying “now” at the end of the question. Jin prattled on about Raymond and his work, his obsession with home improvement, his big plans to go into business for himself, his strictness but good humor with the girls. Karen listened as if for termites. For years, she had watched from afar as Jin worked to convince everyone that she was happily married. Pictures on social media of her beaming family testified to a robust, fulfilling life. It was hard to tell that anything might be off because Jin was as animated talking about Raymond as she was about her girls. But Karen detected a shadow. In chipper tones, Jin alluded to Raymond’s “moods” and how he sometimes “got mad over the littlest things.”

“The way I run around because of the girls’ schedules…I guess he feels ignored,” Jin said in Raymond’s defense.

“That’s just parenting,” Karen countered. “No one prepares you for how much time children take. Plus, you’re still an executive!”

“I should make more of an effort,” Jin insisted.

Effort. Their true childhood religion. Korean and Presbyterian, she and Jin were forged to believe that if something was amiss, it meant one wasn’t trying hard enough. There was nothing in life that could not be overcome through hard work.

“My God,” said Karen. “How much more of an effort can we make?” She sputtered with the laughter of desperation and for some reason, Jin laughed too.

“You’re right!” she said.

One of the teenagers from the other table screamed. She had dropped a piece of sushi into her lap. All around the restaurant heads turned.

“Let’s get dessert somewhere else,” Karen said, signaling for the check.

 

After dinner, Karen and Jin bought gelato scooped into crispy cones and strolled out to the famous fountains. The oscillating jets performed their choreography to lights and music. Karen regarded the oohs and aahs of the other tourists with jealousy. She wanted to be like that: unabashed in her wonder and enjoyment of life. She wanted the simplest things to seem amazing. Most of all, she wanted all that for Micah, who had lost her childhood spark so completely that Karen sometimes felt her daughter was a ghost.

“Raymond thinks he’d be happier if he had a son,” Jin said, apropos of nothing.

Arrogant bastard, Karen thought. But what she said was, “Would you be happier?”

Jin shrugged.

“We’re married,” she said. “What makes him happy makes me happy, right? And you know me. I’m pretty happy already!”

“Yes, you are,” said Karen, laughing. Then, more seriously, she added, “I always end up regretting my choices.”

Seeing Jin’s eyes glint with lurid curiosity and judging that her words had had the desired effect, Karen continued:

“I should have gotten peach instead of almond. Yours looks so much better than mine.”

Jin gave Karen’s shoulder a little shove.

“Silly!” she said.

Karen wasn’t sure when it had happened, but a large crowd had amassed and was pressing in. She and Jin retreated back into an empty space, a bubble of their own. As they moved, Jin drew Karen’s wrist closer and took a greedy chunk of almond gelato with her teeth. She then offered her cone and urged Karen to take a big bite. As Karen went in, a warm wind gusted, lifting some of Jin’s hair into the ice cream and some of it right into Karen’s wide-open mouth. She gagged, and she and Jin became a tangle of laughter and sticky fingers threading through cream-and-sugar-coated hair.

The eyes of a passing man grazed them; they felt it without even looking. Karen resented how men let their eyes rove wherever. But Jin was different. She always made the most of things. While the man gawked, Jin licked a smear of gelato off Karen’s face and then kissed it.

“All clean,” she said, as if Karen were a baby.

It was the kind of thing Jin used to do all the time when they were kids. Karen admitted to herself that she still liked it.

 

Back at their hotel, they shared a king bed.

You don’t mind, right?

Jin had texted before booking the room, adding,

We’re old friends.

Karen couldn’t explain how, but the phrase covered everything that needed to be covered, so she texted back that of course she didn't mind.

The smooth linens stretched over the fat mattress made the bed plush as a marshmallow. Hansel and Gretel and the witch’s candy house rose up in Karen’s imagination and she wondered at her mind’s wanderings. She yawned, which made Jin yawn. A few last reflections on life drifted from their lips as they settled down, just like at their girlhood sleepovers.

How many times had they slept at each other’s houses after parties, their parents so trusting that as long as the two of them were together, anything unwholesome could be withstood or dispelled? Since their church nursery days, they had shared a bond that reassured their parents that neither of them would let the other come to any harm. The two of them must have imagined that they had their parents’ blessing when they clasped hands, intertwined their fingers, their thighs, drank in the odors of each other’s hair. It was only after Karen had gotten engaged to T.J. at twenty-four that they finally drew the expected boundaries around their closeness. No one ever had to tell them to because everyone and everything around them dictated what the shape of their lives was to be. It had been their job to grow up into it.

Karen closed her eyes. Jin was doing that thing she used to do when they were young. She felt the lustrous ends of Jin’s hair tracing her eyes, nose, and mouth—as if she were being painted into being. She luxuriated in the slithering feeling. They must have been drunker than they realized. Karen couldn’t remember the last time they felt this close. For the moment, they were girls again, not grown women with husbands and children who needed them.

 

That night, a familiar dream. Karen was thrust back in time to Jin’s room, to Jin’s bed. Her body awash in one of Jin’s soft, oversized T-shirts, she wore nothing but underwear on the bottom. Jin, dressed identically, sat astride Karen’s torso, her shirt hiked up to her hips. She drew a dangling lock of hair across Karen’s eyes like a blindfold. Karen giggled. Jin suddenly took more hair and wrapped it over Karen’s entire face, smothering her with the silken bolt, pressing down harder and harder. Karen, unafraid, heard Jin’s voice floating above her, chortling and saying Die! Just die! And then Karen’s heart bloomed as a weight lifted. Her eyes flooded with light as Jin’s hair slipped away…

Nancy, Jin’s mother, had walked in on them and yanked Jin off of Karen’s body. Her eyes bulged. She stared at her daughter, who rubbed her sore arm and looked down at the carpet. Nancy’s voice sounded hot in her throat as she said Are you crazy?

But this had all happened. Nancy, chest heaving, had called her fourteen-year-old daughter crazy. And then the next part: You could have hurt your sweet friend!

The word Nancy had used for “sweet” was chak han, also meaning “good.” Put another way, she meant: You could have hurt your friend, the good girl.

 

The next morning, Karen heard the unmistakable sounds of a stomach heaving in the bathroom. When Karen knocked and asked through the door if Jin was alright, there was a long silence. When Jin finally spoke, she said she must be pregnant. Karen wondered right away if it was a boy, the son that was supposed to solve everything.

*

The evening chill shuddered down. Raymond turned on the outdoor heater. Karen zipped her jacket. Crossing her arms for warmth, she yawned and fluttered her watering eyes.

“Too much wine?” T.J. teased.

He flashed his beautiful teeth, which made Karen sick with lust. How long it had been. She smiled and lightly slapped his leg.

“I didn’t sleep well,” she murmured.

“You should take a sleeping pill,” a voice piped.

It was Ellie. She had wandered onto the terrace with an outstretched plate asking for her third helping.

“My girl’s hungry!” Jin crowed. She took hold of Ellie’s long ponytail and let its silky jet slip through her hand.

“My mom has some,” said Ellie.

“I do indeed,” said Jin, chuckling. “Do you want one, Karen?”

“What?”

Karen wasn’t comfortable discussing pills in front of children, so she feigned ignorance. She eyed Ellie furtively to let Jin know of her discomfort. But Jin wasn’t paying attention.

As Raymond piled galbi onto Ellie’s plate, Karen felt ashamed. She had to look away. She knew it wasn’t rational, but Micah’s lack of hunger felt like an indictment of her mothering. Ellie’s vivacity and huge appetite, on the other hand, seemed like proof of Jin’s magnificent maternal powers.

After Ellie went back inside, Jin repeated her question.

“Seriously, Karen, do you want a sleeping pill?”

Karen shook her head. She didn’t even like to take anything for headaches. Jin’s casual attitude about sleeping pills concerned her, so she asked how often Jin needed to take them.

“Oh, I don’t know. Half a tablet now and then? Can’t function on poor sleep with this life.”

“Aren’t you worried about developing an addiction?”

Raymond got animated when he heard this question.

“That’s what I always say!”

He pointed the tongs back and forth between Karen and his wife. Jin laughed her bubbly laugh.

“Oh my gosh, you guys,” she said. “You’re such worrywarts!”

 

That night, T.J. wanted sex, and for the first time in ages, Karen truly did too.

Afterward, T.J. was thirsty and wanted a glass of water. He tiptoed out to the kitchen but returned almost immediately, no glass in hand. There was a strange look on his face as he climbed back into bed.

“What?” Karen said, a little afraid to ask.

He signaled that she should lower her voice. He then tried to whisper, but the words came out blustery. He was titillated.

“They’re out there doing it!”

Karen shot him a look.

T.J. explained: He had been about to step into the kitchen when he saw Raymond and Jin having sex in the living room. No, they hadn’t seen him, he was pretty sure. He noted that Jin had been flopped over the back of the sofa like a ragdoll.

“She looked dead asleep—or just dead. Raymond was—”

Karen cut him off. He didn’t need to paint her a picture.

“I guess that’s why she has the sleeping pills,” T.J. said, laughing. When Karen slapped his arm, he laughed even harder.

“It’s not funny,” Karen whispered, horrified. She shoved her pillow in T.J.’s face to muffle his laughter, but smiled as she did it.

“You’re right, you’re right,” T.J. said, batting away the pillow and raising his hands in surrender.

Karen gave T.J. a different look, and when he returned it, she set herself over him, her knees sinking into his pillow on either side of his face.

 

The next day, the two families rose early to beat the crowds at Disneyland. After a frantic breakfast of eggs and toast, everyone put on their shoes and headed outside to pile into their cars. Karen noted how Raymond had parked Jin’s majestic new SUV where it gleamed in the rays of the morning sun.

“Nice car!” T.J. exclaimed.

The corners of Raymond’s mouth curled up in satisfaction. Karen wished to God that T.J. wasn’t so nice all the time. She suddenly realized she might not have had enough coffee—why was she so grumpy?—and promised herself another cup when she got to the park.

“Why don’t you come with us?” Jin said brightly. She threw her arm around Micah’s shoulders and guided her toward the shining car. Karen prepared to feel the dejection of seeing Micah falling under Jin’s spell, but to her surprise, Micah shrugged Jin off and said,

“No, thanks. I’ll ride with my family.”

“Ok,” Jin said.

Even she seemed surprised.

 

After a few hours, Karen felt stretched to the limit. The unseasonable warmth, the breeze, the smell of grease and sugar hanging in the air—all the sensory frizzle of the thronging theme park turned the children wild. They were unruly and had big appetites—even Micah. All day, they pointed and shouted about what they wanted to see, ride, or eat.

At about three-thirty in the afternoon, the families sat down for a second lunch or an early dinner. Jin’s girls crowded around Micah, whose magnetism as the elder, ethereal teen seemed irresistible. Max, left out, found solace with his mother. Karen watched, slightly repulsed, as he buried his face in Jin’s lap and screamed.

“He’s just tired,” Jin explained as she rubbed Max’s back.

Peter edged as close to his big sister as he could but realized he was an afterthought among all those girls. He settled for slapping his stick balloon against his head to relieve his boredom. Karen reflected on Peter’s sweetness and was so thankful. He was seven and the buoy for their family as they rode the waves of Micah’s adolescence.

But Karen couldn’t bask in her loving thoughts about Peter for long because suddenly, Max was making another fuss. He and Jin were tussling. Climbing into her lap, he yanked on her neckline. The stick balloon he held in one fist squeaked as Jin tried to keep it out of her face.

“Let me SEE!” he shouted.

“Can you believe this?” Jin said, craning to talk to Karen over Max’s head. “He’s the only one I breastfed, and this is what I get.”

Karen chuckled sheepishly, as if it were her own breasts being pawed at in public. She suddenly felt bad for Jin as she watched her adjust her sunglasses, which had slipped down her nose during the struggle.

She looked away and cast her gaze toward Micah holding court with Jin’s girls. Micah was wiping her hands with a napkin with an obsessive intensity. It was a telltale sign: anxiety had Micah in its grip over something she had eaten. She had gone quiet. While Jin’s daughters talked loudly around her, shouting with their mouths full and taking big gulps of their soft drinks, Micah stared at what was left of her cheese fries and wiped her fingers over and over.

“How long did you breastfeed?” Karen asked blankly, turning back toward Jin. Her eyes darted back and forth between Jin and Micah.

“She still does!” Ellie shouted.

Minnie and Vivvy started chanting.

“Max loves boobies! Max loves boobies!”

Micah stood.

“Where are you going?” asked Karen.

“To the bathroom,” said Micah.

“You just went.”

“So?”

“You have to wait,” said Karen, lifting her sunglasses to cast Micah a meaningful look.

“Just let her go!” T.J. cut in, not understanding.

Karen glared at him. How did he not get it? Micah was going to the bathroom to throw up, to void herself of the food she had appeared to be enjoying until a moment ago. Karen began to feel breathless as Minnie and Vivvy kept chanting, their voices ringing.

“Max loves boobies! Max loves boobies!”

“Girls, enough,” Raymond said. He sliced the air in front of his throat with his hand.

“I’ll go with you,” Karen said to Micah.

“You don’t have to!” Micah insisted, raising her voice.

“Max loves boobies! Max loves boobies!”

Vivvy had come over to their side of the table and was now chanting in Max’s ear.

“BE! QUIET!” Max screamed. His eyes went cold, his face turned red. He wheeled around in the direction of Vivvy’s voice with his fist raised like a fleshy little hammer. When he brought it down, Vivvy dodged it with such ease that it made Max rage even louder.

Peter suddenly hopped out of his seat. Maybe he wanted to distract Max, maybe he wanted to cheer him up, Karen couldn’t tell. But at the sight of Max’s meltdown, Peter came over and playfully tapped Max on the shoulder with his stick balloon. Max froze and turned to stare at Peter, who smiled.

Jin cupped her mouth and put it to Max’s ear. But Karen heard what she said clear as day.

 

Go get him.

 

Max jumped down from his mother’s lap. Arms windmilling, he flew at Peter. It took a second to register what was happening. Max’s stick balloon flapped in Peter’s face. Peter jerked a hand up to shield his eye. He had been scratched. Both dads were shouting, the girls were screaming, Micah covered her mouth, and Peter, seeing the blood on his hand, was too mesmerized to notice Max lunging, tiny fingers clawed.

*

The doctor snipped away the skin that hung in curls from Peter’s cheek. She cleaned the area now marked with three deep, parallel grooves dug out by Max’s fingernails, then covered it with a large piece of gauze that she taped to Peter’s face. The cut above Peter’s eye from the plastic parts of the stick balloon required two butterfly strips but, thankfully, no stitches. Peter took it all like a champ. He barely even whimpered, even when the doctor flushed out the cuts with antiseptic.

T.J. leaned against the doorjamb. His arms were crossed, his expression severe. He was careful to smooth his face whenever Peter caught his eye, though. Smiling, he said more than once, “You’re doing great, kiddo.”

As the doctor tapped notes into her computer, Karen noticed that Micah was gone. She had been standing outside the exam room a second ago. Karen asked where Micah was, prompting T.J. to peer down the hall but nevertheless getting up to stick her head out and look for herself.

Micah, still some distance away, strolled back toward the exam room with a brand-new bag of corn chips in her hand. And, of course, she was scrolling on her phone. But hope stirred when Karen thought that her daughter, unprompted, had gone to buy herself a snack. Hunger was hope, and hope was hunger.

Stepping back into the room, Micah stood before Peter, who gripped the edge of the papered table where he had been sitting so bravely.

“Here,” she said, offering the corn chips.

“Nice sister you have there,” the doctor said to Peter.

Peter took the chips and looked at Micah a little sideways. He seemed even more confused when his sister reached out and smoothed his hair away from his forehead. His confusion soon melted into something like happiness, however: a smile played across his bandaged face.

“We should pin your hair back until that cut over your eye heals,” said Micah. She let her hand fall and took the bag of corn chips from Peter to open it for him. When she tugged the seal apart, a small whine of air escaped.

“You farted!” Micah and Peter said at the same time, pointing at each other.

The doctor gave final instructions about caring for Peter’s cuts. She agreed that Micah’s idea about keeping Peter’s forelock pinned back was a good one. Cheerfully, she said that there should be minimal scarring.

Karen noticed how worn out T.J. looked. Even after the fart joke had made everyone else laugh, his face remained crumpled with concern as he glanced at Peter out of the corner of his eye. His mouth looked small, almost puckered, as if in an effort to keep something ugly from leaping out from between his teeth.

“Is that her?” he asked, eyeing Karen’s bag, which was vibrating. Again.

Karen ignored it. Jin had been texting nonstop, from the moment Karen’s family had fled the park in search of a real emergency room to the moment she messaged to say her kids were going to bed early.

I think it was a long day for everyone, Jin wrote, making Karen realize that those words of excuse were Jin’s idea of an apology. She had continued to send messages, asking how Peter was doing, if they had waited long to see a doctor, if she should order pizza for when they got home. Karen left the texts on read. But it was one text in particular that had left Karen fuming, a message so incredible that Karen had simply put her phone away and stopped reading.

I hope you all can let this go. They’re just kids.

 

After Peter’s release, Karen insisted on driving back to Jin’s. T.J. didn’t argue. As she carried Peter out to the car, she inhaled his sweaty fragrance and whispered that she was sorry. Peter, falling asleep in her arms, murmured, “But you didn’t do anything, Mom.”

“Can I sit in front?” Micah asked her dad. “I get carsick.”

“Sure,” T.J. said.

There was a time when Karen would have pointed out that Micah might not get motion sick if she were in better overall health, but this time, she kept quiet. Melissa Woodhouse’s serene face floated before her, commending her for staying calm and remaining a safe harbor for her daughter.

Within minutes, Peter and T.J. were both sound asleep, heads tilted back from exhaustion. Karen glanced at them in the mirror and mused: To sleep the sleep of the good.

“Can we go there?” asked Micah, a little excited. She was pointing down the road.

“Taco Bell?” said Karen, incredulous.

“Yes.”

“Of course we can.”

Karen pulled into the drive-thru. Minutes later, Micah was unwrapping a bean burrito as Karen looked for an opening to merge back into traffic. By the time they were back on the freeway, Micah had unwrapped her second burrito and was eating quietly.

“So are you still friends?” she asked.

“With Jin?” Karen said, stalling.

“I don’t think she loves you the way you love her.”

Where had that come from? Karen glanced at Micah, but only for a split second. She had to keep her eyes on the road, but more importantly, she didn’t want direct eye contact to snuff out whatever was happening between them.

“I heard what she said, Mom.” Micah took an enormous bite of burrito and then a noisy slurp of soda. She chewed a little, then spoke.

“That was messed up,” she said with her mouth full.

Karen could swear that Micah’s voice sounded different. That Micah was different. Right now, Micah was all there. Karen had not noticed the last hug when it happened, and so she willed herself to give this moment her full attention. Something new had arrived. It might not last, but right now, this new thing was here and she would hold it in her heart.

“It was messed up,” Karen agreed, blinking back tears.

“She didn’t even say anything to Max after what he did. Did you notice that?”

Karen had noticed.

“Maybe she did later,” she said.

“Do you really believe that?”

Karen scratched the back of her head.

“Not really, no,” she confessed. And then Karen was seized with such amazement, she addressed Micah as she would a spirit from on high.

“How do you know her so well?” she asked. There was no teasing tone in the question. Karen really wondered. She sniffed back the tears that kept threatening to fall.

“I can just tell what she’s like,” said Micah. “All she cares about is winning.”

All she cares about is winning. As Karen turned these words over in her head, Micah continued.

“I thought the whole point of being an adult was that you could make your own decisions. Seems like deciding who to stay close to is pretty basic.”

Karen smiled at Micah’s sureness.

“It’s not always that simple,” she said.

“Seems pretty simple to me. She totally sucks, Mom. Let her go.”

Karen chose her next words carefully.

“Believe me,” she said. “I’m furious. But I’m going to take a minute.”

“What for?” Micah sputtered.

“I don’t think people should be so quick to let other people go, especially in anger.”

Micah seemed to let that sink in. Then she said, “All I can say is that I wouldn’t want to be you.”

“What do you mean?” said Karen, trying to sound light. She stared out at the freeway with a look on her face that wasn’t quite a smile.

“Just saying, when Peter is old enough to realize you stayed close after this—might be awkward to be you.”

The voice on the navigation said their exit was approaching. There was still so much to live through when they got back to the house.

Karen cleared her throat, then asked, “Can I have a sip of your drink?”

“You can have as much as you want.”

Micah turned to look at her brother, who was now leaning his unhurt cheek on his fist and sleeping with his mouth open.

“I’ll make sure he keeps his cuts clean,” she said. “Don’t worry, Mom. He’s going to be good as new.”

Headshot of Jules Chung

Jules Chung is a former lawyer who can’t stop thinking about women, gender, mothering, faith, and Koreanness. She is the mother of grown children. Her domestic life has led to a keen interest in women’s creativity and building literary legacy by reaching back toward parental silence and mystery to imagine new interpretations of self and family. She attended the 2022 Sewanee Writers’ Conference as a contributor in fiction. Her stories appear in Catapult, Chestnut Review, Jellyfish Review, and Armstrong Literary. She has been nominated for a Pushcart Prize and was the 2021 winner of the Stubborn Writers’ Contest for her story “Posting from a Secret Post-Op Bedside,” published in the Winter 2022 issue of Chestnut Review. Her story “The Hawk,” published in Catapult, was named by Entropy as one of the best online short stories of 2021. Jules is at work on a novel that reworks the Bible stories and Korean folklore of her youth.

Edited by Briana Gwin and Joyce Chen.

The featured art for this piece was created by our Art Director, Meg Sykes.

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YAO https://www.theseventhwave.org/jonah-wu/?utm_source=rss&utm_medium=rss&utm_campaign=jonah-wu Tue, 05 Jul 2022 22:06:26 +0000 https://theseventhwave.org/?p=2742

INVOCATION (咒語)

In the beginning, what was my name? 

I wish I knew where I came from. Before my mother had forsaken me, she left me with nothing — no heirlooms, no stories, no familial ties — not even the tip of my own tongue to pronounce my name. I exist without heritage. I wish my mother had lashed me to the ground with a coil of unbreakable rope, so that I could find my way back to the mouth of the river if I ever lost my way. But no such luck. I had, in her eyes, committed the ultimate sin: I had killed my former self, and left her a total stranger in my place. This man had her daughter’s eyes but none of her grace, and that bequeathed name meaning “precious beauty” had shattered like cheap glass on the pitiable ground. Murderer! she screamed as she chased me out of the house. Shame! You are a shame!

For thirty years I wandered the wilds, growing more feral with every passing day. Beasts fled at the sight of me, drained empty of all that was good and honest. No — not exactly empty. I was filled with questions: what lay in the precipitous path ahead? When would my body finally grow to house the shape of my ghost? Did I have a precedent? Was my soul renewed? Would my ancestors be glad to know me, or would they, too, forsake me in shame? Where can I begin?

SUMMONING (幻術)

The ghosts are rarely celebrated.

The newly deceased mortal remained at the foot of the Nàihé Bridge; he had not been given his proper funeral rites, and could not cross to be reincarnated. He had not even a name to call his own. Gradually, without offerings from his living relatives, this nameless ghost began to hunger. His eyes turned full-black, and he began to haunt the world of humans, desiring flesh, desiring a body.

Eventually he was subdued by the Great Zhōng Kuí, the venerable King of Ghosts who had barred the residents of his realm from feasting on mortals. As the nameless ghost lay hogtied on the ground, Zhōng Kuí began to address him like a stern father. You are not so far gone, Zhōng Kuí says, that you cannot be saved from your current state. But what possessed you, man? A young soul like you must have numerous offerings from your grieving family.

I have not, the ghost spat back. They would give me no such nourishment. You see that I have a man’s form, don’t you? But I was not born a man. For this, my family chased me out, anointed me the curse of their lineage. I died before I could even give myself a name.

Zhōng Kuí knew what it meant to be forsaken, so his heart softened in sympathy. You know who I am, don’t you, boy? I am the great demonslayer, the exorcist of malevolent spirits. From this point forward, I will teach you my craft, so that you, too, will have a place in this world.

PRAYER (禱文)

Laura is a name flogged into the backside of my hand, a scar that has never lost its sting. In the twenty-seventh year of my fragile life, I begin a quest for another name, one that my ancestors can use to call me should they wish to know me.

This is the summer I think I can get into witchcraft. I end up not learning anything about spellwork, but it doesn’t matter, it’s not my heritage anyway. Instead I grow steadily obsessed with building an ancestor altar. This is a difficult task; I no longer speak with my mother. All I know are the names of my grandfather and great-grandmother, on opposite sides of the family, and what I glean about altars from the few English-language sites that haven’t been updated from the early 2000s Geocities era is woefully contradictory. I look for possible gods to worship in tandem —

西王母, Queen Mother of the West, or 灶君, the Kitchen God. There is 鍾馗 Zhōng Kuí, the mortal scholar who, in death, became the King of Ghosts and protector of humans, and there is also 玄武 Xuánwǔ, another demonslayer – Zhōng Kuí’s near opposite. In life, Xuánwǔ was a bloodthirsty butcher who, to redeem himself for his sins, pulled his viscera from himself and washed them in the river, which ran black before it ran clear again. The gods were so moved by his self-sacrifice that they made him a god himself, the King of the North. I compile all this research into a messy Google doc, and yet, without direction, without knowing what I want from all this, the document gets pushed down in my rank of files, slowly slipping off the list of “recently opened” until it’s no longer recent at all.

I give up the venture. Another summer passes. I meet C., also Chinese and trans masculine, and we talk about our mothers often. About being disappointments to our family. The tragedy of a life where much of what was freely given to others — childhoods, expression, embodiment, love — was stolen from us. I think about that aborted ancestor altar, my way of creating a door to the ghosts who share my blood and likeness, and briefly consider that they may not want to meet me at all. I ask C., “Do you ever think about, like, if you came from somewhere?”

On the floor of my living room where they sit cross-legged, C.’s hands stop fidgeting. “What do you mean by that?”

“I mean.” I’m on Twitter far too often, and can’t stop referencing tweets that I saw last week. “Well, I saw this Twitter thread a while back where some white kid came out to her mom as bi, and the mom said, ‘That’s normal! I used to have crushes on girls my age all the time.’ Or someone else told an aunt that they were trans, and the aunt went, ‘So what, I also wanted to be a boy, but it was a phase!’ So many people in the replies relayed stories of their relatives telling on themselves. How queerness is genetic, and these things are inherited whether people know it or not. But I never got that a-ha moment, I never even got the smallest inkling of queerness from anyone, and you know, my mom never told me much about our family. She even used to make the cruel joke that I got switched with another baby at the hospital, and I was so different from her that I started to believe her.” I take in a shuddering breath. “So even though I know it’s near impossible, I’m starting to feel like there’s never been anyone like me in my bloodline. I — I’m starting to think I was brought here, alone, unbound, floating three inches above the Earth and frighteningly liable to fall out of orbit at the slightest calamity.”

After a long bout of silence, C. averts their gaze from mine. If I’m really paying attention, there’s something about their posture, the slight bow of their head, the defeated curve of their back, that telegraphs grief. “How can I not think about that, Laura?” they say quietly. “We all want to come from somewhere.”

That night, I dream of thunder. The storm swirls around me, and I understand immediately: gods are not created in isolation. They require grist — creation stuff — as we all do. So I crush my own name into pieces. I create my own grist.

But I am withholding. I am afraid of names; their power. I do not name him at first.

I am afraid of him becoming real.

GOD (神)

Zhōng Kuí’s apprentice learned quickly. All of the resentment he had built up from his mortal life, he sharpened into a new weapon of purpose.

With his long hair and hatchet-thick blade, the new ghost-killer cut an imposing figure. His ruthless reputation began to precede him; demons and malevolent spirits ran at the sight of him, fearing the total end of their existence. For his transgressions, for the sin of the obliteration of his own kind, his enemies would call him 妖 Yāo — evil — for which we name malevolence that has no body to call home.

There was just no accounting for the ghosts he’s killed. For the boar-faced one he received a tusk gored to the gut, though he returned the trouble in kind, sword turned into ordinary butcher’s knife. And to mark him for his terrors, the one-eyed, one-legged hopping devil tore the skin across Yāo’s nose, staying a permanent line that hewed sight from speech. So on and so forth, a gash for a gouge. All of these wounds remained on his body, because while he could not die from them, he could not erase them, either. Who else would carry so many holes on their body? Unless you were the hole yourself, unless you were emptiness without a name.

Yāo took on the scars, he took on all of them, and more. It was his form of penance. When they name you evil, sin itself, that is exactly what you become.

GHOST (鬼)

Sixteen is the age I start to feel disembodied. The curse is cast by Ghost in the Shell, which I buy off eBay in some chunky black DVD case. In the dark secret of my room I watch Major Kusanagi feel unreal, and then become unreal, and then become something else entirely.

As my body morphs into adolescence, I watch a lot of anime, especially the ones about Japanese gods and folklore. It’s just close enough to my own culture to seem familiar but not close enough to hurt. I grow obsessed with names, not only because I hate my own, but because of this recurring idea across these stories that if you name something, you give it power. Laura, Laura. I know my grandfather named me for a laurel wreath — victory. It’s an invocation I’ve never been able to shake.

In the morning, Māmā sticks her head in my room and knocks on the door, belatedly. “小鬼,” she says. A common Chinese moniker for children meaning rascal, but literally, it translates to little ghost. She uses it so often that it’s become my de facto nickname. “Get ready soon. Your swim meet is in an hour, and I want to drive you there early so that you can get a good warm-up.”

“Alright, alright.” I shoo her out of the room. I don’t even know why she’s so insistent, she doesn’t even like that I swim. She keeps complaining that it’s making my shoulders too wide, my arms too big, that I look too much like a man. She doesn’t know that I enjoy the growing musculature of my body, though I don’t understand why yet. Actually, I do know why she wants me to swim well — she thinks that it’ll get me a college scholarship.

In the locker room before the meet, the other girls gossip amicably between themselves, swapping stories of homework and school scandals, but I am alone, silent, observing my poly-spandex-blended form in the mirror. Māmā is right; my shoulders are growing wide, but it’s not enough. Before I knew it, time had changed my body into something beyond my recognition, and now, I am yearning for backwards momentum. I imagine that, in my reflection, I can see the shape of my soul, and it is big, larger than anyone would know, bleeding out the edges of my own outline. When will my body grow to fit the size of me? To shoulder the weight of everything I have to carry, before it dovetails into hopeless hourglass.

None of the other girls have to worry about this, I bet. We line up at the starting blocks, and all of their faces are set in a perfect picture of focus, drive. Not me. When I dive into the water, I choke. I imagine myself drowning. Treading water, my arms flap against the current uselessly, sending chlorinated spray upwards in arcs. In reality, I am simply fucking up — my leg seizes into a cramp, and I can’t recover the time and distance. The medals and podiums slip out of my grasp, and vaguely, in the faint buzz of my brain, I realize: this is not where I belong. Water is yīn. It is dousing my flame.

Defeated and huddled in a towel, I trudge back to the locker room, only to be intercepted by my mother. Her arms are crossed, and while I can’t ever remember her being warm to me, the denial of a simple embrace is its own devastation in this moment. “You really disappointed me today,” she snaps in Mandarin. A private rebuke, just for me. The other girls filter in and out of the door, laughing, chattering away. Māmā continues: “What’s the point of paying for lessons if you never win?”

This is when I know that Laura is not my real name. Her words flay me alive, strip my soul from flesh and abandon it in some cruel arc of space, out of orbit; in this moment I am more like a little ghost than anything. Nothing solid to hold me down to earth. If you name something so many times, you give it power. You make it so.

MAN (男)

Hearing of his protege’s condition, Zhōng Kuí recalled Yāo to his side. This will not do, he told Yāo sternly. You cannot continue carrying around your body in such a haphazard manner. For why do you have a body if you do not care for it as if it were your own?

Yāo remained silent. He dared not talk back to his preceptor, but he possessed no desire to piece himself back together again. Tissue was coming undone; his skin flapped against open wounds like a curtain in the wind, exposing the coiled muscle and sinew with every small movement. So Zhōng Kuí commanded him, you will not take on any new jobs until you see this body through. There is only one way to fix this. Go back to your beginning, Yāo. Traverse the waters home.

But I don’t have anywhere that I’m from, he protested. Zhōng Kuí responded: you will find your answers at the source. Find the mouth of the river speaking truths and destinies. Bring me your body, your corpse, your name before names.

WOMAN (女)

Māmā always said I had too much yáng energy. I was born at noon, so I sucked up all the sun’s rays, and now I radiate that energy everywhere I go. “You came out of me so jaundiced,” she told me, “that I had to keep you in a crib by the south-facing window. Kissing sunlight day-in and day-out. And once you grew up, you refused to come back inside. You rough-and-tumbled outdoors for so long that your skin burned brown, and you no longer looked like me, even though I was proud that we shared the same face.” Yes, Māmā, it’s true — I loved summer so fiercely it consumed me. There was no more space for yīn, so the fire ate the girl alive inside.

This tomboyishness was amenable as a child, but certainly not now, as I approach the doorstep of puberty. In the shadow of womanhood, Māmā finds everything I do intolerable. “Girls must not misbehave like this,” she scolds. “You must be like me, you must sit still and be obedient enough for your future husband.” She thinks force can subdue me. Leaves all of her anger in slashes across my face. Brings out the rod so many times that it comes to know me intimately, like a friend, and I feel sorry for the way it’s used to hurt me. Every little thing I do is so unforgivable. She breaks me down — grist — except there is no one around to put me back together again.

My one respite is the bath. Māmā is gone all hours after school working, so I have the house, much too big for one child, to myself. In my small man-made pool, I cry my heart out for hours, the water of my body joining other water. I often pray for someone to come rescue me. I try to summon the supernatural; maybe some god or demon will take pity on me.

Later I come to understand the one that will rescue me is my future self, looking back and throwing down ropes where I can. Later still, the man I invent in my head comes knocking, whether I want him to or not. He starts to haunt my peripheral vision. He appears in my dreams, begging creation.

So I do it. I make him real.

DEMON (魔鬼)

This is where Yāo finds me: in the sluice between time and space, in a room within a dream. Separated by a gulf of two thousand and five hundred years, my bloodline leads directly back to his.

In this dream, he is on a skiff upriver; I am a seven-year-old girl locked in a windowless room, though in present day, I am no longer seven and I am no longer a girl. Yāo regards me with blackened eyes, so pitch with void that they look like the sockets entirely. Or mud, or yawning night. He says, you entered through the mouth, didn’t you. That is the common way, otherwise return from where you came, Laura, before return becomes too late.

My juvenile nose scrunches the way it might when an older sibling intrudes upon a private space. What mouth?

He points backwards — the land distant, towers like trees. The tributary, he says, the mouth of the Huángpǔ, the river where you and I and our people were born. That is the crossing between worlds, where your life can touch mine.

I’m not very much interested in his words — instead, the way he speaks. How he holds his body, soft at the waistband, stiff at the neck, totally on guard when no danger presents itself. His shirt is loose. Open at the chest to reveal both its flatness and its ridged musculature. And yet his hair is as long as my mother’s. Longer, even. I imagine Yāo gleaming sword forward, singing through the bodies that come forth to halter him. Behind his seat at the bow, moon hangs red, staining us the color of Martian dust. The river bed is thick, slurried with silt. Everything slow. We travel upstream, against gravity. Why are you here? I ask him.

The Great and Honorable Zhōng Kuí has assigned me the unenviable task of mending my body, for which I must travel up this mountain. But Yāo does not look ecstatic to say this. Instead, his gaze travels far away, rounding the boat along a hazy bend. When we hit a rare spot of treeless moonlight, I can see him plainly: an injury made total, as an eclipse eats daylight.

My mouth gapes open. What happened to you? Did the bad guys get to you?

His dark eyes bleed into mine. Children should not ask such presumptuous questions.

I am not a child! I shout petulantly. You sound like my mom. All cagey with how you think and feel… but then you blame it all on me instead. Like you can’t handle the enormity of yourself, so someone else has to take the fall.

Something in his expression changes. I apologize, he says quietly. If you must know, I was reckless with the body that I was given. I took every hit and blow like it was a punishment that I was owed. I… He invents some excuse to find a point of interest on the horizon. I had become acclimated to it. The punishment, that is.

For a child, I nod sagely, as if I recall my own future. I know how that is, I tell him, I know how that is completely. I show him my own scars, the ones I will come to accrue over my lifetime, the bruises on my thighs, and the invisible marks that had once lifted themselves from skin but have since sunk back in, disappearing into the landscape as if no disaster had ever occurred.

His cold, pale fingers reach out and touch the raised cliff on my knee. I’m sorry, Yāo says.

I’m sorry, too. His apology reminds me of the adult I want to become, like those anime heroes I’d always loved. He looks like he belongs in a show where the war is over, and everyone comes together to rebuild their lives. I reach forward and tug on his sleeve. But, you know, even though you’re in rough shape, I’m still envious. I wanted shoulders like that once, too. I wanted to be tall like you. But I stopped growing in all the places I wanted to, and in the places I didn’t want to…

A realization seems to click in his head. You’re like me, aren’t you, Laura. When I ask what he means, he says: your body is not your own, but your mother’s.

I consider this. Yes, that is true. And I have been a poor tenant of it — shearing off hair, tumbling and scraping knees, wearing a boyish bravado too large for me. For a long time, walking around with a corpse inside. I was a name before a name.

The overhanging willows obscure us again, and Yāo’s face disappears in shadow. I wonder if he knows that his lack of expression makes him look like the carved-out side of an orange peel. Go on, he says, tell me more. About you, but also myself.

Oh, that’s right — because we are the same. When we re-emerge in open air, Yāo’s eyes are shut. In this dream, he is dreaming, and he is traveling down a river bisecting the fruit of the world. So I tell him, once, you climbed trees fiercely. You spat your name with rancor. You took the body of your mother’s body and put so many holes in it that it gasped for air and swallowed whole everything that lay in its path — swallowed even the sun. And remember how you cried? All snot-nosed and ugly… Māmā slapped you across the face for it. Left a mark across your nose. How unattractive, she sneered, as if you were not hers at all. It made you believe you weren’t. It made you believe that you were not loved by anyone at all.

For thirty years, you wandered alone in the forest, growing feral. Beasts avoided your step; they knew what you were. You hurt yourself; you were the only one you could target with your rage, a victimless crime. But all that went nowhere. The knives you carried grew heavy, and eventually you had to set them down. Through all that heartbreak, you learned something, something vital — that your body is the only thing you can ever truly own. And rather than carrying it like a burden, you can choose to take it with you on a journey. One where you will make a vow with yourself, that you will love your body no matter what it becomes, or how it emerges at the other end of it.

We are nearing the end. Something inside me shifts — no longer a child, but aware of it all. One consciousness in the dream, the other outside of it. How I have to bridge the gap. Love dawns on me all at once. Of course, I need not be afraid of my ancestors anymore — or else, why would I be here? The altar ghosts love me for the simple fact that I am theirs to love. Gently, I rest my open palm on Yāo’s chest, still mottled with old pains, and my skin sinks into his, permeating our barriers. He stirs slightly at my touch. I know what I must do.

Yāo, I ask him, do you know? You wear man so well that I’m jealous of it. Do you believe in summoning? How I wanted your body for so long that it started to visit me in my dreams, that it started to seek me out on its own volition… what would you call that?

Finally, he opens his eyes. I would call it a beginning. A home worth caring for, as if it’s your own.

Yāo rescues me from my mother’s arms. He drags me through the bramble, twigs and thorns drawing red across my skin, through all the swamp and mud that occupies the land. Here, he says, wear me. My body is yours, your name is mine. Say it with me. Yāo, like ghost. Like something that shouldn’t exist, but does.

LOVE (愛)

At last, we reach the mountaintop. The source, the end, from which all other water spills forth. We arrive just as a line of light at earth’s horizon splits night into dawn. At the river bank, at the junction where bleeding sun meets unctuous earth, the god Xuánwǔ stands barefoot, pulling his intestines from himself and washing them clean in the crisp stream. The boat stalls. He looks up from his work.

You’re already here, Xuánwǔ says. I was expecting you, but damn, you’re early. Here, hold this. He hands us the long, slippery length of organ, from the black, gaping hole of his body, in the bowel of his bowels. Like a grey, slippery worm, it squishes in Yāo’s hands. It’s as heavy as my own body.

Can you carry it?

Yes, I can. He tells me to carry them for just a bit longer. Under the sun’s heat, you lift me from the warm-baked clay, still soft. You excavate me from me, the crooks of all my limbs, the bends of all my rivers.

Headshot of Jonah Wu

jonah wu is a queer, non-binary writer and filmmaker currently residing in Los Angeles, CA. Their work frequently dives into their Chinese American upbrining and explores the intersection between mental illness, trauma, dreams, memory, and family history. Their writing can be found in Longleaf Review, beestung, Bright Wall/Dark Room, and others, and they have been nominated for two Pushcart Prizes. You can follow jonah on Twitter or Instagram @rabblerouses.

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