• Anthologies,  Poetry

    Superstition Sonnet

    Teri Vela’s “Superstition Sonnet” invites readers to dispense with everything they think they know about the sonnet. It is not the rules of a form, but the warp and weft of intergenerational violence and prevailing softness that tethers these intricate lines together into a powerful reverse origin story.

  • Anthologies,  Poetry

    “Object Permanence” and Other Poems

    In her dazzling suite of text poems, image poems, and art, Tina Lentz-McMillan designates the negative space in every page as an intimate collaborator in her story. Her speaker is an un-silenced witness: of obsession, desire, and the ache of longing—and of what (and who) lives on even in the liminal territory of erasure.

  • Anthologies,  Fiction,  Prose

    La-Pa-La

    Savannah Bowen’s La-Pa-La tells the story of two young siblings living in Haiti—one of whom must grapple with the mysterious disappearance of the other. As the surreal begins to eclipse the real, a beautiful unraveling takes hold, leaving readers to wonder whether love may be the only certainty in this or any universe.

  • Anthologies,  Poetry

    The Time-Space Synesthete Draws You a Picture of What You Can’t See

    In a world where writers operate within the confines of page and word limits, Sionnain Buckley is a visionary without regard for parameters. In her poem, “The Time-Space Synesthete Draws You a Picture of What You Can’t See” Buckley renders a world where time has a shape, where every word has weight, and where the experience of glimpsing through the speaker's vast, synesthetic scope will leave an indelible impression in your worldview.

  • Anthologies,  Art

    Committed to Abstraction: Notes on Process and Meaning

    Everywhere in Natasha Loewy’s art, the ordinary and discarded are transmogrified into affective (re)creations that toe the line between tension and fragility, levity and weight, and joy and grief. Despite a wide range of materials used, Loewy’s larger body of work boldly rejects the notion that “good” art will stand the test of time; on the contrary, many of her creations are designed not to resist, but to relent to the passage of time, as all natural things do.

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